Zia Mohyeddin

Andha Khawb-Noon Meem Rashid

Faiz Ahmed Faiz

Giran_jo_mujh_pe_Hangama e zamana howa - Allama IQbal

Meeraji - Yagaanat - Zia Mohyeddin

Zia Muhiuddin: Hilarious English Exchanges

Zia Mohyeddin reading Dhobi by Rasheed Ahmed Siddiqui.

Dhobi (Rasheed Ahmed Siddiqui) -  Zia Mohyeddin

 Zia Mohyeddin reading Aik Khat by Shahih Ahmed Dehlvi.

Aik Khat (Shahid Ahmed Dehlvi) -  Zia Mohyeddin

Zia Mohyeddin reading Zindagi Se Darte Ho by Noon Meem Rashid.

Zindagi Se Darte Ho (Noon Meem Rashed) - Zia Mohyeddin

Zia Moheddin reads Iqtebas by Mushtaq Ahmed Yousafi.

Iqtebas (Mushtaq Ahmed Yousafi) - Zia Mohyeddin

Zia Mohyeddin reads Saf Shikn Batair by Ratan Naath.

Saf Shikn Batair (Ratan Naath) - Zia Mohyeddin

Song :    Door Kailash Se Chand 
Sing by: Sain Bedil Masroor
Poet :     Shaikh Ayaz

Door Kailash Se Chand- Shaikh Ayaz Poetry

Munshi Raziuddin & Farid Ayaz
Sanjan Nagar Institute
1997

Ghar Nari Ganwari

Abhi Kuch Or Karishmey Ghazal K - Ahmad Faraz
Recited By Zia Anjum
www.Facebook.com/Xia.Anjum

Abhi Kuch Our Karishmey

Discreetly, Discreetly - Sabri Brothers

rone se aur ishq me bebaak ho gaye
dhoye gaye ham aise ki bas paak ho gaye
kehataa hai kaun naalaa-e-bulabul ko be-asar
parade me gul ki laakh jigar chaak ho gaye
karane gaye the usase taGaaful kaa ham gilaa
ki ek hi nigaah ki bas khaak ho gaye
is rag se uthaa_i kal usne "asad" ki laash
dushman bhi jisko dekh ke Ghumnaak ho gaye


Rone se aur ishq mein- A Mirza Ghalib Ghazal composed & sung by Shishir Parkhie (Live)

1.	Sufi poetry is sung in multiple ways in India and the Sufi Kalam is one of the most common renditions as compared to the rare genres of Bheth and Waai that have very few living exponents. Also this style is less fervent than the Qawwali and can be sung in both classical Ragas or to folk rhythms. There are Sindhi and Muslim variants to the style that also acquires typical traits from region to region and in terms of the instruments employed in each case. The genre is thus identified more by the poetry that is sung and less by any particular style of music integral to its character.  ‘Kalam’ is a term for poetry and etymologically derives from the Arabic word for conversation. A poet gets into a communion with a muse and slowly unearths its character and the statement of this exchange is a work of poetry. The Sindhi and Mehar Sindhi communities that inhabit the extremities of the Barmer and Jaisalmer regions of Rajasthan on the border of India and Pakistan, are one of the many exponents of the Sufi Kalam style of music. Deriving from the words of Sufi poets like Shah Latif, Bulleh Shah and SachalSarmast, this music explores the meanings and modes of spirituality. Algoza, Kamyacha, Khartal, Dholak and Sindhi Sarangi are used in the performances that are conducted either on significant festive occasions or even upon invitations by patrons. 

Meeraji - Yagaanat - Zia Mohyeddin

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