G. Ligeti : Mysteries of the Macabre (arr. Elgar Howarth)

Noe Nillni, trumpet
Natasha Roque-Alsina, piano
Recorded at 'Conservatoire National Superieur de Musique et de Danse de Paris'.

G. Ligeti - Mysteries Of The Macabre (arr. E. Howarth, for trumpet & piano)

Recorded by Christophe Mazzella. Paris, July 2018.
Flute : Jean-Luc Menet
Viola : Claire Merlet
Trumpet : Noe Nillni

Ricardo Nillni : Tébah (2015)- Trio for flute, viola, and trumpet

Ricardo Nillni : Vaga, for solo trumpet (2015)
Noé Nillni, trumpet

Recorded in Paris (CNSMDP), January 2017.
Sound engineer : Aurélien Marotte

Visual : Laura Nillni ("Espectros", 25 inks on paper)

Ricardo Nillni : Vaga, for solo trumpet (2015)

Ricardo Nillni : Transeo tandem (2019), for solo double-bell trumpet.

Live performance, January 23rd 2020, Conservatoire National Supérieur de Musique et de Danse, Paris.

Noé Nillni, double-bell trumpet
Aurélien Bourgeois, sound engineer

Ricardo Nillni : Transeo tandem, for double-bell trumpet (2019)

Jonathan Harvey : Ricercare una melodia (rehearsal run-through, Dec. 2019)

RIM : Othman Louati

Le Générateur, Paris, France.

(photo : Noé Nillni)

Jonathan Harvey : Ricercare una melodia (rehearsal run-through, Dec. 2019)

Constantly searching to broaden his artistic prisma, Noé Nillni, « whose playing is brilliant » (Diapasonweb, july 2017), currently tries to be active in all kinds of musical fields. After being graduated with distinction from the 'Conservatoire de Paris' (CNSMDP), and studying one year with Prof. William Forman in Berlin (Germany, Hochschule für Musik ‘Hanns Eisler’), Noé is now completing his final Master studies with Alexandre Baty. Since october 2019, he is a permanent member of the Basel Sinfonietta (Switzerland), and is a regular guest in several types of ensembles and orchestras, bringing him to collaborate with - to name a few - the Orchestre Philharmonique de Radio France in Paris and the Deutsches Symphonie-Orchester in Berlin (as guest principal trumpet), as well as with specialized ensembles such as the Klangforum Wien, Ensemble intercontemporain (Paris), Ensemble Modern (Frankfurt), L’Itinéraire, Ensemble Alternance, ensemble unitedberlin, Ars Nova… but also with the Orchestre de l’Opéra de Paris, Les Siècles, and Le Cercle de l’Harmonie (on periodic instruments). Very committed to chamber music, Noé is constantly trying to find more space for the trumpet inside small groups or ensembles, with all kinds of instruments. That leads him to work with several composers of today, and to find his own identity of sound to serve musical and artistic creation.