CLASSICAL

Perfume The Story of a Murderer - Pachnidło - 2006 - trailer music

The Truth - Audiomachine

A cover of the Piano Guys' renedition of Let It Go and Vivaldi's Winter, written for two violins and one piano.

Let It Go/Winter - Piano Guys (Cover)

Oscar-nominated composer Marco Beltrami (FANTASTIC FOUR, WORLD WAR Z, SNOWPIERCER, THE HURT LOCKER) has reunited with visionary director Alex Proyas (DARK CITY, I, ROBOT, THE CROW) to create an epic score reminiscent of Jerry Goldsmith, Maurice Jarre, and John Williams.

Beltrami’s musical palette has since expanded to virtually all film genres and he has received two Academy Award nominations for Best Score. First, for 3:10 TO YUMA, and shortly after for the Best Picture winner, THE HURT LOCKER. GODS OF EGYPT opens Friday 26th February (US) / 6th April (UK) with the soundtrack digitally available the same day. The CD will get a release on March 18th, 2016 through Varèse Sarabande.

Marco Beltrami - Gods Of Egypt OST (Suite)

Recomposed By Max Richter: Vivaldi, The Four Seasons

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 2 (2012)

C'era Una Volta Il West

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 0 (2012)

Honor

1. White Christmas
2. White Christmas (part II)
feauring Saori Yuki
3. Shchedryk (Ukrainian Bell Carol)
4. Santa Baby
5. Elohai, N’tzor
6. Little Drummer Boy
7. Congratulations – A Happy New Year Song
8. Do You Hear What I Hear?
9. La Vergine Degli Angeli
10. We Three Kings
11. A Snowglobe Christmas
12. Ocho Kandelikas (Eight Little Candles)
13. Silent Night
14. Auld Lang Syne

Joy To The World is a festive, nondenominational holiday album with music from around the globe. “There are 14 songs on Joy to the World,” says Thomas Lauderdale, “including well-known traditional holiday songs like Irving Berlin’s “White Christmas”…sung by China Forbes in English and by the incredible Saori Yuki… the Barbra Streisand of Japan… in Japanese. With the Pacific Youth Choir and the handbell choir Bells of the Cascades, we recorded “Shchedryk,” known in English-speaking countries as “Carol of the Bells,” with the original Ukrainian text which tells of a lark flying into the house at the start of a new year, thus bringing good fortune. We recorded a Hebrew prayer “Elohai N’tzor” with Ida Rae Cahana and Ari Shapiro and Patricia Costa Kim. (Ida Rae Cahana was for many years the canter at Central Synagogue in New York City and now lives in Portland… Ari Shapiro is the NPR White House correspondent… and accordionist Patricia Costa Kim was just named director of education at Experience Music Project in Seattle, but is also known by millions on YouTube as the keyboardist bandleader of Sonseed and their Christian ska song “Jesus is a friend of mine”). There’s a Chinese New Year song from 1946, a Felainspired version of “We Three kings,” a song in Ladino (the intersection of Spanish and Hebrew), “Silent Night” in the original German, as well as a verse in Arabic and another in English. The album ends with a samba parade of “Auld Lang Syne” with choruses in English, Arabic and French over the incredible percussion of the Lions of Batucada.” Lauderdale notes, “I love the holidays and all the music that goes with it. We strove to make an inclusive and non-denominational album that could be played anywhere in the world.”

Elohai, N'Tzor

My version of the famous soundtrack. Does not contain the intro parts ('The Promise').
Not as gentle as the original, this one's got harder dynamics to it. 
Made with FL Studio 10 and some VSTi-s. 
Enjoy and feel free to comment/share/download.
(C) Gabor Kiss 2012, Hungary

The Piano movie soundtrack - The Heart Asks Pleasure First (restyled)

This track is from the album Tango and is available for purchase below:

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MP3 Purchase Links
https://www.amazon.co.uk/Cant-Take-This/dp/B08HSV8NPN/ref=sr_1_1?dchild=1&keywords=cant+take+this+sarah&qid=1602758189&sr=8-1
https://www.amazon.co.uk/dp/B00C3E76ZS/ref=dm_ws_tlw_trk1
https://www.amazon.co.uk/Tango-Sahara/dp/B002RWSDGC/ref=sr_1_1?dchild=1&keywords=Sahara+Tango&qid=1586204636&s=dmusic&sr=1-1
https://www.amazon.co.uk/End-Days-Sahara/dp/B007U6958A/ref=sr_1_1?dchild=1&keywords=Sahara+end+of+days&qid=1586203394&s=dmusic&sr=1-1

Tango (Instrumental)

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

William Joseph - Within

EUGEN DOGA - Gramofon

News Of The World (Original Motion Picture Soundtrack)

End Titles (from the Motion Picture "News Of The World")

Hi Everyone,

thx 4 popping by. I recently moved all my activites and attention to my Podcast´s that i release at the following Website :

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you can listen and download them at your own convinience or also subscribe the at the iTunes Store, section Podcast´s and there search for :

MASSIVE DYNAMIX HOUSE SESSIONS

Please give it a try and spread the Word.

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MD

Perfume The Story of a Murderer - Pachnidło - 2006 - trailer music

nmamr111

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