It's a magnificent, deep and wonderful sound. It feels good. [via https://sc.repostexchange.com]

Deep impact, fantastic long texture and huge pads. Great track.

A very chill drone piece. Very calming! :=) [via https://sc.repostexchange.com]

great track, awesome vibes and atmosphere

Because They Love Their Servitude has entered the @re-ex Best of the Rest chart at no.6 - seriously immersive & evocative! Beautiful textures, expertly layered & manipulated... Great work! :)

Awesome soundscape, thanks for this nice space trip!

This is top notch stuff! The wiiiide ambient pads are superb. This is what I want to listen to at the cinema. Love the synths as well. Everything is well implemented. Keep up the great work

Feeling the deep need to move it up to the next phase.

Ambition

"Welcome To The Underworld" is a cinematic electronic track with ambient piano and haunting bass. It will work well with video games, movies, series, television, tv reports, documentaries, etc. The angsty and disturbing mood evokes suspense and a sense of darkness. Instrumental, Action, Impending Electronic.

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♫ Music composed and produced by Daniel N. Martin, © 2022 ♫

VIDEO GAME MUSIC Collection Vol. 2

Welcome to the underworld

Welcome to the Underworld

The first guitar-driven synthesizer-flavored alt rock single of 2022 from Rare Elements is out now!

Tonight

Brave New Place

Because They Love Their Servitude

Saman -  Ólafur Arnalds Cover

A song inspired by Dartford's finest sons.....

Ballad of a Small Town

I think every person has a shadow part of their mind. It may be negative, but when something painful happens, a part of a person's psyche doesn't age from that moment.

One Man's Revenge

Song Explanations at the end!:

If i could ever got the chance to met the man with the hat 
i would ask him about the meaning of the words that he said (1)
and how he knows so many things aboutthe past, the present and the future (1)

twenty years of boredom is just a blink of an eye (2)
Against the fears for freedom which is threatened to die
how many why's are justified when the answer stands written by the clouds in the sky

the holy dove moved back to it's cote to hatch the egg
with every single breath she drew full of love she awaits birth (3)
how many miracles do you waiting for?
if they've already catch the sight light of day before (4)

His songs of hope are not like songs of people in danger 
who whish that their desasters would not last any longer (5)
He does not have to drown out the sirens of warning
To amplify his feelings that want to be listened 

he looked at me and asked me why? I wanted to know this from him
especially now, on a Wednesday evening of all nights?  
I wondered and asked him what? difference does it make  
He said wendsday seems to be the symbol of randomly choosen time   
Without beginning and without any end like a clock that will never chime  
It does not matter what was before or what happen after that (6)

And his eyes told me that he had seen more than
we might imagine together at all  
But everybody knows, that it's now or never  (7)

He was lost for so long his voice has falling in silent 
From the distance of the past only his verses reminded 
but he came back to close the gashes
reappear and rise like the phoenix from the ashes (8)

With wine and cigarettes as a formula with which 
he’s searching for his golden voice like an alchemist (9)
Without any choice he reaches our hearts  (10)
so calm and gentle, so somber and 

if i ever come by, to that hotel in New York 
i devote myself to his paintings and his art works (11)
climb into one of the waiting limousines
sit next to the figures of beauty from his dreams (11)

the lock of hair, one of his sleeping enemies (12)
has falling to the ground right in front of my knees (13)
while i listen to these poems, of which he can be very proud
But he has just turned his back from the crowd (also 11)

As he looked at her, she started to cry! Impressed by his enchanting charm 
so many ladies have fallen for him 
and to be for him at his feet   (14)
it was just simply his own way   
Without any self-conceit  

He is the keeper of truth, the guardian of beauty 
his vision can’t never be wrong  (15)
A relentless seeker with deep suffering 
who became, who he really was  
filled with loneliness, success and love
he was able to pass them on to us  
And his songs are the proves how we can achieve
so much, with every single word  
But everybody knows, that it's now or never
1:"The Future". 
- Give me back the Berlin wall
- Won't be nothing, Nothing you can measure anymore
- I've seen the future, it is murder
- You never will, you never did 
2:"First we Take Manhtten"
- They sentenced me to 20 years of boredom 
3:"Hallelujah"
- the dove is now "pregnant" and must hatch the egg
4: Refers to "Waiting for the Miracle"
5: Songs singing in air raid shelter bunker during Worl War II
6: personal story
7: Means that many people are not interested in this kind of lyrics. They are only concerned with the now
8: 1996, Cohen was ordained until he returned in 2001 
9:"Tower of Song" born with a golden voice
10:"A singer must die"
11:"Chelsea Hotel #2"
Visit Chelsea Hotel wher  hung some artworkds paintings
- "While the limousines wait in the street."
- "Who are oppressed by the figures of beauty,"
- "You just turned your back on the crowd" (This line appears later in my lyrics)
12:"Famous Blue Raincoat"
- Yes, and Jane came by with a lock of your hair
- Well, your enemy is sleeping, and his woman is free
13:"I'm Your Man"
- "Not by begging on his knees"
14:a lady boarded the stage, fell at his feet and gave him a rose.
he took it  andSmiledCharmingly.
15:Singer mustDie

Oli Boli - Man With The Hat

Man With The Hat

Man With The Hat (Homage to Leonard Cohen)

Ethereal Mausoleum

Singing Between Graves (Feat Soror Celestina)

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - I. Twist and Shout

Nonagon Stare, aka Alex, works primarily within the ambient & experimental framework. 

His music promotes states of relaxing anxiety centred in an evolving ambient and electronic soundscape.

Artistic influences include Aphex Twin, Max Cooper, Burial, Noisia and many more.

Because They Love Their Servitude

Nonagon Stare

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