I hate trying to describe my music, as it's seldom deliberate; the process of creation leads you down different roads, that sometimes you may not have consciously considered. I try to think of it as an adventure or journey that I'm embarking on, hoping to make some interesting discoveries along the way, trying new things, and challenging myself to go further or do better.

Eigengrau

Remembering a time and a place where it was hard to say goodbye to someone close; the feeling of an era coming to an end, of loss, of uncertainty, and of a new chapter in life stretching out in front of you...

Emerge

Fishermead Goodbye

My Grief Will Destroy The Universe

Just the usual dicking around, trying to make stuff that doesn't suck as much as before.

Teddy's Orange Lazarus

Built from a field recording of stones on Chesil beach, I have no idea what the title means; I woke up with it in my head one morning. Playing around with slowed down drum loops, the Motto Akemie plugin, Arturia's Augmented Strings, and a bunch of other stuff. Came together quickly and organically, which surprised me as that's not the way I usually work ("Sloth" like).

Anonxhou Charade

Taken a few years, but finally found a use for the Klevgrand VST instrument "Jussi".

Tears Of The Salt Road

When Puremagnetik brought out Verv in 2019, I recorded a quick chord progression as I was exploring it and putting it through its paces. A year later I found those chords and made a full project out of it.

Kwäday Dän Ts'ìnchi

Curtis

Based off a little electric piano riff I doodled near the end of last year, finding a use for some handclaps and finger clicks, some arpeggiated synth lines and a dirty, growly bass with subtle tremelo courtesy of an Expressive-E lie se. 

I recorded some noises from people in public, somewhere in Belgium a few years ago, so finally found a use for those samples, as well as the usual odd noises and glitchy nonsense I end up peppering compositions with.

NOKVSD

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