The Human League - Everybody (Palmbomen TTTDAMO Cassette Demo Edit)

'Saâda Bonaire' 2XLP or CD relased on Nov 12, 2013.

Purchase: http://bit.ly/19NHa7c


Saâda Bonaire // "The Facts" (Pharaohs Edit)

BUY VINYL:  http://www.darkentriesrecords.com/store/dark-entries/big-ben-tribe-tarzan-loves-the-summer-nights-12/

The next 12" in Dark Entries Editions is a hard to find Italo Disco club hit. Big Ben Tribe are a trio formed in Trieste, Italy in 1983. The line-up is: Ricky Persi (bass), Stefano Previsti (computers and drum machine), Renato Posani (guitar & D.J).Their name is taken from the Disco Club 'Big Ben' in Trieste, the place where Renato Posani worked every night.
"Tarzan Loves The Summer Nights" was recorded in Milan in the Spring of 1983 and released on Gong Records in 1984. The band created their signature sound using a Mini Moog, Prophet 5, Korg Synthesizer, LinnDrum, Alembic Bass and Fender Stratocaster. Guest vocalist Clara Moroni softly sings about a romantic jungle dream adventure where she is living with the handsome and brave Tarzan. Strong LinnDrum percussion serves as a counterpoint to the infectious vocal melody and catchy synth hooks. The B-side features an instrumental version with extended breaks and dubbed out bass lines. 
Both songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a glossy jacket with original artwork of a female model lying on the floor grabbing the leg of a mannequin. Each copy includes an insert with lyrics, photos and liner notes by Ricky Persi. "Tarzan Loves The Summer Nights" will transport you to a fantasy world full where you can find your own muscle man to love.

Big Ben Tribe - Tarzan Loves The Summer Nights

For Record Store Day 2014, Medical Records presents two exclusive releases celebrating the classic disco of 1980s Italy. First up is a very special hand-picked selection of early singles as well as previously unreleased on vinyl tracks by Alexander Robotnick (aka Maurizio Dami). The debut album by Alexander Robotnick ("Ce N'Est Q'Un Début") was the 2nd release on Medical Records in 2010 and is now in it's 3rd pressing. Maurizio Dami needs no introduction and has been one of the pioneers of the disco/electronic scene since the early 1980s. The first single on the record is "I Wanna Believe" which was released under the moniker Gina & The Flexix in 1985 on the legendary Fuzz Dance label (an Italo Disco sublabel of Materiali Sonori). It is a rare 12" single featuring a dance-floor stomping beat, melodic synth leads and female vocals. The other single on the compilation is the 7" version of "C'est La Vie" which was released in 1987. Most of the LP is comprised of tracks recorded from 1982-1984 which have only been released on CD in 2003 on the "Rare Robotnicks" compilation (except one track from 2005's "Krypta 1982" and one other track culled from "Robotnick Archives"). The exclusive to vinyl tracks were hand-selected and display a diverse and ever-changing sound palette yet maintaining the unique and unmistakable Alexander Robotnick style which we have all loved through the years. Many tracks feature the characteristic vocal style originally exhibited on the international club hit "Problèmes D'Amour". This is a special collection that will appeal to the “Disco Freaks”. For fans of classic Italo disco and it’s many permutations and essential to fans who loved the Medical Records reissue of "Ce N'Est Q'Un Début". Additional remastering by Martin Bowes at the Cage, UK. Presented on high-quality 180gram tri-color transparent blue/purple colored vinyl. Limited Edition. 

Alexander Robotnick -  Les Grands Voyages De L'amour

Pan Solo - Jungle Falls

Mag & The Suspects ‎– Erection

Order here:
https://www.juno.co.uk/products/clifford-white-lifestream/686175-01/

The spiritual and uplifting music of Clifford White is highlighted with two of his most sought after songs, taken from his 1989 album The Lifespring, and presented here in a special extended 12” for the first time.

Starting in music production at just 15, White could be described as a protégée, however his take is that they were part of a music journey that continues today.   With a centre found in electronic music and spirituality, his progress, from simple home use 4-track stereo to working in professional 16-tracks studios was swift, but matched by a deeper appreciation, greater confidence and wider palette of music styles.  

Utilising his love of early samplers, his first use of the Akai S612 to accompany and expand his keyboard recordings saw continued development from his debut album at just 17 with Ascension (1985), to the follow up Spring Fantasy (1987) and on to The Lifespring (1989).  A small review in the local paper literally led to a knock at the door and offer of a deal from the Start (State Of The Art ) label to record his next album.   With a subsequent advance,  professional studio equipment was hired and out of these sessions his sound expanded to include ambient, orchestral, synth pop and even ballads.  

From this both Lifestream and Rain Trek emerged.  With a love of Jean Michel Jarre’s Oxygène in mind, Lifestream’s smooth beginning soon gives way to the pulse of an arpeggio driven groove.  Aiming for “relaxation with an edge”, the track has become a secret play for the more Balearic minded DJ in the decades since and now sees the LP trade for dizzying sums.  However, the original is aching brief, gracefully fading as part of the album’s journey.   Here though, with DJs and collectors in mind, White returns to the song to craft a specially extended version that completes the song and will be appreciated at sunsets across the globe. 

Seeking to take the music and listener to another place, Rain Trek took White’s interest in Sci-Fi and the mystic powers of water to a rightful conclusion.   The healing nature of his music is apparent, the mystery, yearning and travelling, all emotions evident, but with a kick that will grace the more enlightened dance.

A. Clifford White - Lifestream (Extended Mix)

Taken from the forthcoming compilation Pop symapthie,to be released the 21/6/2019
you can pre order here
https://shop.versatilerecords.com/album/vidal-benjamin-presents-pop-sympathie-verlp39
and this is what is it about


Any historians keen on the subject of "French youth in the 1980s" are holding a treasure in their hands. As a true archaeologist of this decade dedicated to disposable culture, digger-in-chief Vidal Benjamin with his newest compilation, 'Pop Sympathie', offers them a unique journey in the heart of the cyclone of emotions that struck all teenagers during the first seven years of François Mitterrand's mandate. Fifteen musical nuggets, exhumed from the dungeons of history, each and every one of them teaching us about what really obsessed the youngsters at that exact moment, i.e. what happens when the city lights come on at dusk, when irrepressible urges that stir them to get lost even more appear until the end of the night.

The artists gathered here did not have the honour of breaking into the local charts, but they all individually reached for the sky. Each song of 'Pop Sympathie' tells more or less the same story: that of a girl who throws herself into the night like one immerses one's self into the void, who rushes into a one-night adventure to become a star. And too bad if in the early morning she finds herself back at square one. In all these miniature odysseys there is neon lights, lasers, smoke machines, broken glass on checkered tiles, strangers on leather benches, celebrities in the bathrooms, stolen kisses, alcohol, drugs and cigarettes, Polaroids, venetian blinds and radioactive tubes.

If the first opus of Vidal Benjamin, 'Disco Sympathie', focused on the funky mood of songs that could have been played at Le Palace, then 'Pop Sympathie' develops itself as the imaginary soundtrack of another nightclub, Les Bains-Douches, the capital’s epicenter of nocturnal drifts. So what do we listen to, blasé, at Bains-Douches? Mainly synthesizers. The child of punk and post punk, French New Wave celebrates the matrimony of machines and lolitas under the auspices of a retro trend that revisits the atomic age. Trying to surf on that wave and hit the charts, a bunch of producers (Stéphane Berlow, Laurent Stopnicki, Bernard "Black Devil" Fèvre, Johny Rech, Jean-Yves Joanny ...) will spot their talents amongst friends, in a travel agency or at the local bar. These virtual stars are called Cecilia, Laurent, Sonia, Janou, Fabienne, Anne, Arielle or Ronan, not even 20 years old, and often leaving just an overexposed photo and their first name on a single as the only memories of their swift passage in this particular musical story. It took all the love and sweet madness of Vidal Benjamin to bring them back in the light of day.

Clovis Goux

YOGO - REVE DE STAR (I - CUBE DREAMY EDIT)

01 Exotica chris and cosey

A minimix Palmbomen did for Dansen met Deling

www.palmbomenmusic.com
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info: info [at] nonrecords . net
bookings: michiel [at] nonrecords . net

Palmbomen Mixtape Dansen Met Delsing Q1 2013

http://smarturl.com/bis044

Guiddo returns to Beats in Space with Polish producer Grzegorz Bojanek and the elusive, iconic Rexy to conjure a tune that tunnels between decades, bringing the soft edges of English New Wave to the layered lucidity of modern pop for Narcissist.

The titular track’s bounce of low tones juxtaposes beautifully with Rex Nayman'ssoprano croon until she downshifts into a dagger of spoken word that strikes at pretenders and egomaniacs alike. Guiddo orchestrates dub-wise sounds from strings to synths that bring the composition to high(er) ground, weaving Bojanek's flourishes of plucked guitar through the mix for a welcome velvet staccato. “Narcissist” glimmers under a summer sun (even when gleaned from cool interiors) to gesture a shrug or a finger-flip at those egocentrics in charge.

Nayman and her bandmate Vic Martin crafted one record as Rexy in 1981, the cult classic Running Out of Time, that appeared like a comet in the London scene and earned the duo scores of admirers for its acidly ironic lyricism that described a city rotting with megalomania and disenchantment. The duo went their separate ways soon after recording the album, but Running Out of Time left an indelible imprint on the musical universe. In their first record in nearly 30 years, Rexy brings that same unsparing gaze to the modern sociopaths that creep through the world's bars, clubs, and bedrooms. Nayman’s choral arrows have found a 21st century target: "Who's your next victim? / Now that I've got away / Who are you gonna trample? / When they get in your way."

Narcissist follows Guiddo’s 12” with Georges Perin, Gin ‘n Tears, released on Beats In Space in 2014. A collaborative force unto himself, Guiddo shines brightest at the controls, creating a new pop classic across time and (literal) space with Bojanek and Rexy.

Palmbomen Mixtape Dansen Met Delsing Q1 2013

NON Records

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