From "Microphone Permission" LP, Editions Mego, 2020
https://jasmineguffond.bandcamp.com/album/microphone-permission

An Utterly Dark Spot

Cello together with Marco Lucchis track, mediation recommended !

Marco Lucchi - Lectio Magistralis Reworked By Henrik Meierkord

for Electric String Quartet, Effects, Synthesizer and looper

Commissioned by Neo Electric Quartet
Premiere: NeoArte – Synthesizer of Arts
Gdańsk, Poland
2021

A Colossal Blossom

Noise à Noise is proudly presenting ‘TWO (Live at tak Theater Aufbau Berlin)’. 

Two was recorded live from a performance given by Hadi Bastani and Yalda Zamani in June 2021 at tak Theater Aufbau Kreuzberg, Berlin, as part of Klangteppich festival. It took form through the duo’s improvisation with electronic modules and live coding. 

Hadi Bastani (sound artist, anthropologist, composer) is a visiting researcher in Immersive Composition at the University of Greenwich, London. He is also a research partner at the Leverhulme-funded research project “Sonic Tehran“ at the City, University of London. As an artist, He works with field recordings, computers, modular synthesizers, transducers, and hacked electronic toys in various creative contexts. Both his research and creative practice particularly focus on collaboratively-developed and ethnographically-informed processes that enable critical analysis.

Yalda Zamani is a conductor and performer based in Germany, and the co-founder and artistic director of the Contemporary Chamber Orchestra Elbe in Hamburg. As a passionate advocate for contemporary music, she collaborates regularly with composers around the world by conducting world premiere performances of their compositions at renowned international music festivals and venues. She often engages in the realization of innovative projects at the intersection of music and science and is currently doing a Ph.D. on computational creativity, interdisciplinary collaborations in music and technology, and the application of new technologies in music performances at the HfMT in Hamburg where she is appointed as a lecturer for the performance practice of contemporary music. 
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جمع هنرمندان و لیبل نویزاَنویز با افتخار انتشار آلبوم «دو (اجرای زنده در سالن نمایش آفباو برلین)» را اعلام می‌نماید. 

این قطعه، ویرایش کوتاه شده ایست از ضبط زنده اجرای هادی باستانی و یلدا زمانی‌ در مجموعه تأتر آوف باو شهر برلین (ژوئن ۲۰۲۱)؛ اجرای زنده این اثر بخشی از رویداد‌های سومین سری از فستیوال کلانگتپیش بود. اساس این کار را بدهه نوازی با یک سیستم مدولار یورو رک و برنامه نویسی زنده ا تشکیل میدهد. 

این آلبوم بر روی ساوند کلاود، اسپاتیفای و اپل میوزیک هم قابل دسترس خواهد بود.

هادی باستانی (هنرمند صدا، انسان‌شناس و آهنگساز) پژوهشگر مدعو در گروه پژوهشی «صوت/ تصویر» در دانشگاه گرینویچ لندن است و در پروژه‌ی «سانیک تهران» در دانشگاه سیتی لندن به عنوان پژوهشگر داوطلب مشارکت می‌کند. او در کار هنری خود از کامپیوتر ها، سینتیسایزر ها، مبدل‌های صوتی، صداهای محیطی‌، و مدار‌های الکترونیکی هک شده استفاده میکند. پروژه های پژوهشی و پرداخت هنری این هنرمند هر دو تمرکز خاصی بر روندهای انتقادی برخاسته از مشارکت جمعی و قوم نگاری، به عنوان یک روش علمی‌ مطالعه فرهنگ‌ها و خرده فرهنگ ها، دارد.

یلدا زمانی رهبر ارکستر و اجراگر مقیم آلمان است، او همچنین هم‌بنیان‌گذاران و از مدیران هنری «ارکستر مجلسی معاصر اِلبهِ» در شهر هامبورگ آلمان است. به عنوان یکی از حامیان موسیقی معاصر، او به طور معمول در خلال رهبری اولین اجراهای کمپوزیسون‌های آهنگسازان متفاوتی از نقاط مختلف دنیا، و در خلال فستیوال‌ها و فضاهای اجرای موسیقی شناخته شده با آنها آغاز به همکاری می‌نماید. او غالبا برای تحقق پیدا کردن پروژه‌های خلاق در فصل تلاقی بین موسیقی و علم مشغول به کار است و هم اکنون در حال تحصیل مدرک دکتری خلاقیت محاسباتی [محاسبات خلاق]، همکاری‌‌های میان رشته‌ای در زمینه‌موسیقی و تکنولوژی، و کاربرد فن‌آوری‌های نو در اجراهای موسیقی در دانشگاه هامبورگ است، جایی که در آن به عنوان مدرس اجرای موسیقی معاصر مشغول به کار است.
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Noise á Noise präsentiert “TWO“ ( Live im TAK – Theater Aufbau Kreuzberg, Berlin)
Live Recording: berta.berlin
Live Sound Engineer: Richard Behrens
Edit and Mix: Hadi Bastani
Mastering: Mastering: Soheil Soheili  and Hadi Bastani
Cover Art: Amirali Ghasemi
Festival director: Franziska Buhre
 
„TWO“ wurde während einer Live Performance von Hadi Bastani und Yalda Zamani im Juni 2021 im TAK – Theater Aufbau Kreuzberg, Berlin – im Rahmen des Klangteppich Festivals aufgenommen. Das Werk entstand während einer Improvisation des Duos mit elektronischen Modulen und Live Coding.

Two (Live at tak Theater Aufbau Berlin)

on Bc

Hadi Bastani and Yalda Zamani - Two (Live at tak Theater Aufbau Berlin)

Hajú is an old Moravian word that loosely translates to “hush hush”.

With the lead single and title track from his upcoming album on Slowcraft, Tomáš' weaves together acoustic elements, soft synthetic manoeuvres and evocative field recordings to spellbinding effect.

Assisted by Pavel Rajmic on strings and Marie Puttnerová on vocals the Czech composer and field recordist has perfectly captured the spirit of both his homeland and the season.

Hajú

Tomáš Šenkyřík - Hajú

A Game Of Chess

Whitelabrecs label owner Harry Towell is perhaps best renowned for his long-standing Spheruleus project, with a discography listing releases on Lost Tribe Sound, Home Normal, Time Released Sound, Hibernate and Eilean, as well as his collaborations alongside Sven Laux, Guy Gelem, Ekca Liena and more. Harry returns to his own label, following 2021’s ‘Canvas Homes + Supplémentaires’ and EPs ‘Absent Frames’ and ‘Inaugurate’, in this special collaborative album called ‘Petrologist’s Lens’.

January is a month we usually reserve for a compilation album, such as our Sleeplaboratory series. This year Harry decided to invite 12 artists who had contributed more than 2 releases on Whitelabrecs to submit a short sketch or sample, and then he developed these into the tracks that make up this album. As with some of his more recent work, this album is created under his own name, but with ‘& friends’ added to credit the label artists and good friends which he has worked alongside.

The title ‘Petrologist’s Lens’ nods to the concept of this body of work, which is rooted in the ancient geological history of the earth. Harry studied the land history of the areas where his collaborators reside, to help form a title for each piece. Tracks are named after particular fragments of rock or sediments, land regions or fossils for example, and the compositions were developed in a way which mimics the layering of these. The layers tell a story, giving clues of how they came to be. Sonically, filigree details and eroded tape textures ride waves of modern classical orchestration, ambient drones and electronics.

The packaging for this release features cover artwork by Soraya Kornblum, an art student in Adrian Lane’s class, submitted to Whitelabrecs as part of a school project. Each of the 200 editions include a 16 page booklet with words provided by Neil McRoberts, who transcribed his thoughts after listening to the music and reflecting on the concept. Physical copies are split into two runs; a standard gold disc version and a special marble print deluxe edition.

Credits:
Written and produced by Harry Towell
Additional production and inspiration provided by Adrian Lane, Andrew Heath, Blochemy, Edu Comelles, Glåsbird, Guy Gelem, James Edward Armstrong, Paweł Pruski, Phil Tomsett, Polaroid Notes, Simon McCorry, Sven Laux

Mastered by James Edward Armstrong
Cover Art by Soraya Kornblum
Booklet Notes by Neil McRoberts
Art and Design by Andrew Heath

Petrologist's Lens

wlr127 Harry Towell & Friends - Petrologist's Lens

Saz-e Shekaste (broken instrument) Live 07 Roma (improvisation)

The new music and sound performance by Ali Ostovar explores working with objects associated with his memories from the past, especially in relation to his childhood memories with his father in his native Iran. The title of the performance refers to a song of the same name by Delkash, one of the iconic singers of the 1940s–1960s in Iran. Ali listened to many Iranian songs at home during childhood, as his father was fascinated with listening to and playing traditional music. The title also refers to his life story of carrying a broken Iranian setar around Europe for more than 12 years to find someone who could fix it; he still kept it even after buying a new one.
At the performance, he will play approximately 60 minutes of live-electronic music using his laptop, a few cassette players, a synthesizer, and possibly other instruments, questioning what it means to bring the past into the present or keep it there. Does the past consist only of what we remember? And what about what we don’t remember?
He recreates personal memories by selecting different sound materials, using sonic metaphors and transculturation, and playing with time, frequencies, and transformation.

Rome, 08.July.2023
aliostovar.com/saze-shekasteh/

Photo credit by Saleh Kazemi
[Rec - 23.07.08 - 22h42m14s   Performance in Roma]

Saz-e Shekasteh (Broken instrument) live 07 - Rome 2023

[ Passages ] is the third compilation by London based DJ, promoter and music journalist Massimo Terranova aka Nova. Following in the footsteps of his previous releases, [ Albedo ] in 2005 and Imaginary Friends in 2009, Nova presents a brand new mix of emo-ambient and electronica to evoke today’s dichotomy in relationships and rites of passage. 

Gathering emerging artists and seasoned talents in the realms of pulsating minimal dubs, atmospherica, and downtempo, [ Passages ] offers a rich palette of serial music and soundscapes depicting the London’s urban skyline and a life of mono/poly-chromatic contrasts. 

Nova delivers an elegant musical story wrapped in Italian art & fashion photographer Giovanni Calemma’s modish black and white illustrations and featuring James Murray, Fingers in the Noise, Cygna, Brando Lupi, Miktek, Murya, Martin Nonstatic, Lars Leonhard, AES Dana, Connect.Ohm, Max Million and Zinovia.

Passages

Delicate

Download

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Neutrino

"Noise à Noise" a collective and artist-run label for Experimental electronic and Contemporary music.

Hadi Bastani and Yalda Zamani - Two (Live at tak Theater Aufbau Berlin)

Noise à Noise

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