Sometimes I do a radio show at Radio Blau: stream.radioblau.de
This is a mix I did for my show on March 13. Cheers.

Tracklist:
Night Shift - Biosphere
Safe Islands - WIDE AWAKE
Kodama - Phaune
Some Kind Of Up And Down Yes (Asusu Remix) - Efdemin
Planet - Four Tet
J'ai Dormi Sous L'Eau (Château Flight Remix) - Air
Ano Kyo Ku - Boys be kko
Taste - Union hall
Blue Flower - Clap! Clap!
Lotus - swoose
On The Hot Roof - Etso Soul & Drmz
Moanin Dub - Fuchur

sunday groove | march 13, 2022

1st single from forthcoming album "Ceremonial" (out on 22Jan 2016 on Tru Thoguhts)

iTunes - smarturl.it/lastfeast
Spotify - spoti.fi/1ToWcC8
Bandcamp - bit.ly/1ToW5q9
Etch Shop - bit.ly/lastfeastorientalsuite
Linkfire - TruThoughts.lnk.to/lastfeast


Pre-Order the forthcoming 'Ceremonial' album:

Bandcamp - bit.ly/cermonialbandcamp 
Etch Shop - bit.ly/1NLrghj

Last Feast

1. Iskeletor
2. Khan Al Rouh
3. Khan Al Rouh
4. El Mahdy Jr.
5. Saint Abdullah
6. Kalab
7. Muqata`a
8. Deena Abdelwaheed
9. Sufyvn
10. Menimal & Hannes Teichmann

Picture by Caroline Tabet from her work BEIRUT LOST SPACES
http://www.carolinetabet.com/photography_details.php?3

Karachi Files

&-Mix

Mitschnitt der no eXotik! no turistiK! Radiosendung vom 5.1.2019 auf Radio Blau. Ein Spezial über die Ausstellung "Megalopolis - Stimmen aus Kinshasa" im Leipziger Grassimuseum für Völkerkunde vom 1.12.2018 bis 31.3.2019.

Anlass für diese Sendung ist die am 1. Dezember des vergangenen Jahres im Leipziger Grassimuseum für Völkerkunde eröffnete Ausstellung "Megalopolis - Stimmen aus Kinshasa". Was diese Stimmen sagen wollen, das ist noch bis Ende März in einer, wie ich finde, sehr beeindruckenden und abwechslungsreichen Ausstellung zu sehen.
Das wirklich Besondere an der Entstehung dieser Ausstellung ist aber ihre methodische Radikalität. Dafür begab sich das Museum auf ein absolut neues Terrain, indem es den Künstlern und Künstlerinnen eine Carte Blanche ausstellte. Das heißt, es überließ ihnen in allen Belangen, also in Konzeption und Realisation, absolut freie Hand. Das was in der Ausstellung zu sehen ist, wurde nicht durch den europäischen Ethnologinnenblick gefiltert, sondern die Künstler und Künstlerinnen Kinshasas bestimmen hier selbst was sie den Besucherinnen vermitteln wollen.
Aber auch die Künstler und Künstlerinnen wurden von dem Ausstellungsort selbst beeinflusst. Denn anders als in einem herkömmlichen Museum für zeitgenössische Kunst, blieb hier die Auseinandersetzung mit Themen wie z. Bsp. Restitution nicht aus.
Diese Änderung der Spielregeln in einem ethnologischen Museum finde ich äußerst spannend und das war auch der Grund dafür, warum ich wenige Tage nach Eröffnung der Ausstellung zwei Interviews geführt habe. Das erste mit Nanette Snoep, bis Ende 2018 Direktorin des Grassimuseum für Völkerkunde, Leipzig. Das zweite mit Eddy Ekete, einem der beiden Kuratoren dieses Projekts. Dieses zweite Interview ist in französischer Sprache. Die Fragen und Antworten wurden zusätzlich übersetzt.
Auflockert wird diese Sendung mit, wie kann es anders sein, Musik aus dem Kongo, der kongolesischen Diaspora bzw. einem Bezug zum Thema.

Kin Sonic

no eXotik! no turistiK! Spezial - Megalopolis - Stimmen aus Kinshasa

Shock World Service 091:
World Synth Experiments by Frankie Grimes
9/2/2020 Dublin, Ireland

1. Juan Amenábar - Los Peces (1957 - Chile)
The first tape piece from South American composer Juan Amenábar Ruiz. It’s an electroacoustic work based on Fibonacci sequence tape manipulations of recorded piano sounds. From Santiago, Chile, he was an engineer and composer and pioneer of electroacoustic music in South America. Studyied composition at the National Conservatory of Music in Santiago, later travelling to Bonn, Germany, where he studied with Stockhausen’s teacher Wener Meyer-Eppler.

2. Iannis Xenakis - Concret PH (1958 - Greece)
Iannis Xenakis once approached Messiaen in Paris for composition lessons, but Messiaen turned him down, saying “I think one should study harmony and counterpoint. But this was a man so much out of the ordinary that I said… 'No, you are almost 30, you have the good fortune of being Greek, of being an architect and having studied special mathematics. Take advantage of these things. Do them in your music'."

Concert PH (paraboloïdes hyperboliques), was written to be heard as audiences entered and excited the Phillips Pavillion at the ’58 World Fair in Brussels, Xenakis was also involved in building the structure, and Varese’s Poeme electronique was played while people were inside the building.

3. Jorge Antunes - Auto-Retrato Sobre Paisaje Porteno (1969 - Brazil)
Known as the originator of electronic music in Brazil, Jorge Antunes studied music and physics in Rio de Janeiro. Os Mutantes were building DIY guitar pedals, but Jorge Antunes was building himself oscillators, filters and modulators. He has been a professor at the University of Brasilia since 1973.

4. Delia Derbyshire - Falling (1964 - USA)
Delia Derbyshire was a true electronic music pioneer. Working with the BBC Radiophonic Workshop, she created the famous Doctor Who theme.
The Dreams was a collaboration with Barry Bermange, of voice recordings of people describing their dreams, set to an entirely electronic soundtrack by Derbyshire.

5. Otto Sidharta - Lorong (1984 - Indonesia)
After post-graduate study in Amsterdam, Otto Sidharta returned to Indonesia to gain his doctoral degree and compose electronic music based around nature and soundscapes. Reissued by Sub Rosa in 2017.

6. Mammane Sani - Tunan (1979 - Niger)
Mammane Sani was a pioneer of West African electronic music, and creator of much of the incidental music used for radio in Niger. This, his first and only album, electronic interpretations of traditional Wodaabe and Tuareg music, was recorded in two takes at the National Radio of Niger, and released on a limited casette by the Ministry of Culture . Reissued by Sahel Sounds in 2013.

7. Yishak Banjaw - Libey Ma’aduley (1986 - Ethiopia)
Originally from Addis Ababa, Yishak Banjaw created this album at his house in Eritrea, on a Casio PT rented from a friend. He recorded the whole album live, directly to his tape recorder. Reissued by Teranga Beat in 2016

8. Gökçen Kaynatan - Lost Island (1973 - Turkey)
A pioneer of electronic music in Turkey. While there was much experimentation in Turkey at the time, Gökçen pioneered the use of electronics. Reissued by Finders Keepers in 2017.

9. The Upsetters - Chim Cherie (1973 - Jamaica)
Reggae and Dub had a huge influence on the development of electronic music, and none more that Lee Scratch Perry. It’s hard to pick one, but this early dub from Pressure Sounds’ 2010 compilation shows just how far ahead they were.

10. Codek - Closer (1981 - France)
Originally release on Ivorian Coast label West African Music, this is the a-side from the well known ‘Tam Tam’  single, recorded in France by Jean-Marie Salau. 

Notes end as we have reached max word count

INSTAGRAM

091: World Synth Experiments 1957-1993 (Frankie Grimes)

From preparation recordings for our Kulturlounge Reudnitz gig. 
Together with my dear friend HnnH I went VEB Technodruck to play. 

H/W: Electribe ESX1, Doepfer DEII and modular stuff (Wasp, Clouds, EWA Moogie filter) , Poly61, Alesis Midiverb III, DBX comps

&-Mix

no eXotik! no turistiK!

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