Sunset in the car

Cavetown ~ Boys Will Be Bugs (cover)

off SALES' self-titled debut EP 
order the EP here: http://bit.ly/1s133ZB

"chinese new year" on iTunes ~ bit.ly/1pCb7fG
"chinese new year" on Spotify ~ bit.ly/1q9TYLH

EP Tracklist: 
1. renee
2. vow
3. chinese new year
4. getting it on
5. toto
6. toto (XXYYXX remix)  

artwork by Alana Questell (www.alanaquestell.com)
facebook.com/wearenotsales
twitter.com/wearenotsales

$$$$$$$$$$$$$$$

LYRICS:

I'll see you at the movies
I see you with your lipstick on
I'm looking out for cosmos
I'm hoping that we get along
It's time for an ovation
It's time for us to make a change
It's time for a Chinese new year
It's time for me to make away

And I can't, no I can't wait to get far from here
No I can't, I can't wait to get out of here
No I can't, no I can't, no I can't wait to get out of here

I'll see you at the movies
I see you with your lipstick on
I'm looking out for cosmos
I'm hoping that we get along
It's time for an ovation
It's time for us to make a change
It's time for a Chinese new year
It's time for me to make away

Sweared a lot and I bared a lot
I was there a lot last year
Wept a lot, oh baby you slept a lot 
I was left a lot last year
Pleased a lot, baby you seized my heart 
And I started to fall last year

chinese new year

a little cover of the bug collector by Haley Heynderickx

the bug collector

Noah Floersch on Audiotree Live

Ghost of Chicago (Audiotree Live version)

This track is a special mix exclusive to our page and is based and edited out of the credit theme of "Jail break" and the credits theme for volume 1.

Rebecca Sugar - Love Like You (Vocals Mix)

There are two sides to every sound.

That’s the idea behind Double Entendre — an album written between hotel walls, rehearsal rooms, and long stretches of highway where silence hits louder than the bass. It’s the story of a 21-year-old musician trying to hold it together while chasing a dream that’s slowly chasing him back.

Every word has two meanings. Every note hides two feelings. The smile on stage and the panic off it. The applause that feels like thunder, and the quiet that feels like drowning. Double Entendre isn’t just an album — it’s a translation of that double life into music.

This record started on a cracked phone screen at 3 a.m. — voice memos, scribbled lyrics, half-finished thoughts recorded over static. Over the course of ten songs, it follows a young artist’s journey through insomnia, fame, fatigue, and faint hope. It’s the sound of a dreamer trying to stay awake in his own story.

There’s no pretense here. No filters. Just the duality of modern life as an artist — half online, half alive. Each song plays like a page from a private diary written in lowercase and mixed through distortion.

Another Town

Debut album released in 2023, blends, rock, pop with a bit funk thrown in.

Banks of the River

Introduction

The Day the Clocks Went Silent is a progressive concept album that explores humanity’s fragile relationship with time — and what remains when that relationship collapses.
Across twelve interconnected songs, the album follows an emotional, philosophical, and sonic journey through silence, chaos, awakening, and acceptance.

It begins with a single moment: the instant the world’s clocks stop ticking.
From that frozen second, the story unfolds through dreamlike reflections, surreal landscapes, and the inner echoes of a civilization learning to live without measurement — discovering the pulse of life beneath the tyranny of time.

Each track represents a stage of this collective awakening, blending field recordings, ambient soundscapes, orchestral textures, and expressive guitar work reminiscent of Pink Floyd, King Crimson, and Steven Wilson.
The album moves from tension to release, from disorientation to catharsis — ending in peaceful infinity, where time and sound merge into one.

The Concept & Narrative Arc

The album is divided into three conceptual movements — Collapse, Awakening, and Transcendence:

I. Collapse (Tracks 1–4)

Time stops.
The opening tracks (“Prelude,” “Fractured Hours,” “The Weight of Seconds,” “Ghosts of Routine”) depict a world unraveling.
Mechanical ticking fades into silence as people struggle to live without rhythm — haunted by routines that no longer have meaning.
The music is tense, surreal, filled with field recordings and experimental time signatures, symbolizing a fractured world.

II. Awakening (Tracks 5–8)

The silence deepens into introspection.
Songs like “A Silent Parade,” “The Sun Forgot to Rise,” “Chronos Sleeps,” and “Voices Through the Static” explore the psychological and metaphysical collapse of human order.
Time’s god, Chronos, dreams — and in his sleep, reality bends.
These pieces blend psychedelia and ambient textures with philosophical lyrics and cinematic spoken-word passages, evoking a trance-like descent into the subconscious.

III. Transcendence (Tracks 9–12)

From silence, understanding emerges.
“Beyond the Ticking Sky,” “The Return of Sound,” “The Clockless Dream,” and their motifs reveal a rebirth — humanity realizes that time is not a prison, but a pulse of existence.
The ticking returns, but now as the heartbeat of life, not as a chain.
The final track dissolves into complete stillness, suggesting enlightenment — or perhaps the final moment before the dream ends.

Philosophical Core

At its heart, The Day the Clocks Went Silent asks:

“If time stopped — would we finally begin to live?”

It questions our dependence on structure, measurement, and routine — suggesting that true consciousness may emerge only when the illusion of time collapses.
The silence between seconds becomes a metaphor for awareness, presence, and the rediscovery of meaning beyond linear existence.

Sound & Aesthetic

Musically, the album fuses:

Progressive Rock’s narrative ambition and shifting time signatures.

Psychedelic textures — reversed sounds, ambient drones, field recordings.

Art Rock’s cinematic scope, with orchestral and electronic arrangements.

Classic Rock emotion, featuring expressive guitar solos in the tradition of David Gilmour and Steve Hackett.

Experimental and cinematic production, blending organic and synthetic soundscapes into one continuous experience.

The album is designed to be listened to in full — a single arc that transforms sound into silence and back again.

Closing Statement

The Day the Clocks Went Silent is not just an album — it’s an existential reflection disguised as sound.
It captures the collapse of order, the beauty of uncertainty, and the rebirth that follows.
By its end, the listener stands where the journey began — but changed, hearing the world anew.

“In the silence, we finally heard ourselves.”

A Silent Parade

Boy (Sandy Alex G remix)

A Halloween jam with the King and Queen of the Losers. A cover of "This Is Home" by Cavetown. Good vibes.

bit.ly/CavetownHome

This Is Home (Cavetown Cover)ft. King and Queen of the Losers

a song about bad choices

thanks des for the song idea

lyrics:
are you waiting for the day i'm gone
ill wait for you
just like you'd do

my pillows are all wasted im on fire
i wish i knew 
just like you knew

so now don't leave
i feel like im waiting for you
please now don't leave
i feel like im waiting for you

are you ever wasted on your own
how does it feel
it's so surreal

that i will never be the one you hold
into the clear
ill disappear

so now don't leave
i feel like im waiting for you
(i don't wanna go [x4])
please now don't leave
i feel like im waiting for you
(i don't wanna go [x4])
so now don't leave
i feel like im waiting for you
(i don't wanna go [x4])
please now don't leave
i feel like im waiting for you
(i don't wanna go [x4])

dog cuddles

Alex G - Things To Do

Beach Bunny on Audiotree Live

Prom Queen (Audiotree Live Version)

‎the drums - money

Heard this song on NEO MAGAZIN ROYALE, liked the version so much that I had to do a cover of it!

[company] https://targoninc.com
[music] https://trirecords.eu/artist?n=loudar

Watch the video

Wallows - Scrawny (Loudar Cover)

Enjoy a slowed down song with your favorite hxh peep

Ghost of Chicago (Audiotree Live version)

Noah Floersch

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