Probably the most epic track that has been released post burl ives

 7 months on from TP#4, Demdike return with the 5th instalment in their ongoing research and development series - a double-headed monster split between gnarly reductions on the A-side, and industrial strength edits on the flip. ‘Procrastination’ edges through Grimey detritus and gunshot snares within a vast open space perfectly primed for that Demdike slow build. ‘Past Majesty’ on the flip offers up a feral take on some kind of cyber-industrial insanity, somewhere between Ministry and Powell - with a denouement which should probably come with a public health warning attached to it. All we’re saying is - watch yr eardrums.

Past Majesty

Displaced

From "I Live in a Utopia"
Cassette
$6
Here: http://goatytapes.com/#!/tape/i-live-in-a-utopia/

Ignatz - We Used To Smoke Inside

7" due early 2016.

More info:
http://acolourfulstorm.com/releases/denial-california-dreaming-the-weatherman

Purchase:
bit.ly/1QZLfnI

Denial - California Dreaming

Myttys "Sloggilukio" Oma333 No.024 

Seeing Myttys perform at H2Ö festival in Turku last summer was a jaw dropping experience. Certainly my favourite set amongst a damn fine line up and I demanded to release something of theirs before they'd even packed away their stuff.

I'd known Heta for years via Olimpia Splendid/Toblerones and Samuli from when he came to play with Clouds. The idea of them as a duo had gold stars written all over it but the results are far beyond my already high expectations. This is one of the best tapes I'll ever put out.

Delving in to the music and attempting to describe what I hear was quite a daunting task and my notes got kinda fun in the process. 
For example Lenak and Street Person made me think of Drunken Fist Kung Fu. Heta's effortlessly cool vocals (and the occasionally perfectly placed scream) echoed by either an imaginary twin sister or the weirdo boy next door. 
Ekkä Ota comes across like an off kilter hip hop soundtrack for a Sci-Fi film. 
Kallupää, Pamsypak and some of the interlude tracks sound, to my ears, beautifully close to the Broadcast and The Focus Group experiments of the "Witch Cults of the Radio Age" album and I hear traces of early Múm stuff in Paksotal. 
Another favourite Foliojakku holds its own unique beauty, quite different from the other tracks. Its machine music with heart and grace which builds and builds until waves of submarine echo's and rapid morse code sequences wash over you. 
Oh and the title track Sloggilukio is the bees knees! 

Certain parts of some of these tunes veer into territory only Finns seem to get away with. I find this hard to explain but there is a certain kind of relaxedness I often hear amongst my favourite Finnish bands which oozes either tons of self confidence or a massive indifference to not fitting into any kind of musical category. Or both. This unpindownable quality is what makes me instinctively trust most of the music which comes my way from there, in whatever form, yet I'm also aware of how blessed I am to have got to know the Fonal/Avarus etc crew so early on. 
The experiments they all create help make that country shine to me and I'm dead proud to finally be able to play a small part in that great history

133 jelly green tapes with white body printing will be made available from Feb 27th. Cover beautifully designed by the band themselves and risograph printed by Jan Matthé at Het Bos in Antwerp. 

Pre order; http://oma333.com/product/no24-myttys-sloggilukio

"Lenak" by Myttys from "Sloggilukio" on Oma333

Release date :  25 April 2016.

LISTEN : https://wavinghandsrecords.bandcamp.com/album/m-ndag-mon-amour-12-ep

Hailing from Gothenburg, Sweden, Facit is the project of Joakim Karlsson. For almost a decade, he has been producing tearful synthesizer music under various aliases, often teaming up with compatriot Mai Nestor on vocals. 

Smartly drawing a line between Swedish chanson and minimal synth, ‘Måndag Mon Amour’ is Facit’s second EP after having stopped at Veronica Vasicka’s Cititrax in late 2013 with 'Mat Åt Duvorna' (Food For Pigeons). 

Picture two passengers with paralyzing hemophobia, riding a sad carriage and smiling with tranquil melancholy, endlessly playing early 80s analog gear through some spring reverb. It doesn’t take long to remember « notre amour était dans un igloo » and never forgetting it.

Limited edition of 300 copies, hand-numbered insert included.
Design by Laurène Exposito.

Tracklist :

A1- Krv
A2- Dans Le Pacifique
A3- Farväl Portmonnä
B1- Hippomobile
B2- Livet Är Blott En Transport
B3- Industrimusikvänner

WH010 Facit - Måndag Mon Amour 12" EP (PREVIEW)

FROM MY NUMBER ONE HIGH/TAKE ME DOWN THE DUNES 7" SINGLE OUT JUNE 2016 ON DUNNO RECORDINGS DISTRIBUTED WORLDWIDE BY RUBADUB GLASGOW

'First track sounds like dark twisted fantasy about carnival in some cheap tropical spa. The other one will reach your guts and throw them upside down.' 

COVER PAINTING BY TOMASZ KOWALSKI

MY NUMBER ONE HIGH

Artist: MARY OCHER
Album: THE WEST AGAINST THE PEOPLE
Klangbad73CD / LP / Digital Download
Release Date: 10.03.2017
Distribution: Broken Silence, Cargo, A-Musik
www.klangbad.de
www.maryocher.com

Mary Ocher - The Endlessness (Song for Young Xenophobes)

from the "Forever Beast" CS (NNF335)
Not Not Fun / 2017

BEHOLD THE BEAST:
https://filthyhuns.bandcamp.com/album/forever-beast
https://midheaven.com/item/forever-beast-by-filthy-huns

Filthy Huns "Forever Beast"

Taken from 'Top Of The Pops', a 2018 North American tour cassette.

Lay Me Down

An addendum of sorts to his recent 'Faint Hearted' album, Miles' returns with a half-hour EP more squarely aimed at the floor with four darkened, robust variants. 'Blatant Statement' is up first, slowly emerging from a rough alignment of metallic percussion and abrasive stabs not a million miles removed from the kind of racket you'd most likely associate with Vatican Shadow, before the almost-clipped rub of those super-warm bass stabs shifts the perspective to a different kind of environment altogether. 'Technocracy' delivers an oozing House deconstruction, slowed down and inebriated, while 'Infinite Jest' revolves around an industrial cacophony harnessed into a rhythmic anomaly situated somewhere between a technofied Pete Swanson and a sweaty Kassem Mosse. 'Plutocracy' ends the set with a bleached-out warehouse chug, slowed down and menacing, surrounded by a submerged choral arrangement and more of that toughened hammered-metal sound that runs through the EP.

Filthy Huns "Forever Beast"

NOT NOT FUN

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