Rashad Becker 'Traditional Music of Notional Species Vol. I' (PAN 34)
LP/DL - Release Date: July 2013

'Traditional Music of Notional Species Vol. I' is a devastating display of potential which ensures a journey unlike any you have encountered.  In the vast world of electronic music, where sounds, signifiers and gesture's are recontextualized to a numbing degree it is increasingly rare and refreshing to encounter a release as perspective distorting as the debut full length release by Rashad Becker.  The album is a masterpiece of focussed non-referential electronic environments.  It is is both warm, alien, paranoid and exhilarating.  Sounds are stretched in the most unusual manner, foreign bodies are frequent and the structure is simply bewildering.  Split into 'Themes and Dances', the 8 tracks guide the listener through Becker's brave new world.  Despite being entirely synthetic there are sounds which appear like a distortion of the world around us, on occasion 'voice-like' sounds are present, elsewhere there appears the sound of cicada's, only these cicada's are made of mercury and swim through time.

https://www.pan-act.com

Rashad Becker 'Dances III' (PAN 34)

www.omatsch.wordpress.com

performance with Klaas Hübner

foundobjects

live, modulated aerophonic timbres, aided by a simple monotonous, repetitious 808.

ἀήρ φωνή ≈ ˈzʏntəsa͜izɐ

Moog Sub Phatty_RE-20 Space Echo_Loopmachine _One Take Wonder

dissolve

title : Flut I (Excerpt)
Session Live Recording / Bremen 2015

Gerhard Geising
Daniel Neubacher
Gustavo Mendez
Norman Neumann
Felix Luczak

Flut I

Suin00001

Yosemite/Proximity_live07.10.16/

Hang-Man II

field-recording(s) and part of the work for "Im Dialog: 2008-2012"
appartment gallery: Der vierte Raum (2012)

"esthetics of living-rooms"
the additional sound work.
field recordings take from the stairway  where "der vierte Raum" was housed.


http://sebastianreuschel.de/pages/2012/20012.html
http://dervierteraum.tumblr.com/post/20135790563/opening-today-30-03-2012-20h-sebastian-reuschel

Flut I

Norman Neumann

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