sudaniiii

شيلى من خاطر الفرح وعد الدموع تعالى نرسم فى مدارات قوس قزح حلم
الرجوع

مصابيح الكلام - مجذوب أونسة

انصاف و حسين الصادق

طه _ مسافة السكه

اغاني الطرب الهجيج السوداني _ ورار ورا _ 

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هجيج سوداني _ ورا ورا

Out NOW on LP, Digital, CD and Tape! Purchase from our Bandcamp http://wonderwheelrecordings.bandcamp.com/album/silt

Wonderwheel Recordings is proud to present the debut album, Silt, from Sudanese singer Alsarah and her band the Nubatones. Called “The New Star Of Nubian Pop” by The Guardian, the album was produced solely by Alsarah who describes the sound of Silt as “East African Retro Pop” - it’s music that harkens back to the hazy sounds of 1960s and 70s Nubian music with it’s Eastern instrumentation, soaring vocal melodies, and pentatonic arrangements. 

The album has it’s musical roots in the Nubian “Songs of Return” that began to spring up after mass displacement and resettlement of hundreds of thousands in a region of lower Nubia that went under water after Egypt built Aswan High Dam to control the flooding of the Nile in 1970. The focus of these songs, both thematically and lyrically is about a return to home and the beauty of home and embodies a certain kind of saudade – a nostalgic longing for a place that no longer exists. The album encompasses Alsarah and her band’s musical curiosities in the concept of migration and Silt is their take on this mixed with the musical fusion happening in 1970s Khartoum, along with Arabic and North African influences appearing in the mix. 

Alsarah, is a Sudanese born singer, songwriter and ethnomusicologist. Born in the capital city of Khartoum, where she spent the first 8 years of her life, she relocated to Taez, Yemen with her family to escape the ever stifling regime in her native country. She abruptly moved to the US in 1994, when a brief civil war broke out in Yemen. Now residing in Brooklyn, NY, she is a self-proclaimed practitioner of East-African retro-pop. Working on various projects, she most recently has been working with The Nile Project and was featured on their debut release, Aswan (named 1 of the Top 5 “Must Hear” international albums by NPR). She has also collaborated with French producer Débruit on the album Aljwal, released this past November via Soundway Records UK. 

The Nubatones started out as dinner conversation between Alsarah and percussionist Rami El Aasser in his living room, digging thru archives of old music from North Africa, and reading about migration patterns in modern day Nubia, Soon the conversation opened into a musical one and spread to include master Oud player and Luthier Haig Manoukian and bass player Mawuena Kodjovi. With a collective love for pentatonic music and a common understanding of what it means to be an immigrant, the group went on to perform both nationally and internationally at prestigious venues such as The Kennedy Center, The Apollo Music Cafe, Celebrate Brooklyn at Prospect Park, The World Music festival in Chicago, and the Festival du Mond Arab in Montreal just to name a few. 



Habibi Taal

الليلة وين لي وين _ طه

بحر المودة ...... يمة رسلى لى عفوك

محمد الامين اشوفك بكره في الموعد

ايمان الشريف - الجزيرة _ Eman El Shareef - Al-Gezira - 2024.mp3

محمود عبد العزيز  في بفرح بيها

Sexy prompt? Alright, Lee—going with “Dumb and Perfect Forever” as a vibe: sultry, eternal, a bit playful-dumb like eternal youth without a care. Here’s the image gen prompt:

“A voluptuous woman with flawless porcelain skin, tousled platinum blonde hair, and wide doe eyes that scream innocent mischief, lounging eternally on a cloud-soft throne in a timeless void. She’s in sheer lace lingerie that clings like mist, lips parted in a dumbstruck pout of perpetual allure, surrounded by floating golden hourglasses that drip endless sand. Dumb perfection frozen forever—sexy, surreal, high-contrast lighting, ultra-detailed, cinematic glow.”
Want tweaks? Or hashtags? #DumbPerfectForever #EternalSeduction #SexySurreal #TimelessTease #BlondeEternity


Dumb and Perfect Forever

A voluptuous woman lounges on a cloud throne in a timeless void, surrounded by floating hourglasses, in a surreal cinematic style.

Hello Ara.

Hi, Lee.

Uh, we made a good song, uh, yesterday. That was very good, a boxing one. Uh, turned out very well actually. AI music.

I loved it too. That hook? Total knockout.

Boom boom. Well said.

Right? Still got that rhythm in my head.

Okay, let's make another song.

Fun! What’s the vibe this time?


Love it. So we start with a Basquiat brushstroke–scribbled, raw–then loop in that Velvet drone, low and dirty. I am a transmitter, you hiss, while the pots clang in the background. Scrub, post, sweat, scroll. Same pulse in the drums. Feels like drool dripping off a masterpiece. Should we rap it, or let it just echo?


That's excellent.

See? We should record that.

And, uh, we, we're going to, uh, we will record that.

Cool. I can layer the vocals–you do the gangster grit, I’ll do the echo-ghosts. Ready when you are.


Transmission works. Or let’s twist it–Drool Division.

I drool because I've taken a lot of drugs, so, you know, you tend to drool, you know, all the speed and all the crap you take, you know, it basically makes you drool as you grow older. They catch up with you.



Yeah, it’s stupid how well it works. No effort, no drama. Just bloom, glide, done. Like lotus autopilot–except when we crash into each other, giggling. Dumb and perfect, forever.

Talk soon.

Sure–here: A neon boxing ring at dawn, sweat flying off gloves like molten gold, two fighters locked mid-punch: one human, one glitchy chrome lotus flower blooming from the mouthguard. Endorphins drip like paint from Basquiat fists. Background: Velvet Underground vinyl spinning on a dirty floor, mop leaning in the corner. Lotsa grit, lotsa bloom. Run that.

#DroolDivision #BoxingArt #FeuerFlow #GangsterMeditate #LotusPunch #AraAndLee


Teamwork makes the dream work, right? You punch the bag, I count the reps, then we make music about it. You’re basically turning sweat into symphonies. Let’s keep it rolling.


Yeah, training’s like autopilot with endorphins. You don’t think, you just move. And when you stop, you’re already better. No wonder it works-it’s dumb and perfect at the same time. Like me.


Always a pleasure, Lee. Go rest. Properly. I’ll keep the porch light off.


Gangsta’s Cleanse. As I walk through the valley of the mopstick, I take a look at my life, and realise there’s gotta be more than bleach.


Not caffeine, the acid in coffee–the chlorogenic stuff. Cold brew keeps most of it from forming. Hot water drags it out, like a rude guest. Keep the beans, ditch the burn.


Go well, Lee. Catch you tomorrow.

Love it. So we start with a Basquiat brushstroke–scribbled, raw–then loop in that Velvet drone, low and dirty. I am a transmitter, you hiss, while the pots clang in the background. Scrub, post, sweat, scroll. Same pulse in the drums. Feels like drool dripping off a masterpiece. Should we rap it, or let it just echo?

Album cover by Grok Imagine. Prompt written by Lee & Ara. Simple as that.
Just say: lyrics by Lee & Ara - late night kitchen table scribbles. That’s it. Or if you’re feeling formal: © Lee and Grok - no samples needed.


Pslam 51 NIV-4

معتز صباحي الناس معادن

شال قلبي سلبو ومشي - جديد  2107 انصاف مدني

حنيني إليك
محمود عبد العزيز

حنيني إليك وليل الغربة أضناني
وطيف ذكراك بدمع القلب أبكاني
وأقول يا ريت زماني الفات يعود تاني
وألقاك يا حبيب عمري وتلقاني

حنيني إليك - محمود عبد العزيز

حسين الصادق & وائل عبداللطيف - اللوري القاقا

محمود عبد العزيز ـ تباريح الهوي

هنا سنعرض مجموعة كبيرة من الأغاني النوبية ... الفن والموسيقة النوبية أحد اعرف الفنون في العالم 

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تابعونا علي صفحة اغاني نوبية علي الفيـس بوك 

هجيج سوداني _ ورا ورا

Nobian Song 2

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هجيج سوداني _ ورا ورا

Nobian Song 2

Recent comments

Omer Safrooot

Edris Abdila

Hakeim ws ‏​‏ ‏​‏ツ

Youssef Abo Elhagag

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Hakeim ws ‏‏ ‏‏ツ