Mixes

Jack Incorporated & roadkill | 008

Omni Spec w/ Amuwa & Bodie feat. Command D - 06.01.22

https://www.nts.live/shows/shanticeleste/episodes/shanticeleste-6th-january-2022

Shanti Celeste 060122

@loramipsum

Delighted to welcome Lora Mipsum for vol. 59. Katie is a talented selector, co-founder of club night @soba_ldn and a regular on the global radio and London club circuit. She’s made online appearances everwhere from @balamii, @hawsmusic and @on-rotation-music to our very own local broadcaster @area3000. Those familiar with Katie’s work knows she’s a big advocate for Aus music overseas and an expert when it comes to all things proggy and deep. For melt, she’s put together an excellent chuggathon filled with diverse, tasty aural delights. Thanks heaps Katie <3 <3

Artwork by Andi O'Connor

melt mix vol. 59 - Lora Mipsum

Inner Totality was live and direct for the hour. Ronan played a mix of soothing balearic, downtempo and deep house to ease us through Saturday afternoon.

Inner Totality w/ Ronan - March 2022

Join @incognitoradiouk for their monthly episode where they are joined by @whompparty founder @anna-rose-wirth who will be bringing an extra special guest mix to the table jam packed full of mischievous palate cleansers and trancey slammers.

Incognito W/ ANNX - 06 -Mar -22

Kiara Scuro were joined by Australian production duo IN2STELLAR for two hours of chuggy club cuts. Trance, acid house and electro all inside.

Kiara Scuro w/ IN2STELLAR - March 2022

For this month’s show, Annx (@anna-rose-wirth) invites Brighton-based DJ and events organiser Bil-sol (@Bil-Sol). He’s been organising @22tapes parties at the likes of Corsica Studios and The Cause since 2017. He also runs a mix series/music & art platform @aquaticformations which focuses on the more dreamier and euphoric side of 90’s electronic music.

In this mix, Bil has crafted together some newer releases with some ‘psy-tingled club tracks’ crossing a few different sounds along the way — all inspired by his passion for nostalgic, high energy and euphoric 90’s electronic music.

Artwork by Giorgia Galantino

Narr Radio

Sound Of Bil - Sol W/ Annx 09/04/22

gallery

command d - pleasure gallery s4 e8

Deep dub from the Eora/Sydney scene. Command D knows his way around sub bass and this recording is a great showcase of that. Recorded live at a Parallel warehouse party in Eora.
 
If you like what you hear then check out his brand new EP dropping on @purespacefm August 1st, 2024

BSRMIX #151 - Command D (live)

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

I recorded this mix sitting on the carpet of my partner and I's new home, pulling out some old records and enjoying the comfort of our new living room which now also houses my custom green monitors. Sundays to me have a naturally relaxed and positive vibe and it's the same day that I throw my event 'Park Dub'. The music at Park Dub is generally a mixture of electronic dub tracks and more rootsy dub reggae but I usually tell the DJ's playing that 'anything with enough reverb and delay is fine', haha. I tried to capture the spirit of Park Dub in the mix.

Tracklist:

Shebuzz, Akmuo and Heavenchord - Seashell Dreams (Grounded Mix)
Babe Roots - World Struggle (Ambient Dub)
Ghost Dubs - Thin Line
Cofaxx - Move 2
Dubmonger - Archive
Triangle - Mantra Dub
DJ Sports - Untitled (B2 NH6)
Full Bloom - Giesing Underwater
Akko - Rosh Sataan
Frenk Dublin - Erangel
Rasmus Hedlund - Verners Funk
V.I.V.E.K - Galactic Dub
Cousin - Overtime Dub (Feat. Tom G)
Frenk Dublin - Divide & Rule
Babe Roots - Ruff Out Dubwise
Jon & Hugh - Stillness (Rings Around Saturn Dub)
Lightning Head - Studio Don One
Roots Radics - Dangerous Match One
Jah Shaka - Prophet Dub
Ghetto-ology - Dub-ology
Mad Professor - Mother Nature Dub

@commandd

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Sundays are for... Command D

A mix from extended naff family members Command D and Peanut

In the words of Command D :

Carrying on from some legendary parties before it, the next generation of ravers held 'plur' true to it's og meaning. Young Harry (Peanut) and I had been mixing together and talking about tunes we loved for months leading up to the event. We played in the side room while the morning light slowly poured in, all the homies in the front and gun fingers to the back. Big party mode with some blissy ones, freedom while it lasted, and a fun one to listen back to. Big thanks to everyone who hosted and the dancers!

Recorded on Wangal land.

@commandd @harrisonross

Art by Jesse Osborne-Lanthier as always

naffcast006 ⦾ Command D and Peanut at plur ⋆｡˚ ☁︎ ˚｡⋆｡˚☽˚｡⋆ ⋆｡˚ ☽ ˚｡⋆｡˚☁︎˚｡⋆

SPECIAL SPACES

Gobi Desert Collective’s remix of Azadi by Dan Bay is a finely crafted journey through deep, hypnotic grooves and immersive soundscapes. 

Built on a warm, rolling bassline and meticulously placed percussion, the track balances rhythmic drive with atmospheric depth. A recurring, mantra-like synth motif weaves through spacious reverb and airy pads, creating an evolving emotional core. The arrangement unfolds patiently, with breakdowns that strip the groove to its essence before rebuilding layer by layer. 

Subtle automation, textured delays, and detailed stereo placement give the production both clarity and richness. Each element feels intentional, from the understated kick to the shimmering highs, resulting in a sound that’s club-ready yet cinematic. By respecting the soul of the original while infusing it with their signature touch, Gobi Desert Collective delivers a remix that’s as compelling on a late-night dancefloor as in an intimate setting. 

Out August 29 on Kamai Music.

Dan Bay - Azadi (Gobi Desert Collective Remix)

DJ_HForce_remix_8050

Bookings and enquiries: charleyfester@gmail.com

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Omni Spec w/ Amuwa & Bodie feat. Command D - 06.01.22

Nomad Radio

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