Lovely textures. Got a slightly sci-fi feel to it. Like a room tone from Blade Runner.

More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet Junto Project 0476: IAH Forecast

The long, long river
A single line
On the snowy plain

haiku by Nozawa Bonchō https://en.wikipedia.org/wiki/Nozawa_Bonch%C5%8D

picture by Isaac Chou https://unsplash.com/@kurzheck\

For more information visit http://www.naviarrecords.com/about/naviar-haiku

föhn gall

halF lonG [naviarhaiku375]

swimwear shifty 1 take 5 July 30 31 bpm

satiated 20 bpm august 12 take 2

laden

halF incenD

Music : Deepman
Words, sounds and voice : Luciole Langevine

Cachés sous les feuilles
Ou tapis dans les fourrés
Immobiles dans les buissons 
Ou perchés sur les branches
Ils nous observent passer
Leurs petits yeux clignent 
Et brillent de curiosité

Oh j'espère Petit Peuple
Que ta candeur te préserve
Du futur qu'on te réserve

Fouissent et fouinent en frémissant
Reniflent et grignotent
Petit Peuple à plumes ou à poils
A carapace ou à écailles
Au rythme de la Terre
Vit sa vie juste à côté
Vit sa vie juste à côté

Translation:
Hidden under the leaves
Or carpet in the thickets
Motionless in the bushes
Or perched on the branches
They watch us go by
Their little eyes blink
And shine with curiosity

Oh I hope Little People
May your candor preserve you
Of the future we have in store for you

Lurk and snoop while quivering
Sniff and nibble
Small feathered or furry people
With shell or scales
To the rhythm of the Earth
Lives his life right next door
Lives his life right next door

Promenons nous dans les Bois - Deepman & Luciole Langevine

25Sep20

My naviarhaiku351 submission
https://www.naviarrecords.com/2020/09/23/naviarhaiku351-urban-chorus/
urban chorus
harmonious tones
uncomposed

:D

Boson Spin - Urban Chorus, Harmonious Tones [naviarhaiku351]

Marco Lucchi : piano
Vanessa Pettendorfer : organ and electronics

a rework by Vanessa Pettendorfer of 'piano patterns n°1' by Marco Lucchi

for "piano patterns", a project by Marco Lucchi
soundcloud.com/marcolucchi/sets/piano-patterns

ottobre 2020

Marco Lucchi & Vanessa Pettendorfer - Renewal

This track was created for the Naviar Haiku group.
358 week Haiku.
Headphones recommended.

https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2020/11/11/naviarhaiku358-i-close-my-eyes/

OneAmbient4 - I Close My Eyes (Naviarhaiku 358)

I sat down at my computer shorty after 9pm UK time. I was thinking of making some music but wasn't sure what to work on... I have a few things I am working on but nothing lept out at me and demanded my attention. An email pops up... Disquiet Junto 0476. 
It's been ages since I took part and this seemed perfect... 
I went with the flow with this one... I went with some foggy sounding synth and pulled out an old field recording from the A11 dual carrageway by the Norfolk / Suffolk border. I let the field recording play and just improvised some synth at once over the top. I recorded that in 1 take and then went to the arrangement. 
I added a drum rack - an effect on the whole thing... making a nice dubby slow rhythm. It picks up a level or two and I added some other elements of synth and ambience. It was quick and simple to make. This was a good fun experiement to do.  

This weeks instructions are as follows;

Disquiet Junto Project 0476: IAH Forecast

The Assignment: Here’s your next single’s cover. Now record it.

Step 1: This is the cover of your next single:
IMG_20210209_070546_260
IMG_20210209_070546_2603096×3096 851 KB

Step 2: Now record your single.

Note: The photo was shot in Houston, Texas, by Robert Boyd and is used with his permission.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0476” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0476” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Forecast [disquiet0476]

I lived in Houston for 9 months in 1997.  Lived and worked on Westheimer Rd.  I worked near River Oaks at a tech startup.  My wife worked somewhat nearby on Greenway Plaza at what is now Invesco.

The food in Houston was excellent.  One time, Dusty Hill from ZZ Top was behind us in line at a BBQ joint and ordered "a quart of jambalaya".  Yes, he was dressed like he was on stage.  I thought it was the perfect Texas moment.  Although a close second was going out with Ann's co-workers to somebody's horse farm in the country and one her co-workers rode a horse backwards very fast.  Nice people.

There should be more cars on whatever road this is.  I remember the traffic was crazy.  And the air often smelled of gas, the result of being close to oil refineries.

This track is a combination of several pieces of mine:  Aleodeology's "Time Travel Destination in the Past", "Simulated Gravity", "Aleodeological Travel", and "Empty Interstate Due to Microaggressions", along with my side band Vibrating Wires' "The Long Drive Out", "The Path to REM Sleep", and "Southwestern Desert" - and some field recordings of rain that I recorded.

*

More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

Westheimer(disquiet0476)

traffic-noise clouds, coded in ChucK. code here:

https://github.com/charliekramer/ChucK/blob/master/houston%20noise%20clouds.ck

More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet0476 Houston Noise Clouds

**Production Notes**

I live in the city center, and I hate street noise. Wherever I go, I use earbuds to listen to something, be it a podcast, an audio book, or music. I try to separate myself from the noise, but this Disquiet Junto reminded me to do otherwise. 

The image for this week’s Junto is amazing. The melancholy sucked me right in: the mist, the noise, the small rooms, the parking lot, that all made total sense. 

So the "Music for Distant Airports" approach seemed right.

I chose a field recording of a highway and let it play throughout the whole piece with some volume changes. The rest was made with Norns, Moog Matriarch, and the Arturia Easel plugin. 

* * * 

**Disquiet Junto Project 0476: IAH Forecast**

The Assignment: Here’s your next single’s cover. Now record it.

Step 1: This is the cover of your next single:

Step 2: Now record your single.

Note: The photo was shot in Houston, Texas, by Robert Boyd and is used with his permission.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0476” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0476” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, February 15, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 11, 2021.

Length: The length is up to you. However you picture it.

(...)

More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Soap Bubbles [disquiet0476]

As I've just finished binge watching Mindhunter on Netflix, it's probably not surprising that it and the atmospheric image fused in my mind and the two became the inspiration for this track.
Done almost entirely using the Korg Wavestate, except for the crackles, which was Arturia's CMI V through Vallhalla Supermassive.
More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

The Fog Of Doubt (disquiet0476)

I hadn't been aware of Disquiet Junto until yesterday morning, when I saw the attached image and the words "This is the cover of your next image". Challenge accepted.

This was recorded in Logic pretty quickly... I started with a grungy texture bed, to fit that murky fog, and I wasn't really intending to do much more. But then I experimented with a booming kick drum, which naturally required some tinkling hi hats. That, along with the image of traffic, encouraged a bit more motion from a bouncing arpeggiator.

Next up a big brass swell, very slowly dialling up the treble, and a quite nasty synth through a guitar amp with tremolo.

To top it all off and be a little literal, I added some found sound. In this case, I found it among Logic's included library of atmospheric sounds. It's cold out, and I don't feel like hanging around on a busy street holding a microphone.

Everything drenched in varying amounts of reverb, and a lot of the treble has been rolled back. (see 'fog' above.)

https://disquiet.com/2021/02/11/disquiet-junto-project-0476-iah-forecast/

Wake

Wake (for disquiet0476)

Lost Tears in a Mysterious Forest(NaviarHaiku373)

Ambient/drone/experimental, live coding, EDM, Nixon.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Disquiet0476 Houston Noise Clouds

NorthWoods

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