Experimental 1 (Noise, Autonomic, Industrial, Abstract, EBM, IDM, IBM)

Kick To Kill

Strangled Love

Premiere: Samuel Kerridge - Strangled Love [Kick To Kill records]

47 revisits German artist OAKE’s seminal track “Paysage Dépaysé” in a special remix EP.

OAKE have established themselves as flagbearers for dark electronica in the years pursuant to their EP on Downwards in 2015, making cinematic dance music for imprints across the experimental-industrial axis—including a solo effort on 47 in 2019. After a series of standout early releases, the artists put out one of their canon-defining tracks, “Paysage Dépaysé,” as part of the Monad XXIV EP for Stroboscopic Artefacts. Now, it receives the remix treatment on 47029 with three dynamic and radically divergent approaches to OAKE’s atmospheric and deeply melancholic inaugural work, which will be pressed to vinyl for the first time.

The newly remastered original song is a post-industrial dirge that weaves OAKE singer Konstanze Bathseba Zippora’s otherworldly vocals over a noisy mothswarm of electronics, but label veteran Killawatt revs the first version’s subdued threnody up to a dance floor-friendly techstepper. On the B-Side, remixer Lemna uses a more restrained style, enshrouding the instrumentals under a martial sashay of tribal breakbeats, while 47 newcomer Quelza brings the collection to a ruminative close by bending and breaking Zippora’s virtuosic solo through a latticework of glitched-out synths and percussive stabs. The entire package will be available for purchase on June 24th, 2022

47029

B2 OAKE / PAYSAGE DÉPAYSÉ - QUELZA REMIX [47029]

B1 OAKE / PAYSAGE DÉPAYSÉ - LEMNA REMIX [47029]

A2 OAKE / PAYSAGE DÉPAYSÉ - KILLAWATT REMIX [47029]

A1 OAKE / PAYSAGE DÉPAYSÉ - 2022 [47029]

Naples-based up-and-comer Mystics is making impressive explorations in the underground scene. His fourth output will land on 47 and marks the apex of his heads down, rolling approach to techno and a development of his left-field futuristic sound.

The extended six-track EP sets the scene with “The Unexplored Pt. 1,” a strung out opener that spits out irradiant shards of glitch and gated vocals. The rest of the EP builds a cohesive canvas from this sonic palette. In “The Unexplored Pt. 2,” washes of static and breakbeats barrel under a drone-like pad, while “Oxford RM” steamrolls ahead with four-to-the-floor kick drums, barbed wire textures and an orbiting melody. On the B-side, the artist leans into his penchant for IDM with “But If” and “Shrouded In Mystery” with their wormhole, Warp-like ambience.Never leaning too far into the past, these songs form a collection of visionary rhythmic techno, conjuring a vision of a world that is as movingly melancholic as it is haunting and spare.

47035

B3 MYSTICS / SHROUDED IN MYSTERY

B2 MYSTICS / BUT IF

B1 MYSTICS / STILL

A3 MYSTICS / OXFORD RM

A2 MYSTICS / THE UNEXPLORED PT.2

A1 MYSTICS / THE UNEXPLORED PT.1

"Violence Turning Inward"
Cruel Intentions [LP, Ascetic House, 202]

release date [LP]: November 24, 2020
available at ascetic.house and ascetichouse.com

“A rough-hewn pendulum, Cruel Intentions swings between Shredded Nerve’s previous LP and this year's Acts of Betrayal, vacillating between the noisy and the serene through crude loops and environmentally-specific recordings, driven by hope for the future and exhaustion of the day's burden. Like an apartment building collapsing inwards, no listener is safe from the debris of glass, metal, wood and electricity Shredded Nerve employs. While previous works have focused on blunt repetition, Lakes embraces his sounds' desire to sprawl out and infect each other throughout these five pieces. The opener ("Burning Arrival") brings the same sort of twisted backward violin sound found on the Butthole Surfers' "Creep in the Cellar" but manages to further elucidate this terror with discreet scrapings and the gathering of small objects before lumbering up the stairs, arms full of white hot static interference. The errant crackling through heavy tones and cheap, ringing steel, synthesized warping and vitric ritualistic knocks serve to take us further out of ourselves, looking through a thick window as we slowly age. Tension and dread are at this end, but what awaits on the other side?”
— Greh Holger (Hive Mind/Chondritic Sound)

Shredded Nerve is the primary output of multimedia artist Justin Lakes. Drawing from a palette of found sound, electroacoustic amplification, and analog synthesis, his work is composed through the
use of handmade cassette loops which have come to be known as his signature. Originally based in Cincinnati, Lakes has operated out of Brooklyn since 2014 where he co-founded the record store Thousands of Dead Gods and subsequent tape label Dead Gods. In addition to publishing printed materials of collages and flyers, he also runs the limited edition CDr imprint Small Mercies. Cruel Intentions is Shredded Nerve's 2nd LP, a follow up to 2016's In The Shadow Of What Never Was.

Cruel Intentions

Cruel Intentions LP

Shredded Nerve "Violence Turning Inward" [LP, Ascetic House, 2020]

MADE BY COLLECTIVE ORDER
ASCETIC HOUSE
2020

Omeed Norouzi "H"

Jaclyn Kendall "Higher Source"

FREE THE LAND

The essential goal of human beings is to transcend, not dominate the biological, with a view toward bringing a new input: consciousness

MADE BY COLLECTIVE ORDER
ASCETIC HOUSE
2020

Free The Land "The essential goal of human beings is to transcend, not dominate the biological..."

DivPro "Surge"

Der Kindestod "OYFM"

City "Brightness"

Baby Blue "Collapsed"

266sx "Chino Burbank Van Nuys"

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Experimental 1 (Noise, Autonomic, Industrial, Abstract, EBM, IDM, IBM)

Noone