im fading out right about here and loving it

from the "Leopard On My Right" CS (NNF305) 
Not Not Fun / 2014

PULL THE TRIGGER:
https://filthyhuns.bandcamp.com/album/leopard-on-my-right
https://midheaven.com/item/leopard-on-my-right-by-filthy-huns-mc

Filthy Huns "Fake Ass Muthas"

Key Sparrow (CCU Confusion Dub)

The second music to be shared from the forthcoming debut album by Cavern Of Anti-Matter, void beats/invocation trex, released on Duophonic as 3LP, CD & DL on 19 February 2016.

This is their first album proper following limited edition vinyl releases on Grautag, Deep Distance, Peripheral Conserve and Associated Electronic Recordings.

Features contributions from Bradford Cox (Deerhunter), Sonic Boom (Spacemen 3) & Jan St. Werner (Mouse On Mars).

"Cavern Of Anti-Matter are spectrum addicts, setting up tiny rhythmic cells and expanding on them in certain ways, splitting the melody and stretching out. The melodic movement is much slower due to the lack of words. At the moment, the Cavern sound is more what I want to do." – Tim Gane

www.cavernofantimatter.com

Tardis Cymbals

© ISOLAA Records 2017
ISRC  FR 0ML 17 00020
Music & Lyrics by Rémi Parson
Mixed by Jef Dominguez at 2000rockerz Studio

La Surprise available the 27th of January.

Follow Rémi Parson
Facebook - https://www.facebook.com/remiparsonuk/
Soundcloud - https://soundcloud.com/r-mi-parson
Instagram – https://twitter.com/remi_parson?lang=fr


Follow ISOLAA Records
Facebook - https://www.facebook.com/weareisolaa/
Soundcloud - https://soundcloud.com/weareisolaa
Instagram - https://www.instagram.com/weareisolaa/
Twitter - https://twitter.com/weareIsolaa?lang=fr

Lyrics :
ans des codex cornés
Des impressions tronquées
Perspectives tracées au hasard
Pour mieux fourguer mes bobards
J’ai pas perdu le nord
Chahuté par les remords

J’ai flanché…

J’ai pas foncé tout droit
Comme quand on sait où on va

Oh tu le dis souvent, 
Tout est si décevant
Astres fades et piètres radeaux
Le trajet n’est pas beau
Difficile d’une bavure
De faire une aventure
J’ai pas foncé tout droit
Comme quand on sait où on va

La surprise

Télécharger le titre

Rémi Parson - Du Pétrole

Outtake from the album Blast Off Through the Wicker available July 14, 2017 on Western Vinyl

Pre-Order
Bandcamp https://artfeynman.bandcamp.com/album/blast-off-through-the-wicker
iTunes http://hyperurl.co/a49jo3
WV http://westernvinyl.com/shop/wv162

ART FEYNMAN
Instagram https://www.instagram.com/artfeynman/
Facebook https://www.facebook.com/artfeynman/

Blast Off Through the Wicker documents Art Feynman looking for life in the lifeless, questioning what it means to be living.  There is a calm, disciplined pocket to be felt in everything Feynman does; krautrock slink, staccato bounce, and pentatonic bursts of Nigerian Highlife fuzz pour on the temporal canvas with unquestionable ease, never falling in the wrong place. Even more admirable is, that his “canvas” is a four-track tape recorder, and that Blast Off features no loops or drum machines despite its aesthetically faithful motorik and afrobeat underpinnings.  Nowhere is this fact more surprising than on album standout “Slow Down” which pulses along infectiously with a crunchy backbeat, and deftly arpeggiating bass lines that are so locked-in that it would be hard to fault an unknowing ear for assuming the whole thing is tediously programmed.

There are gentler sides to Blast Off that conjure the spacey tenderness of Arthur Russell inventively and respectfully, without adopting their muse’s palette wholesale. In this regard Blast Off is an endearing collection of songs that capture the ear with warm-yet-clear cassette aesthetics and spot-on musicianship, both of which form an angle that points lovingly to Feynman’s deep and varied influences. Make no mistake-- this one truly is alive.

Blast Off Outtakes

Art Feynman - "The Shape You're In"

Exploded View's 'Summer Came Early' EP isout November 10 on Sacred Bones Records.
12" EP Preorder: https://www.sacredbonesrecords.com/products/sbr180-exploded-view-summer-came-early-ep
Digital Preorder: https://explodedview.bandcamp.com/album/summer-came-early-ep

http://explodedviewband.tumblr.com/
https://explodedview.bandcamp.com/
https://www.facebook.com/explodedviewband/
https://twitter.com/explodedviewbnd

Summer Came Early

Debut album to be released on march 2, 2018 on Field Mates Records
Red Vinyl, limited edition (150 copies)

Pre-order : https://fieldmatesrecords.bandcamp.com/album/d-lage-loverboy-beatface

Délage - Call Me Today

'Traveler' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
upsettherhythm.bigcartel.com/

Artist: The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number: UTR102
Release Date: Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - Traveler

Not punk, but still hits that sweet spot in DIY pop. Kind of reminds me of Animals & Men (UK, 1978-82). This is from Holland, in 1981. Recently re-released by German label Discos Transgénero in a nifty artful colored vinyl edition (50$CAD). This song is so "gold" that it automatically becomes an instant must-own classic. The new release comes with the band's more ambient pop experiments, and none of the euro-accented, half-spoken half-sung vocals of this single. I'll be drinking from the bottle containing this lightning.

Filthy Huns "Fake Ass Muthas"

NOT NOT FUN

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