Pitfall

chicago underground quartet - A Re-Occurring Dream
donnacha costello - Your New God
spring heel jack - Lit
noriko tujiko - Mugen Kyuukou
Dntel - Suddenly Is Sooner Than You Think
NSRD - Pamesto maaju zvani
nobukazu takemura & aki tsuyuko - nemuri no mizuumi
lythops - Insections
matthew herbert - Addiction
Sensorama - Where the Rabbit Sleeps
boom bip - Me the New You
double u - Darker
Isotope 217 - >>
Four tet - Hilarious Movie of the 90's
MUM - Sundlaug I Buskanum
formatt - Urban Pleasure Concept
Supersilent - 6.2

2005 12 14 - NODRUMS

Feedback Moves kicks off 2023 with a new record by @xcrswx and Lolina. @xcrswx are Crystabel Riley (drum-/human-skin) and Seymour Wright (saxophone), they released ‘Call Time/Hard Out’ on Feedback Moves in 2020. Lolina is an electronic and digital musician, who has previously released music as Inga Copeland and was a member of the band Hype Williams. 

Their collaborative relationship stems back to 2020. Lolina invited @xcrswx to contribute new work to a radio residency on NTS. They made 3 pieces played across 3 episodes. After these were broadcast, further ideas were exchanged which led to a collaborative audio-visual piece, streamed on Cafe Oto’s website in February 2021. They also performed as a trio live at Café OTO in 2022.

The artists now present a split 10” vinyl. @xcrswx weave the above-mentioned pieces into a 10 minute piece titled ‘FIXES’. The duo strip their sound to bare components. Beginning with the sound of fireworks, the pair then work through stuttered snare shots and warbled, interplaying saxophone.

Lolina presents ‘FM’; some of her strangest and most subtle work to date. Echoing and furthering the abstract turntablism found on previous records ‘Who Is Experimental Music?’ and ‘Fast Fashion’. We hear found sounds, close and distant, rhythmically gathered and dissolved in a swirl of dub tone and timbre.

Lolina & @xcrswx

@chao54ngel

tracklist

POL100 -Amethyst
Softmatter - Levity
POL100 - Epidote
How to Corie - How To Fix Gta 5 Stuck Loading Screen Grand Theft Auto PS3 ONLY
sds - nos souvenirs éphémères
STELIOS.EXE - COMBUSTIO
POL100 - Niter
Croation Amor - Cup of Humanity
Soft Blade - Nude
Kagami Smile - You and Me, Me and You, You and Me, Me and You, You
Grand Theft Auto 5 Intro (Franklin)
nenúhîr - lalaith (feat. werna)
bod [包家巷] - Deconstructed Pop Music
dj lostboi - PUF 2 LAX
looperman-l-0823910-0320334-simple-sad-anime-type-electric-guitar
Eartheater - Airborne Ashes (Eartheater & Aleksandir Remix)
New Sincerity - Genecene
Ivy - tellme-ur-nmy
Lovesick - Face In Dew
Sprælle - hourglass
nenúhîr - the uttering of my name makes your bones feel a deep pinch of pain
BTS - LOVE YOURSELF
{arsonist} - Suppose We're Hypnagogic Elopers
Arca - Brokeup
Fauter - Walls Of Maiden Hair
death's dynamic shroud - Before I Cool Off

Friction - Chaos Angel - 25/03

Digger's Meditation

salama - Jettin' Planets (Remix)

back on @noodsradio w/ a very special [and quite rare] guestmix by 
Luciano Maggiore

•Carlfriedrich Claus- Chenmitz (exc.)
•Jennifer Veillerobe - Luftlocher A1
•Michael Wolfart - 3+3+2   7
•V Mediale Musik, female entities (1970)
•@toshiyatsunoda - Taku Unami - Wovenland - In a farmland
•2.51 15'657" John Cage, for a speaking percussionist (realization Bonnie Whiting, exc.)
•Michael Barthel - Alber Pogo (exc.)
•Songs and prayers from the Izaiho ritual, Kudaka Islands, Yukenegamiashibi
•@senufoeditions - five wooden frames
•@claradeasis_ - Do Nothing - Nothing Lasts II
•Paul DeMarinis - Music as a Second Language - Fonetica Francese
•@gnaleniotna - Idiophases (exc.)
•Brézil Central - Songs and dances of the Kaiapó - Mekragnoti, Pêche rituelle avec lianes
•@franciscomeirino - undetected (untreated recordings from on-site testimonies archives) The Basement
•@dddakim - Results in 34 fragments - 34

Luciano Maggiore is a Palermo-born, London-based musician whose work is characterised by the use of speakers and several analogue/digital devices (samplers, CD players, walkmans, tape recorders) and addresses the performativity of the musical act, the perception of it, and the obscurity that emanates from it. His main interests include mechanisms of sound diffusion, performance, repetition, endurance, non-human animal languages, dance, folklore.

OOH-sounds w/ Luciano Maggiore 26.11 _ Noods Radio

@michaelspeers - 19'54"
Live at Instants Chavirés, Montreuil, 23rd November 2023.
Recorded and mixed by Benjamin Pagier. Additional mix by Michael Speers.
Deardogs 2023 archives.
archive.org/details/michael-speers-live

Michael Speers - 19'54"

ENDLESS RETURN IN RETROGRADE: SORRY NO CURE by TZECHAR X Darren Dubwise - 27/02/2024

lyrics?  

neva 2 be known 
neva 2 be known 

it's a gift, to be swallowed 
to be to be known

neva 2 be known 

I ache for the day you say 
I ache for the day you say 
I ache for the day you say 
I ache for the day you say 

I see you 
but I like you 
so I can't get to close to you

Somewhere on 1301 Crossing Place, The Dust Made Me Reconsider Time

Colonia Dignidad was the settlement of a German evangelical sect.

After being prosecuted for child abuse in Germany, the group fled to Chile in 1961. Like similar religious sects, it was characterized by the outward appearance of a unified, godly community with well-tempered cultural activities and social welfare, but inwardly and in its environment by oppression, sexual abuse, and exploitation. In the 1970s, it unquestioningly inserted itself into Pinochet's regime of terror, aiding in the imprisonment and torture of political prisoners, weapons production, etc. Since the end of the 1980s, there has been a legal reappraisal of the C.D.'s crimes in Chile.

Its successor organization makes a living from tourism.

The C.D. project uses, on the one hand, a series of documentary recordings of contemporary witnesses, and on the other, a set of melodic improvisations (MIDI files), improvised in the spirit of the impressions of terror, tension, claustrophobia and fear associated with the Colonia. CD 2 (Knochenstückchen) directly reflects this atmosphere. CD 1 (Reue?) on the other hand, is characterized by the contradictory breadth of the statements found after the dissolution of the sect: Denial of atrocities to glorification of the C.D. by leaders who returned to Germany against the professed traumas of formerly abused inmates and exploited community workers.

For this purpose, the eyewitness recordings were sound-modified to a considerable extent. The MIDI files were played back with a variety of virtual instruments (piano, guitar, sax, turntable, lung machine, barrel organ, synths, etc.) in a multitude of modifications (speed, pitches, loops, harmonic and tonal variations), so that the 11 pieces from CD 1 and the 16 pieces from CD 2 each represent a closely interwoven overall composition.

Ralf Wehowsky is one of the most respected practitioners of radical music of our day. He was the founding member of the seminal German group P16.D4 and ran the legendary experimental label Selektion whose ground-breaking releases influenced many working in today's experimental music scene. Previous releases have seen him collaborate with such well known and diverse artists such as Merzbow, Andrew Chalk, Jim O'Rourke, Achim Wollscheid, Lionel Marchetti, Kevin Drumm, Kouhei Matsunaga and Bruce Russell.

RLW - (Reue?) excerpt

Colonia Dignidad was the settlement of a German evangelical sect.

After being prosecuted for child abuse in Germany, the group fled to Chile in 1961. Like similar religious sects, it was characterized by the outward appearance of a unified, godly community with well-tempered cultural activities and social welfare, but inwardly and in its environment by oppression, sexual abuse, and exploitation. In the 1970s, it unquestioningly inserted itself into Pinochet's regime of terror, aiding in the imprisonment and torture of political prisoners, weapons production, etc. Since the end of the 1980s, there has been a legal reappraisal of the C.D.'s crimes in Chile.

Its successor organization makes a living from tourism.

The C.D. project uses, on the one hand, a series of documentary recordings of contemporary witnesses, and on the other, a set of melodic improvisations (MIDI files), improvised in the spirit of the impressions of terror, tension, claustrophobia and fear associated with the Colonia. CD 2 (Knochenstückchen) directly reflects this atmosphere. CD 1 (Reue?) on the other hand, is characterized by the contradictory breadth of the statements found after the dissolution of the sect: Denial of atrocities to glorification of the C.D. by leaders who returned to Germany against the professed traumas of formerly abused inmates and exploited community workers.

For this purpose, the eyewitness recordings were sound-modified to a considerable extent. The MIDI files were played back with a variety of virtual instruments (piano, guitar, sax, turntable, lung machine, barrel organ, synths, etc.) in a multitude of modifications (speed, pitches, loops, harmonic and tonal variations), so that the 11 pieces from CD 1 and the 16 pieces from CD 2 each represent a closely interwoven overall composition.

Ralf Wehowsky is one of the most respected practitioners of radical music of our day. He was the founding member of the seminal German group P16.D4 and ran the legendary experimental label Selektion whose ground-breaking releases influenced many working in today's experimental music scene. Previous releases have seen him collaborate with such well known and diverse artists such as Merzbow, Andrew Chalk, Jim O'Rourke, Achim Wollscheid, Lionel Marchetti, Kevin Drumm, Kouhei Matsunaga and Bruce Russell. 

Design - Maja Larsson

2005 12 14 - NODRUMS

No Sex Just Talk

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