memoryland

Night/Day/Work/Home

ANDROMEDA ON NO AGREEMENTS SOON
https://www.youtube.com/watch?v=tGv4nL-_RGE&ab_channel=OOUKFunkyOO
https://djwndwshppng.bandcamp.com/

Baby Angel Typhoid Mary *VIDEO IN DESCRIPTION*

@iokera @iokera @iokera @iokera
Track for a new landline comp...? Maybe... you'll see
https://landlinecollective.bandcamp.com/
https://landlinecollective.bandcamp.com/
https://landlinecollective.bandcamp.com/

Im Just Living/If & When (feat. Iokera)

Nier Synopsis (No Prospects 2nd Mix)

ANDROMEDA OUT NOW ON NO AGREEMENTS

Buy digital/tapes at https://djwndwshppng.bandcamp.com/album/andromeda

Girl156BPM

random ish from october that i never finished sowry for the mixing
album soon!

Get this track on Bandcamp: https://kelbin.bandcamp.com/track/enter-full-screen

Mixed and Mastered by Phonebox
Cover art by ROBY

Follow me: @imkelbin
Bandcamp: kelbin.bandcamp.com/
Twitter: twitter.com/imKelbin
Instagram: www.instagram.com/imkelbin/
Audius: audius.co/kelbin
Spotify: open.spotify.com/artist/08lwmg7ki4mdO5VN7cKdi6
Apple Music: music.apple.com/us/artist/kelbin/1503160539

Bandcamp

Enter Full Screen

tired of depressive breakcore.. let's make Anxious Breakcore a thing :)

DIG THIS

THE SAMPLE THIEF

CURRENT VALUE - DARK RAIN (KINOTEKI BOOTLEG)

Marina Herlop - Nekkuja
Label: PAN
Cat.No.: PAN 141
Release Date: 27 October 2023
Purchase: pan.lnk.to/Nekkuja

While she was waiting for her last album 'Pripyat' to be released, Catalan composer and producer Marina Herlop was restless. She was concerned about her (by then) uncertain music career, and felt emotionally unmoored. "Some days I used to sit on the balcony of my flat to catch some sun,” she explains, "I would close my eyes and start visualizing myself as a gardener, pulling out purple weeds from the soil, every bad memory or emotion I wanted to expulse being one of the plants." As the days dragged on, the fantasy deepened, and Herlop discovered that parts of the garden was withering; the energy she had been putting into the non-musical side of her life had seeped into her creative pasture and poisoned it. She knew what she needed to do to overcome the blight: plant some seeds and tend to her art to help it blossom and bloom once again.

'Nekkuja' is a place for Herlop's warmest, sweetest sentiments to rise to the surface and crack through the topsoil. She describes the record as a way for her to seek and affirm inner light, and it's undoubtedly her brightest, poppiest statement to date. The forward-thinking, experimental touches that nourished 'Pripyat' are still present, but blessed with a level of positivity that's rare to find in a scene so entranced by darkness and melancholy. Skittering fragments of ornate acoustic instrumentation provide a serene welcome to 'Busa', punctuated by precise electronic processes that shuttle the sound towards abstraction and fantasy. Herlop's voice grows over the tangle of sounds from a childish giggle into a layered, matted mantra, sounding passionate, hopeful and full of energy. The vitality spills over into 'Cosset', where she wraps powerful motifs around ricocheting beats and dramatic piano rolls.

Herlop's garden opens up dramatically on 'Karada' when bucolic field recordings crack like sunlight over harp plucks and willowy vocals. Her voice seems to bend around the whooshing streams and chittering of birds as if she's singing to the manicured land itself - a utopian paradise that Herlop employs as a metaphor for the creative process. In contrast to the view that an artist is an isolated genius or an idol to be worshipped, Herlop believes that the garden helps us see the process as closer to devotion or perseverance. A gardener brings order to the wild chaos of the outdoors, collaborating with nature to arrange something vibrant and enduring. Blending familiar sounds with fanciful concepts, Herlop traces an imaginary garden, imploring us to wander and wonder. And by the album's billowing final track 'Babel', it's flowered into a flush of pruned vocal phrases and delicately groomed orchestral rushes, painted in orange, green, blue and red.

Composed, produced and recorded by Marina Herlop
Vocals by Marina Herlop
Mixed and mastered by Joker
Artwork by Mati Klarewin

Marina Herlop - Cosset (PAN 141)

01. December 25, 1999
02. 12_25_99 (y2k bug mix)

https://cfcf.bandcamp.com/album/december-25-1999

The end of the millennium. Our hopes for the future manifest as good tidings to all as we celebrate the last holiday of a lifetime. But it's impossible to deny that it feels as though something is about to be lost forever. After all, it wouldn't be Christmas if it didn't feel like we'd lost something... In the glowing 21st century, will we be nostalgic for our lost future? Will we ever get to the impossible place we seem to think we're going? 


All proceeds from this single will go to Projet 10, a local, community-oriented nonprofit based in Montréal, Québec that works to promote the personal, social, sexual and mental well-being of lesbian, bisexual, transgender, transsexual, two-spirit, intersexed and questioning youth and adults aged 14-25.
http://p10.qc.ca


This is a digital-only, Bandcamp-exclusive release (for now)

December 25, 1999

Lyrics:
I am waiting for you
I don't know what to say
I hope you understand

I just want to love you
But I don't fuck with you

Don't to be with you
I still fucking love you

These lyrics don't really mean anything honestly, I came up with some cheesy lyrics.

Artificial Love

phonebox

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