‘Part Of Your World’ is a song written by lyricist Howard Ashman and composer Alan Menken for Disney's animated feature film 'The Little Mermaid' (1989).

I’m deeply grateful to the great 'L'Orchestra Cinématique', a London based collective known for their incredibly epic covers and original pieces, for allowing me to make my own vocal version of their stunningly beautiful orchestral reimagining of this song.  

You can listen to more of their magnificent work here: @lorchestracinematique-music

Thank you so much for your listening. Hope you will enjoy this humble rendition of mine. 

The music video is available via the following link: https://www.youtube.com/watch?v=yS2DKVPaEfI&list=RDyS2DKVPaEfI&start_radio=1

Part Of Your World — The Little Mermaid (Cinematic Version) │Vocal cover by Anastasiya Ihnatovich

D-Blind Amazement

Tuning 444Hz A Standard
Tempo 60BPM
Timing 4/4
Key C#

Instrumentation
-Finger picked Acoustic Guitar (-1 semitone)
-5 String Bass
-Piano played on keys
-2 meditative pads played on keys
-eBow Electric Guitar
-Vox runs x 5
-Modern house beat with a Chinese drum kit
-Lead electric guitar
-Bells played on keys
-added double timed outro phrase to fade

To do
-EQ some of the very high end out of Lead guitar

An Apocalypse for Fear

Change is here
Crystal clear
In range new gear
Skilled solar seer
Watch winds of old fan final flames
Old thought burns out it's charred remains
This range of fear is weak and waning
Who hears awareness wide
Awaking

Change is here
An apocalypse for fear
Good conscious dear
Engage that gear
Cogs of calm
Clutch of clever
Smoothest shift
Sagacious lever
Endeavour for deep
Most mind turned to nought
Forever, a feast
Brain brilliant taught

Change is here
An apocalypse for fear
Change is here
Crystal clear
Good conscious dear
Engage that gear
Skilled solar seer
Be near

An apocalypse for fear
Change is here
An apocalypse for fear
Change is here
Be near
It's near
Be near

The song image was taken just under a year ago over the back wall of my garden. A beautiful winter morning. So the shrubs are leafless and the mist is quite prominent in a foreground darkened by the rising sun. It's an unedited photo and for this piece I guess shows how looks can be deceiving... And the camera can lie when tying imagery to an idea 💡 Movie makers make careers of it convincing us of their imagined realities... The pic is totally Terminator 2 though minus the playground and fence... haha 😆 😎

If we find an end to something for the human condition, let's make it fear. If we let go of our fear then a lot more becomes clear and beautiful about this world. As we continue in an age of constant over stimulation and a generation that has grown up to learn only that, I believe more then ever we have to try and teach younger people that it's nature that will stimulate our own internal balance and for them to realise that maybe they need to learn to not just go with the crowd of humans taking those doses of fruitless over stimulation. To avoid an actual climactic apocalypse we all need to actually synchronise with Earth and learn it. I don't believe they will find that glued to an ever more biased internet that young minds must find it difficult to navigate without switching off to what is important... Earth and themselves

I feel we find that by becoming more aware of truth that is relevant to our time and our experience. The Internet and media can be difficult to navigate as it is full of so much misinformation and power circles within society wanting to keep people in fear mode. It's easier to profit from that and retain the power of imposition. We need to start asking the right questions about our reality and stop listening to people planting imperfect truths in our heads.
We all have a slightly different version of the truth, but we only find it by asking ourselves that version honestly 🧬 That's how knowledge evolves, by combining those new truths, not by parroting what other people convinced you was true

A lot of scholars are starting to talk about how we are echoing periods that ended in destruction, but all those previous periods didn't have widespread good information like we have for people to train their mindset to the evolving reality. Yes we have the disease of misinformation to tilt away from, but the good stuff is there and more and more of us have access to it if we just look. That's the big difference this time for me... We have the power now of amazing good information to form a conscientious collective and become conscientious individuals. We don't have to be told what's up anymore and we don't have to be afraid of our changing world. As Eddie Veddar said...  "It's evolution baby" 🍼
https://www.youtube.com/watch?v=aDaOgu2CQtI&list=RDaDaOgu2CQtI&start_radio=1
Rock and Roll!

An Apocolypse for Fear

Take On Me Remastered (Unloved)

In honor of Martin Luther King Jr. 
Beats, Production by Oussama Arichi
Lyrics taken from King speeches, Nadia, and Amos (as quoted by MLK)
Guitar by Mike Polcari: https://soundcloud.com/mikepolcari
Vocals, Mix by Nadia Selvaggi

King by Oussama Arichi & Nadia Selvaggi w/ Mike Polcari

DRUMAX No. 71 // SIGMATIC // The Surrealistic Side Of The Galaxy
@docfritz // All Musical Stuff, Drums, Cover, Mix & Production
@joerxworx // soprano saxophone
© 2025 | DRUMAX PROJECT | All Rights Reserved

DRUMAX No. 71 // SIGMATIC

# Herbst

When crossing the Tagus, going to Lisbon or coming back home, I can watch lots of jellyfish slowly swimming in the waters. Makes you think how easily they can be destroyed by the boats propellers...


As medusas no Tejo não entendem o seu próprio fim.
Não fogem dos barcos que por vezes as desfazem no caminho.
Navegam nadando docemente nas águas do rio
nos turvos acasos do destino.

Vou contando as que vejo,
sempre que vejo mais uma, mais uma, mais uma
e penso no tão pouco que sabem deste mundo infinito.

E nós que nascemos
cerca de um por segundo nas águas incertas do estar, 
que sabemos dos barcos que nos vão triturar?

The jellyfish in the Tagus don't understand their own end.
They don't run from the boats that sometimes destroy them along the way.
They sail, swimming gently in the river's waters
in the murky twists and turns of fate.

I count the ones I see,
every time I see one more, one more, one more
and think about how little they know of this infinite world.

And we, who are born
about one every second into the uncertain waters of being,
what do we know of the boats that will crush us?

Transtejo 2025

Pure ambient soundscapes for your pleasure. Relax, chillout and enjoy. SFS

PURE 06 MAGNOLIA

Tamarack Array

Gardien des jours heureux , il entend les rêves ... et murmure aux âmes qui font des voeux  🍂
Guardian of happy days, he hears dreams... and whispers to the souls who make wishes  🍂                                                                                                                            
    lyrics in English :                                                                                             
(Chorus)
Oh, the lovers' bench,
Guardian of secrets, of happy days.
It hears the dreams and confessions,
It whispers to the souls that make wishes...

(Verse)
The leaves dance around it,
Complicit in the kisses stolen by the night.
A golden ray of light caresses its arms,
Like a smile from long ago.

(Chorus)
Oh, the lovers' bench...
Guardian of secrets, of happy days.
It hears the dreams and confessions,
It whispers to the souls that make wishes.

(Bridge)
And when the gray autumn comes,
In the rain, and through the tears as well,
It will remain there, faithful and tender,
Waiting for two hearts to surprise each other.

(Final Chorus)
Oh, the lovers' bench,
Guardian of secrets, of happy days.
Even if time wears it down a little,
It will always be there, silent…

Le Banc des Amoureux 💘  ( version intimiste )

Thank you for visiting my SoundCloud page. Northfield Lenox creates computer / electronic music combining virtual instruments with samples from media archives, radio, and other field & audio recordings.

Tamarack Array

Northfield Lenox

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Michele Ansani

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