Apophis

ノクール  // Nokūru
Osokumade nete iru ka, mattaku nete inai hito. Matawa, yoru osokumade-gai de enkai ya pātī o suru hito.
one who sleeps late or not at all; or, one who stays out late to revel or party.

follow me on spotify & youtube:
https://spotify.link/8u0YCR3hlyb
https://youtube.com/soulxwave

contact me:
https://instagram.com/soulxwave
https://facebook.com/soulxwave
email: soulxwave98@gmail.com

noceur

Karmic Love

Another experimental track, inspired by @prodn1kt0
Enjoy until the end...for its near <3

Stream: https://open.spotify.com/album/1TNDQvLH3nH1UQQ786PfwR?si=08Khcew4Slek-wz708uIxQ

The End

YO, THIS IS REMIX OF WHITE SEAGULL *INHALES* //////

White Seagull ( IMBVMI REMIX )

Logik & bøe  - White Seagull ( IMBVMI REMIX)

Free Download

Aether Bound

FREE DOWNLOAD: https://axioswave.bandcamp.com/track/killing-me

killing me

I want to thank yall for this year, it turned out to be very productive
2024 will be much more interesting 😶 I promise

This year I literally found a second family
CW 💙

𝔸𝕊ℂ𝕀𝕀
73 32 114 101 97 108 105 122 101 100 32 119 104 121 32 73 32 101 120 105 115 116

Cya next year

-WhyAmIExist

Catharsis

new year, new more tracks soon.
there's a track that already done or still wip.

so enjoy yourself.

(0:00 - 1:46) ID
(1:46 - 3:08) celestial II.
(3:08 - 4:17) ID
(4:17 - 5:21) ID 
(5:21 - 6:21) ID [exodynamix sample pack promo]
(6:21 - 7:24) ID
(7:24 - 9:05) ID
(9:05 - 11:23) ID

2024 showcase.

lutr, тоня! - rage

This track was a fun exploration of "All The Samples From Mars" and the use of XLN Audio XO for sound discovery and drum sequencing. 

I tried to simplify things in comparison to previous tracks, to help with the mixdown and mastering. 

For example this track used 30 channels, whereas my last track used 50 channels. In my next track I'll try to go even further to 20-25 channels. Why? Less channels = less overlap in frequencies = more clarity.

How did I do this? Predominantly by using more automation on the synths and more audio effects throughout the track, particularly during transitions, in the drum, synth and atmosphere busses, rather than relying on new sounds to maintain engagement, fill the space and signal change. 

Other ways to simplify: No vocal, no sub-bass and less loops. On the last point, I'm really happy that I played in 90% of the MIDI for the drums and melodic elements, with a small handful of loops for the remaining 10% that you're hearing in the track. I think this gives the track a more authentic feeling, although the trade off is that it probably sounds a bit simple in some parts, but this will get better as my production skills level up. I'm happy overall considering I'm only 1.5 years into my journey.

The track is slightly longer than the average, with an A-B-A-C-A arrangement. Nice 1 minute intro and 2 minute outro for DJ functionality with 4 minutes of lovely narrative in between. I could do a shortened radio/streaming version if I wanted to, but it's just not worth it at this stage.

Decided to call the track "Swooping" as one of my favourite "Samples From Mars" discoveries called "Evil Butterflies", sounds like a bird fluttering and descending. 

If you fancy giving the track a spin, drop us a message and will send over the WAV. 

Enjoy! 🦅

Apophis

remørse.

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