This is absolutely beautiful! Wonderful mixture of fieldrecordings and synth-sounds.

moderato

Video here - https://youtu.be/0b0NqmkWuj8

misty daydream
Vikings land on the shore
of my childhood

(Published on “Songbirds Online,” The United Haiku and Tanka Society, 2022)

Michael Dudley (michaeljdudley.com) was born in downtown Toronto and reared in the Greater Toronto Area.  He later lived and worked for 35 years in rural Southwestern Ontario.  From May 2018 until June 2020 he continuously travelled.  He is the father of three adults and the author of numerous poetry collections, including pilgrimage:  ha!ku selected & new, Red Moon Press, 2017.

On the shore of my childhood (naviarhaiku484)

Generative patch on the Serge modular. Dark ambient drone.

Base track for collaboration with Disquiet Junto members.

Triskadisko (disquiet 0591)

A pelican, living as a fresco on the facade of a house, far from its natural habitat. He dreams of getting away from the traffic, into nature.

This track has a meaning and a raison d'être of its own - but is intended as first part of an asynchronous trio as proposed by the Disquiet Junto Project 0591:



More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Loneliest Pelican (Disquiet0591)

More on this 601st weekly Disquiet Junto project, Hard Six (The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track), at: https://disquiet.com/0601/

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co : https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

From Steam To Source (disquiet0601)

I split six samples into smaller segments, arranged them according to the throw of the die & adjusted the volume to bring each into prominence in its turn.

More on this 601st weekly Disquiet Junto project, Hard Six (The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track), at: https://disquiet.com/0601/

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

The Die is Cast (disquiet0601)

cHJvbWluZW5jZQo=[disquiet0601]

[disquiet0601] No Dice

More on this 605th weekly Disquiet Junto project, Fifty Fifty (Compose a piece of music with as much silence as notes), at: https://disquiet.com/0605/

Thanks to Jason Richardson for having proposed this week’s project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0605-fifty-fifty/

Last Day (disquiet0605)

Disquiet Junto Project 0607: Silence Wave 
The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music.


I used two stems of Norns awake recordings (heavyly altered). Every stem got four instances with Audiomodern Gatelab (via routing in Reaper). Gatelab configuration was reduced to 10 gates (just to make it easy) with one of ten gates activated (on a different location on every instance). 

So by blending in and out these four tracks I was able to increase the sound/silence ratio from 0 to 40 (times 2 stems, one for bass, one for head, both in sync) and back to zero. Some FX and panning to provide some roomish feeling. The construction is designed slower than the dismantling.

This all may sound like an engineers approach, but if I had not liked the result, I would have gone another way. The altering of the sound/silence ratio is not very granular (0-10-20-30-40 percent) and I may have calculated somehow wrong (somehow I have the feeling) but I think the perception is ok.

Bandcamp version:
https://krakenkraft.bandcamp.com/track/the-voids-in-the-walls-disquiet0607

--

More on this 607th weekly Disquiet Junto project, Silence Wave (The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music), at: https://disquiet.com/0607/

Thanks this week to Jason Richardson and Klaus-Dieter Hilf.

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0607-silence-wave/

disquiet23

The Voids In The Walls [disquiet0607]

06. [X - I#IV]

Noodle Twister is a sound artist in Northern England. Ambient, experimental and field recording are some of the current focus. 
NEW 'Altered Cage' A thirty minute mix available from Bandcamp below.

From Steam To Source (disquiet0601)

Noodle Twister

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