You should listen to some Russian Underground Techno. I have only heard it from their real on ground combet videos without any hints about the music they play to it. Inovative is what I can say, only. Telegram Wagner Group. They are not Nazis!

It’s hard to overstate the importance of ‘The Final Frontier’ in shaping modern electronic music. First released in 1992 by the unapologetically political Detroit collective, Underground Resistance, it remains an essential classic in the story of Techno. Underground Resistance’s stated objective was to “[electrify] the inner city with hi-tech, sci-fi thoughts and dreams”; to offer working-class Black Americans, through music, a vision of a bright future through community action. Final Frontier was the first of many tracks which underlined this mission in bold type.

The great Afrofuturist tradition of imagining Black emancipation through space travel is upfront; both in the Star Trek-referencing title, as well as in the music itself, which sounds like the perfect re-scoring to the “Stargate” scene in 2001: A Space Odyssey. Now, nearly 30 years after it was first unleashed, there is not a serious techno fan who does not consider this to belong on the highest echelon of electronic music’s Pantheon.

Taken from Tresor 30 – Limited Edition 12 x 12" Vinyl Boxset
Available for pre-order now - out October 1st

Buy Limited Boxset: https://tresorberlin.com/shop/
Buy Track: bit.ly/UR-bc

@undergroundresistance

Tresor 30

Buy 12x12" Boxset

PREMIERE: Underground Resistance - The Final Frontier (Nomadico Remix) (taken from "Tresor 30")

Två portar

Track: Resistance
Artist(s): @Shkedul
Label: NORD LTD
Catalog: 009
Format: Vinyl
Genre: Electronic
Style: Techno
Release Date: 15/05/24
Mastering:  Tapewave

Artist links: 
https://m.soundcloud.com/shkedul
Bandcamp: 
https://shkedul.bandcamp.com
Instagram: 
https://www.instagram.com/shkedul/

GTG Premiere | Shkedul - Resistance [NORDLTD008]

Ruhig - A2. Eddying

Marco Shuttle - Sing Like A Bird

The sharply defined lines of Brutalist architecture, the infinite starry expanse of the cosmos, the industrial automation of the factory floor, the endless virtual worlds that make up the alternate universe of cyberspace: what do each of these things have in common with the new EP from Wata Igarashi on The Bunker New York? All are essentially a distillation of the grand, overarching spirit of modernity embodied by techno music.

Wata Igarashi is a lifelong musician and professional sound designer by trade. His decades of experience composing music for TV, web, live events, and beyond taught him the ins and outs of electronic music production — the mood of his machines — and led him to develop mind-bending techno timbres that recall the similarly hypnotic artistry of Rrose or Donato Dozzy, alongside a certain ineffable quality that makes his work uniquely his own. “Japanese people like to refine things,” suggests Igarashi. “There’s definitely some kind of particular ‘Japanese thing’ in electronic music — some Japanese producers are so detailed, carefully looking after the smallest elements,” he adds. Certainly, Igarashi himself falls in that cohort.

The last several years have been fruitful for Igarashi, with hotly tipped records on Peter Van Hoesen's Time to Express record label, the Berlin-based Midgar, and Spanish minimal techno specialists Semantica. A chance meeting at Berghain in February 2015 led Igarashi to connect with Bryan Kasenic, the man behind The Bunker New York, who already knew and loved his music. The pair developed a fast friendship based on mutual respect, and Kasenic was honored to welcome Igarashi to The Bunker New York family.

For his debut on The Bunker New York, Igarashi presents Mood of the Machines, a pristine techno record so perfectly composed, so tightly woven, that it simply speaks for itself. Each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain. Techno is a universal language, and The Bunker New York is proud to share Wata Igarashi's latest dancefloor declaration with the world.



Wata Igarashi - Mood Of The Machines Part II (preview clip)

RSN010 - Pris - For a Better Understanding Remixed

A1: Dodeca (Blawan Remix)
A2: Reef (Stenny Remix)
B1: Devil In The Detail (Shifted Remix)
B2: Reef (Reeko Remix)

RSN010 - For a Better Understanding Remixed

Pris - Dodeca (Blawan Remix)

MZ006_B1: Cio D'Or - Psst

Out on September 14th. 

Digital: https://transatlanticrecords.bandcamp.com/album/dub-tapes-from-outer-space

Vinyl: https://lobsterrecords.co.uk/products/lds-dub-tapes-from-outer-space

LDS - Dub Tapes From Outer Space (TAR005)

Track from NE64 Evigt Mörker – Krona 2xLP
Out on 2xLP and digital September 27th.

Following up his pair of cryptically luminous EPs for Northern Electronics in the past years, Evigt Mörker presents his debut album, Krona.

With a shuffling atmosphere that’s hard to pin down, the album chronically fixates on the degradation and construction of rhythmic drills with finely rendered parts and patterns. Spiralling the listener through a set of stormy soundscapes, Krona keeps placing the horizon just ahead, and just out of reach. The unease that Evigt Mörker invites us into is electrically charged and threatening to crack. For all its syncopation we are relentlessly swerving through the works, afraid of teasing an arcing static shock from the blistering commotion. The album’s propulsive tracks are settled against a pair of stunning ambient compositions that capture some of the tension from a distance. Technical dexterity and perfectly pitched intensity stakes out Evigt Mörker’s debut album as an impressive statement.

Recorded by Evigt Mörker in Stockholm, Sweden 2018.
Mastered by Neel at EnissLab, Rome.
Artwork by Jonas Rönnberg

Evigt Mörker - Etisk piska

from Liquiddity https://mutualdreaming.bandcamp.com/album/liquiddity

Evigt Mörker - Etisk piska

Northern Electronics

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