Near To The Wild Heart

Don't Touch Me I'm Dancing

California Girls - Desire

Full length album coming out in January 2016 on cassette through Moontown and 12" vinyl through Ochre Beat!

Photo by Carmen

ochrebeat.com

California Girls - Skin On Skin

Release date :  25 April 2016.

LISTEN : https://wavinghandsrecords.bandcamp.com/album/m-ndag-mon-amour-12-ep

Hailing from Gothenburg, Sweden, Facit is the project of Joakim Karlsson. For almost a decade, he has been producing tearful synthesizer music under various aliases, often teaming up with compatriot Mai Nestor on vocals. 

Smartly drawing a line between Swedish chanson and minimal synth, ‘Måndag Mon Amour’ is Facit’s second EP after having stopped at Veronica Vasicka’s Cititrax in late 2013 with 'Mat Åt Duvorna' (Food For Pigeons). 

Picture two passengers with paralyzing hemophobia, riding a sad carriage and smiling with tranquil melancholy, endlessly playing early 80s analog gear through some spring reverb. It doesn’t take long to remember « notre amour était dans un igloo » and never forgetting it.

Limited edition of 300 copies, hand-numbered insert included.
Design by Laurène Exposito.

Tracklist :

A1- Krv
A2- Dans Le Pacifique
A3- Farväl Portmonnä
B1- Hippomobile
B2- Livet Är Blott En Transport
B3- Industrimusikvänner

WH010 Facit - Måndag Mon Amour 12" EP (PREVIEW)

Lena Platonos - Markos

from the "TTNIK" CS (NNF326)
Not Not Fun / 2016

SCRAPS TO GRAB:
https://5crap5.bandcamp.com/album/ttnik
midheaven.com/item/ttnik-by-scraps

Scraps "Say It"

Pre-order: http://anotherdarkage.bigcartel.com/product/exek-biased-advice-another-dark-age

Another Dark Age is proud to release Exek's debut LP, Biased Advice, which follows one self-titled cassette EP (2014) and a single contribution to a split cassette (2015). The album collects rerecorded and past material, which together stands as the fullest realisation of an Exek identity, honed during two years of haunting Melbourne’s live gig circuit. 

Before forming as a four-piece band in 2014, Exek remained an abstract concept in the mind of front man-to-be, Albert Wolski. With songs written but no musicians to perform them he enlisted Andrew Brocchi (synthesiser), Henry Wilson (bass) and Sam Dixon (drums) and together they began recording material according to Wolski 's vision.

"Then they were there, on my arms, on my legs, everywhere." - 'Foregin Lesions'

The addition of Nell Grant on saxophone made previously murky reference points plainly obvious: Exek are the progeny of a Melbourne scene that established itself around Dave Chesworth and Philip Brophy’s Innocent record label of the 1980s and its greatest offering,  Essendon Airport’s Palimpsest LP (1981). But Exek  dared to abandon the pop and funk tropes of the early Australian new wave scene reaching out to  German post-punk of the same era. Wolski’s songwriting is akin to that of the records put out by Hannover’s No Fun Records and Hamburg’s Zickzack, channeling the droll lyricism of The 39 Clocks and saturated with self-deprecating Attitude. 

"New friends, new influence, new ring around the finger, a hedonist who finds regret.”  - ‘A Hedonist’

Exek are messengers for today’s young, unemployed, immobile, self-obsessed middle-class.  The themes of societal isolation, heartbreak, consumerism are all funnelled through metaphors of terminal illness, monsters and bondage. Their vision mirrors Tuxedomoon’s ‘Holiday for Plywood’ but crucially Biased Advice is a sermon that Exek preach to themselves. The band pit themselves as both victims and saviours living in a world that’s trying to extinguish them, or worse still, mould them into boring automatons. 

“Spitting image, two legged, stick figured, adolescent, disinfectant, replicant.”  - ‘Replicate’

The conceptual weight carried in Wolski’s lyrics follows on from process. Dub and other studio techniques are used throughout Biased Advice and are no better evidenced in the 16-minute modern (and instant) classic, ‘Baby Giant Squid.’ This song remains unchanged from it’s cassette release on Melbourne’s Resistance/Restraint label but spread out over one side of a record it lays bare its perfection. Basslines that stand out one moment give way to dubbed out percussion, hissing tape delay and reverb drenched vocals. Simply, this post-kraut-dub-psyche-punk excursion looks back over it’s shoulder as it leaves ‘Bella Lugosi’s Dead’ for dead. It’s a sublime balance of improvisation and cold calculation. 

“Excitement entails the probability of murder to eliminate stress.”  - ‘Baby Giant Squid’

It’s the tension between this teetering psychotic nihilism and arrangement with studio-like precision that gives Biased Advice the tone of a forewarning. But of what?

“Listen well.”  - ‘Submitted’

Exek - A Hedonist

Remix of the GGD song "Chinese High" by the amazing amazing LA duo Nguzunguzu

Nguzunguzu x Gang Gang Dance "Chinese High" Remix

ORDER LP - www.wharfcatrecords.com
ORDER ON BANDCAMP - https://wharfcatrecords.bandcamp.com/album/pre-order-misogyny-stone
PRE-ORDER ON APPLE MUSIC - https://itunes.apple.com/us/album/misogyny-stone-ep/id1201906424

A drone whines in the distance; Horoscope jettisons a new 5-track LP titled Misogyny Stone. It has prescient timing: here we sit at the abyss of masculine power. Originally from Miami Florida but living in New York for over a decade, Rene J Nunez-Cabrera produces raw sonic compositions indebted to the visceral experience of performance. The new LP, his second for Wharf Cat Records, expands his palette of sound and exhibits the artist’s range in 5 succinct opi: from paranoid, buzzing headscapes, to meditative, industrial drumming. Washes and other gestures of contemporary noise abound, but the ultimate descriptor for Nunez’ penchant is mood. The title track contains Nunez’ version of a deep club jam, intertwining light and dark, low and high, with Kathryn Undorfer’s spoken word sitting right in the middle, sonically spotlighted. “Narcissist Vague” has a religious breadth despite its relatively short existence; while “Azebache Necklace Bought to Protect My Daughter” is a snare-pegged story of delivering a totem; “New Piece (for Christian Mirande)” starts with an organ’s lament, creepily. Nunez’ distorted, layered vocals then build into a desperate chorus of screams. Horoscope’s sound is embedded in the struggles of personhood. Through modular manipulations and his acute utility of pedals and tapes loops, Nunez’ de- and reconstructs the dynamics of gender relations: look into the misogyny stone; it is opaque and bleak.

Scraps "Say It"

NOT NOT FUN

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