Tyler, The Creator - November

Seed In This Guy (Bassless Mix)

I've been acquainted with Maor from Skizologic since the early 2010s, though not personally. He was part of a crew that organized weekly events in Tel Aviv under the name Klika of Happiness, along with occasional outdoor parties. After my move to California and toward the end of the 2010s, I discovered he was producing Psy Trance with a strong passion for Analog equipment. He started sending me some tunes that were an exciting blend of old-school Goa sound and modern Psy Trance, sounding incredibly fresh.

Given the preference for faster music in my local scene, I found myself incorporating more of Maor's tracks into my sets. Gradually, I became a fan of his work. During the COVID-19 Pandemic, Maor reached out to me, mentioning he had a project he was stuck with and asked if I wanted to take a look. That's how we began collaborating on 'Heartbeat', crafting a massive groover that was funky and energizing on the dance floor. Working with Maor was a fantastic experience, and I'm confident it won't be the last time we collaborate on a track together.

More Perfect Stranger : 

Perfectly Strange BandCamp: https://perfectlystrange.bandcamp.com/
Perfectly Strange sounds: http://soundcloud.com/perfect-stranger
Perfectly Strange stuff: http://www.facebook.com/perfectlystrange
Perfectly Strange mixes: http://www.mixcloud.com/PerfectlyStrange
Perfectly Strange videos:   https://www.youtube.com/@PerfectStrangerDJ
Perfectly Strange tweets: https://twitter.com/PerfectBLT
Perfectly Strange Spoti Fy: https://bit.ly/PSSpoti
Perfectly Strange music: http://www.beatport.com/artist/perfect-stranger/7166

Broadcasting & Receiving

Buy or Stream Album

& Skizologic - Heartbeat (Original Mix)

'Koltun' stands as a fascinating chapter in the story of Perfect Stranger's album, "Broadcasting & Receiving." Originating around 2010-2011, 'Koltun,' Russian for "Hair Knot," was initially a tribute to Guess Who's 'Song.' However, creating a composition with multiple key changes and count shifts proved ambitious given dancefloor demands. To make it more manageable, I retained the bassline groove and key changes, omitting the original samples for its debut.

In the autumn of 2022, while attending Ziohm Festival in Brazil, a melody in Captain Hook's set jogged my memory. At first, I couldn't locate what it reminded me of but eventually, it came to me that It resembled good old 'Koltun.' Upon this realization, I decided to revive the track, modernizing its sound while retaining its essence. Initially intended for live performances, the rejuvenated version evolved over time. I incorporated elements like an Egyptian band and a violin solo, accompanied by vocal fragments and singing. I also experimented with increasing the tempo, making it adaptable for Perfect Stranger sets. However, the vocal accompaniment was eventually removed, and the composition underwent refinements, including a dynamic snare roll.

More Perfect Stranger : 

Perfectly Strange BandCamp: https://perfectlystrange.bandcamp.com/
Perfectly Strange sounds: http://soundcloud.com/perfect-stranger
Perfectly Strange stuff: http://www.facebook.com/perfectlystrange
Perfectly Strange mixes: http://www.mixcloud.com/PerfectlyStrange
Perfectly Strange videos:   https://www.youtube.com/@PerfectStrangerDJ
Perfectly Strange tweets: https://twitter.com/PerfectBLT
Perfectly Strange Spoti Fy: https://bit.ly/PSSpoti
Perfectly Strange music: http://www.beatport.com/artist/perfect-stranger/7166

Koltun (Second Return)

In my creative journey as a producer, my fascination with unconventional sounds remains constant. I'm captivated by peculiar noise sequences and odd sonic phenomena that, when listened to carefully, craft their own narratives, forming organic grooves and unexpected melodies. My composition, "In The Creek," is a testament to this approach, with 90% of its foundation built on these enigmatic sonic explorations.

My music creation approach might be termed "sloppy," but for me, it is not necessarily a negative situation. I find joy in the raw, unrefined edges of my productions. I embrace the idea of elements slightly off the rhythmic grid, creating polyrhythms that infuse dancefloor experiences with delightful spontaneity. However, there's a delicate balance; too much can lead to chaos. Crafting a coherent piece from diverse noises requires meticulous attention, ensuring each component propels the track forward while maintaining cohesion. This contrasts with crafting melodic pieces rooted in discernible themes.


More Perfect Stranger : 

Perfectly Strange BandCamp: https://perfectlystrange.bandcamp.com/
Perfectly Strange sounds: http://soundcloud.com/perfect-stranger
Perfectly Strange stuff: http://www.facebook.com/perfectlystrange
Perfectly Strange mixes: http://www.mixcloud.com/PerfectlyStrange
Perfectly Strange videos:   https://www.youtube.com/@PerfectStrangerDJ
Perfectly Strange tweets: https://twitter.com/PerfectBLT
Perfectly Strange Spoti Fy: https://bit.ly/PSSpoti
Perfectly Strange music: http://www.beatport.com/artist/perfect-stranger/7166

In The Creek (Original Mix)

One Sick Wad (Smells Like Teen Spirit Cover Practice)

Out on 01/01/25 

Amazon, Apple, Tidal, Beatport, Spotify + More

INFINITE HORIZONS

Vlad The Impaler (Dead Pound Edit)

Bass Is The Funk 2.3

In this installment of Sound Advice, we are joined by Taiki Nulight, who has been establishing himself as a force in the UK bass driven scene since 2012. The DJ/producer, real name Erka Chinbayer, first started out as a duo alongside Nulight, and later took on the Taiki Nulight name as a solo artist. In the years since, he’s become an in-demand touring DJ, producer and remixer. In this SoundCloud-exclusive interview, we talk to Taiki to find out more about building community, his approach to collaboration and how a boy from a village in East Sussex graduated from grabbing the aux cord to bass music’s biggest stages.

[Web users: COPY/PASTE ⬇️]:
Episode Show Notes: https://soundcloud.com/stories/post/sound-advice-taiki-nulight
Follow SoundCloud Stories: @soundcloud-stories
Follow Taiki Nulight: @taiki-nulight-uk
Get Started With Artist and Artist Pro: https://artists.soundcloud.com

Vlad The Impaler (Dead Pound Edit)

"No" People Corp

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