oh this sort of re-statement or introduction of motion albeit slowly is just wonderful. This sounds great, but it moves so nicely also.

amazing soudnscape, so beautiful...bravo.

Beautiful! I think some previous junto from you made me buy a lapsteel. Now I'm reminded to work with it more ;-)

Well done for keeping this restrained to give space for the beautiful sounds emanating from the guitar. It allows me to hang on to every note....

More on this 413th weekly Disquiet Junto project — Objective Thankfulness / The Assignment: Highlight one piece of musical equipment for which you are particularly grateful:

https://disquiet.com/0413/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0413-objective-thankfulness/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this track is by julochka, and is used (image cropped, text added) via Flickr thanks to a Creative Commons license:

https://flic.kr/p/jS32DD

https://creativecommons.org/licenses/by-nc/2.0/

Disquiet Junto Project 0413: Objective Thankfulness

More on this 480th weekly Disquiet Junto project – Ongsay Aftcray (The Assignment: Record a piece of music by employing Pig Latin as a technique) – at:

https://disquiet.com/0480/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0480-ongsay-aftcray/42680

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Tom Scott, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/fBWPwN

https://creativecommons.org/licenses/by-nc-sa/2.0/

Adowshay (disquiet0480)

“The unadorned idea of a goal is ambiguous,” writes the neuroscientist Read Montague in his book Your Brain Is (Almost) Perfect. “As with any complex information-processing system, there are many levels of software in the brain … all other subgoals take a backseat to the most important edict—‘Stay alive until tomorrow.’”

One could be forgiven for procrastinating creative efforts during these past fourteen or so months. Alternatively, such conditions may also inspire a flurry of new activity that otherwise would not have happened. Regardless, some amount of stuff doesn’t get done.

Suss Müsik had an album ready to go for nearly a year before actually completing and releasing it this week. The concept was to revisit prior works with simpler, more spare arrangements. 

Suss Müsik was also interested in exploring what French philosopher Gilles Deleuze described as “figurative analogies,” blurring the auditory lines between how digital and analogue sounds are represented.

This week’s Junto contribution, titled Deleuze, is the demo of a track that wasn’t included on an album that almost never got made. A figurative analogy, perhaps, for what we mean to do vs. what we actually do.

More on this 488th weekly Disquiet Junto project — Reverse Delay (Assignment: Do something you’ve been putting off) — at: https://disquiet.com/0488/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0488-reverse-delay/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Deleuze [Disquiet0488]

Br_Ef

Apparition [FREE DL]

GUIT LOOP IMP 09 (JG).mp3

Orchestral version of my Boundless Track featuring Noire Particle Engine by Native Instruments

Boundless - Noire

vcv rack  open source virtual modular synthesizer .
the creator Andrew Belt has made accessible to all this beautiful software, a true example of musical democracy, was born a wave of creativity
A worldwide thank you to Andrew, to all the plugin developers for this gift. 
release date  28 _11_2019
More on this 413th weekly Disquiet Junto project — Objective Thankfulness / The Assignment: Highlight one piece of musical equipment for which you are particularly grateful:

https://disquiet.com/0413/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0413-objective-thankfulness/

Border(disquiet0413)

At the end of 2018, I bought an Empress Reverb box.  It was $449.  I have used it constantly throughout 2019.  I can't imagine ever getting rid of it.

Why the Empress Reverb?  There are no menus.  I can't stand menus.  This thing, you just turn a knob and then you turn some other knobs.  Then listen.  It just makes everything more beautiful.  Even something like "reverse", which I have almost never used in a DAW because it's so obvious and cheesy, transforms the audio spectacularly with the right combination of the various knobs.

"Process Opaque" is a recent creation, released under my alter ego Ambient Matyk.  I don't know what setting this was.  I don't keep notes.

I've been kicking around the idea of buying the Empress Echosystem (also $449) and using the two together.  I might wait to buy that in mid-2020.  No hurry.  I'm having too much fun with the Reverb for now.

For more music and stuff, visit:  https://www.markrushton.com

More on this 413th weekly Disquiet Junto project — Objective Thankfulness / The Assignment: Highlight one piece of musical equipment for which you are particularly grateful:

https://disquiet.com/0413/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Process Opaque (disquiet0413)

The instrument I chose as thankful for is my Fender acoustic guitar. Not exactly the most expensive guitar I've owned, but I get a lot of enjoyment playing it.
The piece is something I've been playing for years and never had a title for. Never recorded it before, it has just been something to play. I recorded with a combination of the guitar's pickup, an SM57 and an Aston Origin --- a mic I really like the sound of, even though it slightly picks up a radio station. (and no, it is not the mic cable or interface. Ugh.) Then a little eq on each track, and Ozone 8 on the master bus.

More on this 413th weekly Disquiet Junto project — Objective Thankfulness / The Assignment: Highlight one piece of musical equipment for which you are particularly grateful:

https://disquiet.com/0413/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0413-objective-thankfulness/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this track is by julochka, and is used (image cropped, text added) via Flickr thanks to a Creative Commons license:

https://flic.kr/p/jS32DD

https://creativecommons.org/licenses/by-nc/2.0/

Untitled [disquiet0413]

"If We Must Die" written and recited by Claude McKay.

Dub remix by Paul Reiners.

More on this 413th weekly Disquiet Junto project — Objective Thankfulness / The Assignment: Highlight one piece of musical equipment for which you are particularly grateful:

https://disquiet.com/0413/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0413-objective-thankfulness/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

If We Must Die (Version)- disquiet0413

Vega lap steel -> Boss compressor -> volume pedal -> TC Electronics delay -> Alesis reverb. Thanks to Greg Wells who gave me the Vega lap steel so many years ago! It opened up new sonic worlds to me.

More on this 413th weekly Disquiet Junto project — Objective Thankfulness / The Assignment: Highlight one piece of musical equipment for which you are particularly grateful:

https://disquiet.com/0413/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0413-objective-thankfulness/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this track is by julochka, and is used (image cropped, text added) via Flickr thanks to a Creative Commons license:

https://flic.kr/p/jS32DD

https://creativecommons.org/licenses/by-nc/2.0/

disquiet0413 objective thankfulness

perfect song for you to vibe with with your girl

RIGHT ONE FRANKIE BARRZ ft. PISTOL DOUGH

Location: Kiev Passenger Railway Station, Kiev, Ukraine
Date: 21st May 2009, 10 o'clock
Gear: Sharp MD-MS701 with custom in-ear mics

Kiev Central Station

Ambient/drone/experimental, live coding, EDM, Nixon.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

disquiet0413 objective thankfulness

NorthWoods

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