Djcarpediem set001

Characteristic mid-tempo loops in an uncharacteristic (for me) major key.

Mono Nuke Leo Sis

Uploaded with AudioShare app - http://kymatica.com/audioshare

Prog-a-licious

WizdomLaplaced

Sound Design Fluxed (Biplane)

Compressor / phaser / delay / reverb patch I made in Flux: FX
to show it can do more 'traditional' multi-fx.

Flux Clean Dream

I ran Jon Vermilyea's Bebop print thru Tunetrace and out to Magellan Jr & then thru KP3+ & iPad running DSFX & FLUX:FX.

20160303

Slim Gaillard Cavorts

Potato Chips

Some fatty dripping pads by layering a LEM Bit-99 with a Yamaha TX802, through some Fostex Model 3180 stereo spring reverb and feedback distortion in a Mackie CR-1604 analog mixer.

Recorded in AUM - http://kymatica.com/aum
Uploaded with AudioShare app - http://kymatica.com/audioshare

Bit99 + TX802 + 3180

flow

Taken from 'Fahrenheit Fair Enough' by Telefon Tel Aviv out December 2, 2016.

Order at The Ghostly Store:
US: http://www.theghostlystore.com/products/telefon-tel-aviv-fahrenheit-fair-enough
International: http://www.theghostlystore.com/collections/international/products/telefon-tel-aviv-fahrenheit-fair-enough-international
Or at the retailer of your choice: https://Ghostly.lnk.to/telefon-tel-aviv

Fahrenheit Fair Enough

Telefon Tel Aviv - Fahrenheit Fair Enough

Ennio Morricone Remixes

​Il Buono, Il Brutto, Il Cattivo (Hird Remix) (2021 Remastered Version)

Demo flux fx presets

This is a improvised live jam at a historical graveyard only using a PO-32 and an iPhone. Watch it here: https://youtu.be/4BgCzaDluW0

Tonic At The Graveyard

Ennio Morricone - Amore Come Dolore (Markus Enochson remix)

Late Night Tales: Nils Frahm

Peaks

(02) Amon Tobin - Bridge

I am an artist wearing many hats and hyphens.

As a Filmmaker, I am humbly growing and learning in the collaborative process of the creative arts, the technical crafts and the business of cinematic storytelling. (producer, director, writer, cinematographer, editor, composer, sound designer, actor, marketing and distribution executive, and also getting donuts and coffee.) 

In the music industry, I dive into Songwriting, Composition, Sound Design, DJ(Remix, Dub Artist, and Turntablism/Looper) as well as handle the business of music publishing, marketing and distribution. 

I am a music lover, curator of large libraries of playlists and also a vinyl record collector.

NOIISE is the art of sound. It is a collaboration between Adrian Belew, Elephantcandy and MOBGEN, and the maker of FLUX:FX, a professional multi-effect audio processor app for the iPad that lets you ‘play’ your effects. http://bit.ly/flux_fx

Innovative, intuitive and exciting, FLUX:FX lets you manipulate any audio signal into something entirely new. FLUX:FX redefines the possibilities of audio and live performance in an app with an almost unlimited range of effect options. All of this power is managed through a beautiful, minimalist interface combining easy-to-use controls and a mesmerising liquid-to-polygon audio visualizer.

Discussions over the creation of abstract guitar sounds led to the idea of a new type of touch-screen controlled, ‘authentically digital’ effects processor. Instead of recreating the standard amplifiers and pedals as so many other apps are doing, the idea was to take inspiration from some of the most innovative musical equipment such as the Korg Kaoss pads, Roger Linn Adrenalinn, Alesis Bitrman, the modular flexibility of the Fractal Axe-fx or Roland VG-99, the waveshaping possibilities of the Kurzweil KDFX and the fuzzy destruction of boutique pedals such as those from Devi Ever and Death by Audio [to name just a few].

If you are looking for that creamy Marshall or classic Fender twin modelled tone… you are in the wrong place. FLUX:FX is about redesigning your sound and creating something completely new. Chopping, shaping, sculpting and looping – FLUX:FX can take you from subtle modulating echoes through to wrecking-ball destruction, all with a swipe of a finger. FLUX:FX can be tweaked with surgical precision or completely randomized with a single gesture. Ignoring the ‘traditional’ approach that most software takes to control [where the dials and switches of amps or pedals are simulated], the FLUX:FX has a completely flexible touch interface that is native to the touchscreen. The controls are highly functional and efficient, focussing on ease of performance without sacrificing the ability to edit and tweak every parameter. We have consciously decided not to limit the effects to the safe or ‘sensible’ settings, so far more extreme sounds are possible compared to traditional effect units.

”FLUX:FX LETS ME MAKE SOUNDS THAT I CAN’T GET WITH ANY OTHER GEAR… AND I HAVE ALL THE OTHER GEAR! THE HANDS-ON CONTROL MEANS THAT I CAN ACTUALLY PLAY THE EFFECTS, AND THE EFFECT SEQUENCER ADDS A WHOLE NEW UNIVERSE OF POSSIBILITIES. MOST IMPORTANTLY THE FLUX:FX INSPIRES CREATIVITY… AND IT IS INCREDIBLY FUN TO USE!”

ADRIAN BELEW

Sound Design Fluxed (Biplane)

NOIISE audio

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