NOIA - DVINE

Original Music for Mommy, by Xavier Dolan

All Rights Reserved.

Hope at the Front Door

Three of Us

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Ding Ding

Maybe Forever

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Oh Death

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Save Yourself

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Winter Bites

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Feelings

Too Much Attention

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Golden Moment

Don’t you say
And I don’t want you hear you say another word
Don’t you say
And I don’t wanna hear you say another word
And i don’t wanna hear you say another word
And I don’t wanna hear you say another word

And you know we all come from the same
And you know we all come from the same vine
And you know we all come from the same
And you know we all grow on the same vine

Go away
Cuz you know that I don’t need you here all the time
Go away
Cuz you know that I don’t need you here all the time
But I think that I might like you here all the time
But I think that I might like you here all the time

And you that we all come from the same
and you know we all come from the same vine
And you that we all come from the same
and you know we all come from the same vine
And you that we all come from the same
and you know we all come from the same vine
And you that we all come from the same
and you know we all come from the same vine

There is one but two is true
Can you feel when I think of you
Can be one but two is true
Can you tell when I think of you
There is one but two is true
Can you feel when I think of you
Can you tell when I think of you

I can no matter where you go

And you know that we all come from the same vine

And you know we all come from the same
and you know we all come from the same vine
And you know we all come from the same
and you know we all come from the same vine

And you know that we all grow on the same
and you know that we all grow on the same vine
And you know that we all grow on the same
and you know that we all grow on the same vine

On the same vine
On the same vine
credits
released July 18, 2020
Ashley Long: Vocals, Vocal Effects and Lyrics 
Eduardo Noya: Synths, Keyboards and Drum Machines

Composed by Eduardo Noya and Ashley Long 
All Arrangements by Eduardo Noya and Ashley Long
Production and Mixing by Eduardo Noya
Mastering by Steve Corrao
Artwork and Design by Ashley Long and Eduardo Noya 
license
all rights reserved

Dvine

Original Music composed for Laurence Anyways, by Xavier Dolan


At The Bar 10 Years Later

The Decision

Confession

Exile

Avec Francine

Eduardo Noya, aka NOIA has been tinkering with an expansive range of sounds from a young age. Drawing on his immediate influences, namely Arvo Pärt and Brian Eno, Noya specializes in unconventional approaches to composition, working mainly with synthesizers to provide textured, layered, and evocative electronic instrumentation.

As a cinematic composer, Noya has twice collaborated with award-winning Québécois filmmaker Xavier Dolan, in the movies “Laurence Anyways” and “Mommy.” Here, Noya brought viewers deep into the characters’ subconscious, tapping into their surrealist inner workings. His work on “Laurence Anyways” earned him a 2013 Canada Screen Awards nomination for Best Original Score. In 2016 he won the Socan Award in the category Music for Film with "Mommy".

During the same year he worked on the period drama “Versailles.” Set in King Louis XIV’s high court, Noya’s score provides the perfect complement to the TV series’ intrigue, keeping viewers locked in tension and glory. 
In 2018 Eduardo got hired to score the music for the french drama “Philharmonia” which aired on UK's Channel 4 among other platforms. Noya’s work counterpoints “classical music mood and their orchestra members” with a thrilling and modern approach  of film music. 

Noya has designed soundscapes for animated projections at Showcase Illumination Project:National Arts Centre (NAC) Ottawa(2017), Canada and the King’s Cross Filing Station in London, in addition to the official trailers for the 2013 Animatou international animation film festival. His scores for animator Max Hattler’s work won him awards in the categories of Best Canadian Audio-Visual Composer and Best Soundtrack.

Eduardo Noya

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