Marroushti is a Lebanese DJ based in Naarm (Melbourne). She's the radio host and producer of Salaam Radio Show on 3CR Community Radio. Throughout her mixes Marroushti blends diverse genres of contemporary jazz, urban pop, footwork, bale funk with Shaabi and Arabic folk infused club music. You’ll find yourself being lulled into a safe space only to be swept away to the darkest corner minutes later.

https://radioflouka.com/shows/marroushti-egyptian-mix-28-10-2022

Marroushti (Egyptian Mix) - 28/10/2022

Niña De Agua

The world is young, your soul is free, 
and you are finally ready
to fall in love again and again
every day and every way.
So please feel free to fall in love
with this perfect moment
and this perfect place
with these perfect feelings
and all these perfect faces.

	I love you
	I love me
	I love you and me together

	I love us 
	I love them
	I love us and them together

All of creation is alive and conscious, and all of creation deserves our burning, churning, yearning love. All of it. Not just the people and creatures and things that we personally find beautiful and helpful and interesting. But everything. All of creation.

If we want to become the gorgeous geniuses we were born to be, if we want to give back as many blessings as we are given, we've got to be in love with every single part of the Goddess's extravagant masterpiece.

And so we can't possibly be mere heterosexuals. We can't possibly be mere homosexuals or bisexuals. 

If we want to commune with the world the way the Goddess does, we've got to be Pantheosexuals -- we've got to be experts in the art of Polymorphous Perverse Omnidirectional Goddess Diddling. Anything less is a lie, an obscene limitation.

With this in mind, I invite you to perform the ritual of the World Kiss. To do the World Kiss, conjure up your most expansive feeling of tenderness -- like what you might experience when you're infatuated with a new lover or when you gaze into the eyes of your new-born baby for the first time -- and then blow kisses to all of creation. 

Blow kisses to the oak trees and sparrows and elephants and weeds. Blow kisses to the wind and rain and rocks and machines. Blow kisses to the gardens and jails, the cars and the toys. the politicians and saints, to the girls and the boys and every gender in between.

And with each World Kiss you bestow, keep uppermost in your emotions a mood of irreverent adoration and horny compassion. And remember that it's not enough simply to perform the outer gesture; you've got to have a heart-on in each of your seven chakras.

	I love you
	I love me
	I love you and me together

	I love us 
	I love them
	I love us and them together

Rilke said that
"for one human being to love another
is  the most difficult task.
It's the work for which all other work is mere preparation."

Teillard de Chardin said:
"Some day after we have mastered the winds, the waves and gravity, we will harness for God the energies of love; and then for a second time in the history of the world, humans will have discovered fire."

Leo Tolstoy said:
"Everything I understand, I understand only because I love."

Pascal said:
"If you do not love too much, you do not love enough."

Emily Dickinson said:
"Until you have loved, you cannot become yourself."

You and I say:
Because we love
Ruby-throated hummingbirds sip from plum flowers
and the moon sings its silver fragrance
to the swans and volcanoes and fields of wheat

Because we love
Wild grapevines coil around the roots of the mountain
and mangoes ripen in the smoke of forest fires

Because we love
Everything alive swims in an eternal river 
that flows through our dreams all night long

	I love you
	I love me
	I love you and me together

	I love us 
	I love them
	I love us and them together

I'm blowing World Kisses to you right now, and to everyone you love and to everyone you hate. I'm blowing World Kisses to all the convenience store clerks in the world. I'm blowing world kisses to the Norwegian widower working on an oil rig off the coast of Nigeria and to the weaver playing cards with her nine-year-old granddaughter in a bus station in San Salvador. 

I'm blowing World Kisses to all the ravens in Ontario, and to the tornado rolling along the eastern coast of the Black Sea, and to the 15-year-old tractor rusting in a junkyard in Montevideo, Uruguay. 

I'm blowing World Kisses to the woman who broke my heart, and to the friend who betrayed my trust, and to the rich old white male politicians in Washington who hate everything I stand for.

I'm not afraid of running out of love. The more love I give, the more love I have to give.

On you and me and all of everything, I bestow my ripest blessings, and hereby declare that since my atoms and your atoms were ripped asunder at the Big Bang, I have fantasized of our rapturous reunion.

World Kiss is brought to you by the ecstatic state of mind that the poet Daniel Ladinsky enjoyed when he said,
	"One regret, dear world, 
	that I am determined not to have
	when I am lying on my death bed 
	is that I did not kiss you enough!"

	I love you
	I love me
	I love you and me together

	I love us 
	I love them
	I love us and them together
	
+

Credits:
Composer and producer: Rob Brezsny
Lead vocals: Rob Brezsny
Additional Vocals: <a href="http://home.earthlink.net/~cedarsongs/">Nina Lakshmi</a>
Production assistance: <a href="http://www.joshbrill.com/">Josh Brill</a>

+

"World Kiss" is from the soundtrack for my book, 
<a href="http://www.amazon.com/Pronoia-Antidote-Paranoia-Revised-Expanded/dp/1556438184/ref=ed_oe_p"><i>PRONOIA Is the Antidote for Paranoia</i></a>.



World Kiss

'Barullo' abre al escucha a un nuevo mundo, donde el humor, el caos, la infancia y el amor es retratado en historias bien construídas, melodías juguetonas y bellas armonías.

Sarahí Echeverría, Executive Producer.
Paula Suárez, Musical Direction.
Mora Martínez, Vocal Coach.
Sergio Venturini & Mariela Espinosa, Musical Arrangements.
Andrés Noboa, Brass Arrangements & Conducting.
Miguel Ángel Espinosa, Recording, Mixing & Mastering.

Sergio Venturini, Vocals & Guitar.
Mariela Espinosa, Vocals.
Paula Suárez, Piano & Keyboards.
Mora Martínez, Vocals & Percusión.
Enrique 'Kike' Sánchez, Bass & Double Bass.
Raúl Molina, Drums.
Michael Blanchard, Tenor Sax & Flute.
Yony Muñoz, Trombone.
David Bermeo, Flugelhorn & Trumpet.

Eugenia Bracony, Sculpture.
Sol Miraglia, Photographer.
Alice Bossut, Graphic Design.
Sarahí Echeverría, Videographer.
Sol Miraglia & Gabriel Granja, Additional Videography.

Recorded in March 2017 at Miguel Angel Espinosa's home (Tababela, Ecuador).
All songs written by Sergio Venturini, except "Yendo al Trabajo" (U.Martínez/S.Venturini).

Samples of «PRINCIPLES AND BASIC TECHNIQUE FOR GOOD, RHYTHMIC SENDING 0F MORSE CODE BY OPERATING THE HAND KEY» (Department of Defense. Department of the Army. Office of the Chief Signal Officer. (09/18/1947 - 02/28/1964)) were used under permission of FedFlix / Public.Resource.Org. «All of these fine flix are available for reuse without any restrictions whatsoever».

«Yendo al Trabajo» uses fragments of «DISCURSO DE EVITA EN EL DIA DEL TRABAJADOR, 1952», which are of public domain.

Barullo

Loma Hermosa

AMOR FATI

La ciudad

La Ciudad

Música: Charly García, David Wapner, Luis Pescetti, Erik Satie, The Cure, Stray Cats, Paula Maffia, M. E. Walsh.
Textos: P. Neruda, D. Jaramillo Agudelo, Juan Lima, Lewis Carrol, Nicolás Schuff.
Voces invitadas: Greta Pelayo Rocco, Salvador Jaramillo Halfon, Ciro y Emilio Katchadjian, Julia Kohan, Luca Zucker, Francisco Giménez Zapiola.
Felino endiablado: Pablo Picyk.
Idea y producción: Nicolás Schuff
Operación técnica: Mauro Torres.

EPISODIO 4 / GATOS

Tessellations (Alto Saxophone & Live Electronics)
Christian Ferlaino - Alto Saxophone
Recorded in Edinburgh - United Kingdom
17|09|2018

Tessellations (alto saxophone & live electronics)

El gran Carlos Santa María, figura señera del folklor argentino y orgullo de su natal Diamante, de su provincia Entre Ríos, de su país (Argentina) y de hispanoamérica. Un par de datos: El escenario del Festival de Diamante fué bautizado "Carlos Santa María". Otro: Se presento como solista varias veces en el Festival de Cosquín. y esta: Recibió la máxima condecoración al mérito cultural que hay en Argentina: la condecoración Domingo Faustino Sarmiento del Senado de la Nación. El resto es pura música. Grabado el miércoles 11 de marzo del 2020 en mi estudio. Claudio Durán

A LOS PANYAGUA

"Civilización"

Voz: Paula Proaño
Guitarra: Mauricio Proaño
Composición: Paula Proaño, Mauricio Proaño

Ilustración: ¨Civilización¨  Paula Proaño

Fue grabado y mezclado en mayo del 2017 en Cuenca en el
estudio Tortas Recordings por Anatol Waschke. Masterizado por Dave Locke JP Masters, Boston MA USA

"Civilización"

INICIO
Loli Molina: voz.
Victor Carrión: saxo soprano.
Juan Pablo di Leone: flauta en Sol.
Ezequiel Dutil: contrabajo.
Nico Cota: percusión.
Andrés Beeuwsaert: voz, piano, teclados,guitarra

DOS RIOS
Victor Carrión: saxo soprano, flauta.
Dana Najlis: clarinete.
Juan Quintero: guitarra.
Fernando Silva: cello, contrabajo.
Mariano Cantero: percusión.
Andrés Beeuwsaert: piano.

MADRUGADA
Loli Molina: voz.
Fernando Silva: cello.
Lucio Balduini: guitarra eléctrica.
Ezequiel Dutil: contrabajo.
Martín Lambert: cymbals.
Nico Cota: percusión.
Andrés Beeuwsaert: piano, teclados.

TRAS DE TI 
Loli Molina: guitarra (nylon).
Matías Zabaljauregui: guitarra eléctrica.
Ezequiel Dutil: contrabajo.

CARACOL
Silvia Perez Cruz: voz.
Ezequiel Dutil: contrabajo.
Matías Mendez: bajo eléctrico fretless.
Fernando Silva: cello.
Nico Cota: percusión.
Andrés Beeuwsaert: piano, teclados.

NAZUK 
Tatiana Parra: voz.
Victor Carrión: saxo soprano.
Fernando Silva: cello, contrabajo.
Andrés Beeuwsaert: piano.

A.M.
Fernando Silva: cello.
Andrés Beeuwsaert: piano.

LA MAMA VIEJA 
Hernán Segret: guitarra acústica.
Fernando Silva: cello, bajo 
eléctrico fretless.
Facundo Guevara: percusión.
Andrés Beeuwsaert: voz, piano.

NOCTURNA
Victor Carrión: saxo soprano, flauta.
Fernando Silva: cello, contrabajo.
Facundo Guevara: escobillas.
Andrés Beeuwsaert: piano, 
glockenspiel, cymbals.

UMBRAL 
Aline Gonçalves: flautas.
Fernando Silva: cello.
Andrés Beeuwsaert: piano.

ENCUENTRO
Tatiana Parra: voz.
Fernando Silva: cello, contrabajo.
Andrés Beeuwsaert: piano.

Bonus Track
12  ADAGIO 
Victor Carrión: saxo soprano, flauta.
Dana Najlis: clarinete.
Fernando Silva: cello, contrabajo.
Andrés Beeuwsaert: piano.

Todas las músicas arregladas y producidas por Andrés Beeuwsaert.

Grabado en Estudio Los Elefantes por Juan Belvis.
Grabaciones adicionales:
Estudios ION por Paul Acedo.
Estudios Fort Music por Norberto Villagra.
NSB Music por Andrés Beeuwsaert.

Mezcla y edición de audio en Pro Tools: Andrés Beeuwsaert (NSB Music).
Masterizado por Gustavo Fourcade en Steps Ahead Sound (abril 2009).
Foto de tapa: Andrés Beeuwsaert.
Hecho en Buenos Aires, Argentina, (2006-2009).




12 Adagio (Claus Ogerman)

Cuando No Tenes Tiempo Tenes Ganas.

Sergio escribe canciones esporádicamente, año tras año, en hojas pentagramadas y obsesivas partituras digitales. Partituras que se van completando con los años, a medida que su autor tiene pequeñas epifanías en buses, oficinas y ascensores. Su música considera al humor como motor de conocimiento y prefiere ser «espejo roto y sucio» antes de ser «beauty filter».

Loma Hermosa

Sergio Venturini

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