The 3rd single blessed upon us for our 2nd volume by long time RC affiliate @Lithetrax together with @djlocalsupport, comes in the form of a massive collaboration. The 2 producers present a deep bass cut that's laden with rolling percussion, finding a sweet spot between multiple club genres that's sure to work in a diverse range of sets. Grab your free download here while it lasts before the entire volume goes up on Bandcamp.

Produced & Mixed by Lithe & DJ Local Support

Lithe & Local Support - Satisfy

@treehouseuk boss @stolenvelour returns to his label for two-track M-boss EP displaying the Leeds native’s eclectic mix of influences.

More: https://ins-rt.net/audio/stolen-velour-m-boss

Article

Premiere: Stolen Velour - M-boss

Príncipe 3-piece Blacksea Não Maya give Hypna a playful and percussive batida re-fit.

'Nylon Hood' is out September 3rd.

Pre-order: bit.ly/2YpttLT

@hypna_52
@black-ea-n-o-maya

Premiere: Hypna - DRM//BLL (Blacksea Não Maya Remix)

A confronting track featuring supergroup 100 roque, sampled from a live gig they performed on dj meddle's Portal Radio show.

Read more via The Lowdown interview here: http://www.untitled909.com/the-lowdown-dj-meddle/

Buy 'le jeu du stop' here: https://tobagotracks.bandcamp.com/album/le-jeu-du-stop

@meddle-uk
@tobago-tracks

Premiere: dj meddle - rosa imunda (ft. 100 roque) [Tobago Tracks]

The Infinite Machine label celebrates a decade of activity with a compilation of its DIY approach to the hybrid dance music scene.

Read more on CxC 🔗 couvrexchefs.com/en/infinite-machine-10-years-compilation-galtier

PREMIERE: Galtier - My Mess is a Face (Infinite Machine)

@le_dom "Caesura" EP

Out now : ledom.bandcamp.com/album/caesura

Written and produced by @le_dom
Mastered by Joel Krozer
Artwork by Manuel Moreno Cortes & Octave Abaji

PRDX011
© ℗ 2022 Paradoxe Club
www.paradoxeclub.fr

Caesura

Loot

Le Dom - Loot

https://infinitequestrecords.bandcamp.com/album/effigies
Neana delivers the 2nd release of the Quest EP series; a dynamic trio of club floor fantasies… 
09/04/22

Mech rhythm rollers. 
Sub deep like quarry. 
Steam siren string. 
Jaws clap and hats tumble. 
boots shaking body breaking. 

Artwork by Woloban 
Master by Lukas Walter 
A&R by Auco & Neana 
Infinite Quest Records 
IQR002

Effigies

DL this1 rn!

Neana - Burning Effigies

IM096 - @aroent - Say
Label: Infinite Machine
Release Date: May 27th,2022
Format: Digital
Artwork by Vojd

Following on from a release-packed 2021, Infinite Machine are back with a new 4-track offering from the relative newcomer, Aroent. Across 3 new original cuts (plus a rework by UK dance royalty, Ploy) the Berlin-based producer delivers some serious rollers crammed full of gnarly drumwork and a pervasive air of unease. Like the strange, abstract creature of the record artwork, the music of Say EP is an amorphous beast, mixing the dense arrangements/layering of 90s IDM records with the off-kilter and swung beats of UK Techno and Funky.

The EP opens with its title track; a whirl of snaps, claps and phantom samples all firmly underpinned by an acid-inflected bassline. Aroent embracing of chance and luck in his compositions is evident on this track, throwing in idiosyncratic automations and randomizers to grow and evolve the tune over its 5 minute duration. The vox samples (stolen from Breaking Bad) seem to decay and fall inwards on each other on ‘Say’, as if the song is soundtrack to a decaying and corrupted society (not dissimilar to Heisenberg’s).

On ‘Rolling Oddities’, Aroent’s love for the Bristol bass & techno scene really shines through clearly. A track that seems almost built for a spinny night that rolls on until the morning, the song really does what it says on the tin with its combination of driving, rhythmic elements and it’s smattering of pretty out-there decisions in terms of arrangement and sound processing. This is a definite must-listen tune for fans of Batu, Lurka or Hodge.

Next up, ‘Bobcat’ takes things in a slightly more buoyant and ecstatic direction with its ever-rising filters and muted percussion that seems like it’s dancing along on tip-toes. On this song especially, Aroent’s genre-agnostic approach to production is abundantly obvious with elements of techno and bass sitting alongside kick drums that wouldn’t feel out of place on some Jersey Club tracks.

Ploy brings up the rear on Say EP with a ferocious ‘Skeletal Tool remix’ of the releases’ title track. Taking a reductionist approach to his rework, the Timedance signee strips out some of the originals’ more hyperbolic or dramatic elements and reduces it to a polyrhythmic, semi-genreless heater. Seriously - you try and pin this edit down to a single ‘genre label’, I dare you!

Despite the small number of releases to his name, Say EP is a highly confident and well-realized offering from the Greek-born, Berlin-based producer. In a way, Aroent is already creating his own sonic signature that lifts and interpolates aspects across the UK Bass spectrum and turns it into something totally unique. This is music that lurks in the shadows of warehouse clubs.

Tracklist:

1. Say
2. Rolling Oddities
3. Bobcat
4. Say (Ploy's Skeletal Tool Remix)

Aroent - Say (IM096)

Article : http://www.seeksicksound.com/premiere-hard-drum-ozwald-debarque-sur-flood-avec-un-ep-martial-prey/

@ozwalddublin
@floodireland

[Premiere] Ozwald - Prey (out on Flood)

https://soundcloud.com/avernianofc

Joining the NHS team is Manchester’s own Avernian, whose presence amongst many other contemporary electronic music producers has shone brightly through a slew of releases on Daniel Haaksman’s Man Recordings, Scuffed Records, Row & Circular Jaw; a refined synergy of worldly instrumentation and modern mechanical sounds characterized by oblique rhythm structures defines his works. His foray into the NHS realm comes in the form of ‘Ripper’ – a battle-ready EP that encompasses the stages of conflict through rolling drum work and thunderous atmospheres.

We are called into battle with the title track ‘Ripper’ whose namesake suggests a sense of tearing and viciousness. Commencing with the ominous gong that swims through the emptiness at the beginning of the piece, we are immediately crushed by the monstrous kick drum sequence that dominates the mix of delicate distortion on the hats and mid frequency African percussion guiding it forward.

Following on is ‘Tornado’ taking a much more-fuller, bolder approach to the quality of the soundscape. Still carrying the same focus on rhythm primarily, Tornado chugs along as the 4x4 kick pattern carries the polyrhythmic force into the eye of the storm. Double time tabla keep the furious pace spinning around the outside of the intricate structure of this anarchic clash personified.

Taking the relentlessness of Tornado, Glacial Industries affiliate ELLLL expels the track into the nothingness of space with an exercise in low-end mastery. A distinct lack of high-end sounds, complex, rumbling sub bass hooks and its hammering rhythm help create the haunting mood on her reinterpretation of Tornado, an ideal soundtrack to the aftermath of the devastating storm.

Our last stand is not one that we take on alone; Avernian is joined by Cressida on ‘Canary’. Breathy risers maximise the forcefulness of the rhythmic madness on Canary. Rough, distorted smashes and crashes, much like that of the metal of swords and shields engaged in conflict, maintain the constant energy of the ensuing struggle. A powerful conclusion to the EP, though the war carries on. 

Artwork by Benfika
Mastering by Doug Shearer

Ripper - EP

Buy EP

Avernian - Tornado

DECISIONS celebrates 5 years of operation with 15 tracks of carefully orchestrated chaos by family, friends and new faces.

@bbyeco is the producer and DJ moniker of Netherlands based Joris Benjamins. Often conveying thematic and textural elements of the natural world, Bby Eco has the environment on the brain, tasking himself with synthesising a soundtrack for planet Earth.

Consequences finds kindred spirits in artists unapologetically journeying their own spirals, resulting in a lively multitude of rhythm, sound design and song shapes defying genre and tempo. The compilation seeks to round off a difficult and disruptive year on a generative, community-oriented note.

Cover artwork by Oliver van der Lugt and Emily Glass.

All label-side profits will be donated to Pay The Rent, a grass roots restitutional initiative by and for First Nations people in Australia, where DECISIONS was founded. More information on Pay The Rent can be found here: paytherent.net.au/

Consequences

Preorder compilation

Bby Eco - Innerlife

Avernian - Tornado

NOSTRO HOOD SYSTEM

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