im ridin in that bently with the leather seats

ive been thinking about this so much, addictedd to the timbres

I think about this far too often for my own good

Dude, I’ve listened to this like 50 times now, incredible stuff

meowveryday_20211114

While out for a walk I began humming a melody along with a pigeon and instantly knew  I wanted to try out constructing a track around it. 
It was super fun to collaborate with the pigeon, super excited to maybe work with some of their other friends in the future!

Spotify: https://open.spotify.com/album/6xtLUWesOL1LHM1hXRsFtS?si=ZXF01Ar1RfC0xButunacNg
Apple Music: https://music.apple.com/us/album/pigeon-single/1637129675

Pigeon's portfolio: https://www.youtube.com/watch?v=wAVZc355UlI

pigeon (feat. a pigeon)

Voice by @portableho, JHL and Tilda Swinton
cover inspired by Alex Rutterford
Produced, mixed by @project_zy @jhlofficixl @bluenoise2

BLUE NOISE - JHL - ZY - Magma Sonore

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https://payhip.com/b/HhKTt

try the free demo : https://payhip.com/b/2ewhP

my first samplepack is finally here!  

I hope you enjoy the sample pack demo showcase made by my very talented friends and amazing cameos.

@gethosyne for the amazing cover art.

@mleuc - 0:00
@rayzuu - 0:18
@ezralaeux - 0:49
@proxdotbleep - 1:13
@jianmsic - 1:35
@juha-fool - 1:50
@channlmusic - 2:23
@prodglitchless - 2:50
@navinor - 3:01
@korewakosu - 3:26
@selasii - 3:45
@yyankyyy - 4:00
@theenigma_xo - 4:13
@sapphi3 - 4:35
@cumulusfrisbee - 5:04
@trustt - 5:16 & 5:34
@paxenimzi - 5:20
@cash-official, @gethosyne - 5:48
@shameless_wav - 6:06
@suji_scared - 6:22
@prodhyde - 6:50
@aadithyaa - 7:14
@whyawe - 7:38
@dern0 - 8:00

as always, thank you so much for listening

sonos (samplepack showcase) vol. 1

visions of excess

Drive link to writing accompanying the pieces :
https://drive.google.com/file/d/1yQB4Ne39iQjZi8bykPPNrneU0Yj9FZbg/view?usp=sharing 

Artwork & additional vocals by @flagrastama

Bandcamp release includes bonus tracks & artworks! 

-

“ofania” is an album inspired by a very hard period in my life. During 2021-2022 I struggled with an intense case of body dysmorphia. Hours spent in front of the mirror compulsively checking my appearance every single day, completely rewired, obsessive thought patterns, compulsions that partially stayed with me until now - and so on. It even got so bad I almost broke a part of my face while trying to “fix” a self-perceived flaw. It felt like my brain turned into a puddle. I couldn’t think of anything else, the compulsions felt like worshipping a god that gets off on watching you decay.

I made ofania throughout 2023, as soon as I started getting out of that shit. Of course it’s still not perfect and some days can be hard, but I am in such a healthier & happier place now - and I'm really proud of that. I learned to deal with intrusive thoughts better and not let them bleed into my identity anymore.

Making the album was really therapeutic for me. It tells my personal experiences through a grandiose, kinda gaudy fictional narrative. I’m an overdramatic bitch sometimes. Building a grand fantasy setting around a very intimate experience was an intuitive way for me to let my emotions out & express myself.

It tells the story of Veels - proud creatures brought to their knees by an infection breaking their minds into a submissive, drone-like state and submerging them in black tar. It tells that story from two perspectives - a protagonist named Finn trying their best to not give in to the virus - and an environmental view of the valley in which it’s taking place.
It ends with Finn and the rest of their kind fully giving into the corruption. Thick black slime spewing out of their mouths, empty stares and quiet moans is all that’s left. Story-wise, it felt fun to end the album on a dark note, but on a personal level it serves as a bit of a warning. The twisted view you had of yourself was never real and you needed to separate yourself from this parasitic symbiote if you didn’t want to end up like this.

The project obviously has a very kinky undertone. The hypno/drone elements have been implemented consciously - I noticed that the way I think about dysmorphia somewhat crosses with what entices me about those. I tried to lean into it and explore the line between the two. Can I make something therapeutic by expressing those heavy topics through a kinky fantasy lens? How do these two mesh in my brain and can I explore the connection safely & carefully for myself? It’s a really interesting dynamic - I find the album as dark as I find it hot lol

Sonically, I wanted to represent the corruption settling in the valley. Initially it’s rejected - the noise is brutally polluting the instrumentation around it, which sounds erratic & anxious in response. As the infection settles in, so does the instrumentation which starts to harmonize with the noise the more it lets it in.
Structurally, it’s definitely program music. I tried to represent the story events in the actual audio very methodically - to the point of me knowing which sounds are diegetic vs non diegetic to the universe inside.

With the release of ofania, I'm closing a chapter in my art and I am ready to enter a new one. I’m really fucking proud of this piece and my journey to get here. It’s honestly what I wished I could create when I started making music - and then some! I hope you can find something in it too.

-Raz


Special thanks to Mom, Flagrastama, Shevvy, Vidvana, Fen, Nadpher and Mei for supporting the project thru-out the process <3

ofania

ofania (full album)

'Symptom' by Serph and Lapsung, available on all platforms.

https://x.com/serph_info
https://www.instagram.com/serph_aqiraklosaw/

https://x.com/imlapsung
https://www.instagram.com/imlapsung

Serph and Lapsung 'Symptom'

@blairtblairt @jhlofficixl @suji_lament @pearl-lump @viznode

instagram.com/blairtblairt
instagram.com/jhlofficixl
instagram.com/suji_lament
instagram.com/pearl.lump
instagram.com/viznode

Cover art by @asvanyviz2
instagram.com/asvanyviz2

"cool song"

Due to a recent law in Hungary, made to limit the right of assembly, amongst other minorities, the LGBTQ community and Budapest Pride face uncertain times.
The only answer to this, is to unite and let our voices be heard.
We need to safeguard queer spaces.

Electronic music has always been a safe space for the queer community, so Marmint is launching a compilation in solidarity with Budapest Pride on the 28th of June, 2025.
The digital release is going to be accessible on Soundcloud, Nina Protocol, Bandcamp and other streaming services.

All proceeds go to Budapest Pride (Szivárvány Misszió Alapítvány)
https://budapestpride.hu/tamogass-rendszeres-tamogatas-adjukossze

Support

Blair, jhl, SUJI, Pearl Lump, Viznode - Last Touch

#CHANGEME

Vol. 1 was about cracks forming, Vol. 2 is about what happens when the glass finally shatters.
This act dives into the aftermath — broken trust, faded love, temptations, and the slow climb back to self-respect. Where the first chapter was a warning, the second is a confession.

Musically, Act II leans heavier into late-night R&B and cinematic rap storytelling, drawing influence from Drake’s introspection, Tory Lanez’s melodic grit, and Bryson Tiller’s raw confessions. Every track is written like a reflection on the fragments left behind, yet with flashes of resilience and ambition cutting through the melancholy.

smoke & mirros

njuː ɑrks 



------------



@renrakuglobalmedia

visuals: https://twitter.com/designbyboo

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