Gosh, this is good. My only wish is that this library was bigger. You guys are killing it

a 20 minute mix of some soundtrack outages I did for a recent documentary. 
upright haines bros player piano, tape manipulation, electromagnetic sustainer pickup and transducers.

Piano Day Mix 2021

What is non-linear processing, and why does it matter? 

In this episode we dive deep into the topic with our guest Dan Worrall, and talk about: what non-linear processing is, why it can sound great and when it can sound terrible, and how to know the difference. Along the way, we also discuss 
* Is reverb non-linear ? And why it’s confusing
* How linear processing makes top-down mixing a good idea
* The difference between saturation and distortion
* …and how to use them creatively
* The difference between a perfect 5th and a power chord
* ...and how to play chords on a trombone

Full show notes on our website
http://themasteringshow.com/episode-79

The Mastering Show

The Mastering Show #79 - Dan Worrall on non-linear processing

[AVAILABLE HERE: https://www.asoundeffect.com/sound-library/ultrasquish/] Ultrasquish is an ultrasonic-rich library of wet squishes and squeezes, optimized for radical pitch shifting. It contains around 40 minutes of 192-kHz, UCS-compliant, icky goodness. All sounds were recorded in extreme close-up perspective with both a hypercardioid microphone and an ultrasonic-capable omni microphone, blended together for a punchy, full-range tone while preserving ultrasonic detail (reaching as high as 70 to 100 kHz, depending on the prop or material being recorded). From silly squishes to horrific scenes, from realistic mud, gore, and slime to pitch-shifted slimescapes, Ultrasquish simply oozes usefulness.

Buy the Library

NJSD04 - Ultrasquish: Sound Library Demo

SIG driving the Assimil8or, Valhalla verb, 1 bit for delay

Assim Fltr Vrb Delay 122923 02 Snippet

Scoring the new Bladerunner with a master of dramatic tension. 

For more, visit Resident Advisor: https://www.residentadvisor.net/podcast-episode.aspx?exchange=331

@johannjohannsson

RA Exchange

EX.331 Jóhann Jóhannson

Are you nervous about starting a new project? Don’t worry; so is everyone else, including your sound design hero, Randy Thom… Talking through the edit, scene by scene gives the director, the composer and the rest of the editorial team the chance to sort out out technical issues and determine the direction and shape the soundtrack is going to take… Randy joins us to talk about about what kind of attitude, questions and objectives he brings to the spotting sessions for new movie projects.

See our site

131 - Randy Thom On Getting The Most Out Of Spotting Sessions

What with one thing and another, John, Shelley and Scott are sheltering at home. We take advantage of this rare break in the schedule to bring them back together over Skype. They pull back the curtain (Zuzz, but just a hairball) on the unique space they've created to work in and share the irrepressible camaraderie that fuels their work at Skywalker Ranch. We also talk Foley for animation, including some thoughts on Pixar's newest, Onward.

133 - Talking Foley with John Roesch, Shelley Roden & Scott Curtis from Skywalker Ranch

Rene, Tim and Teresa talk about the BLM movement

Listen

140 - Black Lives Matter

KMRU - ib07 // Alternate African Reality – Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora (Syrphe, 2020)

Ben Bondy - three // mycoplasma (self-released, 2020)

Roberto Carlos Lange - Cloud Wow 002 // Kite Symphony (Ballroom Marfa, 2020)

Pontiac Streator - lamp fest // Triz (Motion Ward, 2020) 

Visor - Passing Landscapes // Visor (Tomlab, 1997)

Naemi - Procel // bblisss (bblisss, 2016)

This Mortal Coil - Meniscus // Filigree & Shadow (4AD, 1986)

Ana Roxanne -  Suite Pour L’invisible // Because of a Flower (Kranky, 2020)

Sofie Birch - Reverie // Planetes (Seil, 2019)

AIR Krew - Winter Hike // Discuss and Come Back (Motion Ward, 2020)

Grouper -  Cloud in Places // Dragging a Dead Deer Up a Hill (Type, 2008)

Forest Management - Dilute // Rooftop by Dusk (self-released, 2020)

Rosy Parlane - Awa // Touch: Isolation (Touch, 2020)

zakè - Cadence // Coppice Movemets (Zakè Drone Recordings, 2020)

Fly Kin Mountain - Secrets I II III // Gunned Down (Lillerne Tapes, 2020)

Mark Van Hoen - Rewilding // Touch: Isolation (Touch, 2020)

Jake Muir - reservoir of memory // the hum of your veiled voice (Sferic, 2020)

Demen - Korridorer // Nektyr (Kranky, 2017)

Flying Saucer Attack - Popol Vuh 2 // Flying Saucer Attack (FSA/VHF, 1993)

Bellows - 01 // Undercurrent (Black Truffle, 2020)

Koyil - Vāɡ // Test Pressing III (Muscut, 2020)

perila - fog // i had a dream i don't remember (self-released, 2020)

Hosoo - p.5 // Mist (Line, 2019)

Paul Hindemith - Sonate Für Viola Solo Op. 31 Nr. 4 (1924): Lied - Ruhig, Mit Wenig Ausdruck // Kim Kashkashian & Robert Levin, Sonatas for Viola / Piano and Viola Alone (ECM New Series, 1988)

Kali Malone - Sacer Profanare // The Sacrificial Code  (iDEAL, 2019)

Harold Budd, Elizabeth Fraser, Robin Guthrie, Simon Raymonde - The Ghost Has No Home // The Moon and the Melodies (4AD, 1986)

Pinkcourtesyphone - elaborate patio dining // Leaving Everything to Be Desired (Room40, 2020)

Ulla Anona - Moon // bblisss (bblisss, 2016)

Harvest Moon

Harvest Moon (2020)

Soft sand being blown over a hard crust of sand on a dune in the Namib desert. Read about my expedition to Namibia at https://mindful-audio.com/blog/namibia-sound-recording-2020

Skeleton Coast - Sand Dune In Moderate Wind

simple experiment in looped guitar texture

Ambient Guitar Loop

Noise Jockey = Nathan Moody. Nathan is a composer/musician (ASCAP), a mastering engineer, and a sound designer. He has scored video games and podcasts, as well as contributed sound effects to podcasts, games, horror films, documentaries, and more.

NJSD04 - Ultrasquish: Sound Library Demo

noisejockey

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