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Percussions - KHLHI (TEXT029A)

This is the first song we ever wrote. We revisited it because we wanted it to sound better live and fit in with the stuff we're playing 3 years later. We liked how this version sounded, so we added it as a bonus track to our UK album release.
ATLAS came out on Monday in the UK and you can grab here: http://smarturl.it/AtlasRufus


We Left (Night Version)

The title track from my album 'Our Love', out now worldwide. 

iTunes: smarturl.it/CaribouOurLoveiTunes
Amazon: smarturl.it/CaribouOurLoveAmazon
Label: smarturl.it/CaribouOurLoveLabel

Photograph by Jason Evans.

buy on iTunes

Our Love

Available to purchase as a 12" vinyl or digital from the eglo bandcamp:

https://eglorecords.bandcamp.com/album/nuits-sonores-nectarines

Nuits Sonores

J Dilla - So Far To Go (Instrumental)

Daphni - Vikram

Available now:

itunes: https://itunes.apple.com/album/digital-arpeggios-single/id1033225258

bleep: https://bleep.com/release/63447-percussions-digital-arpeggios

Artwork by Tallulah.

Percussions - Digital Arpeggios

All songs written by Dan Snaith.
Luke Lalonde sings 'Jamelia'.
Kyle Brenders plays soprano saxophone and bass clarinet on 'Kaili', 'Leave House', 'Hannibal'.
Colin Fisher plays tenor saxophone on 'Kaili', 'Leave House', 'Hannibal'.
Rob Piilonen plays flute on 'Kaili', 'Leave House', 'Hannibal', 'Jamelia'.
Steve Ward plays trombone on 'Sun', 'Kaili', 'Leave House', 'Hannibal', ' Jamelia'.
'Odessa', 'Kaili', 'Leave House', ' Lalibela', 'Jamelia' mixed by David Wrench at Bryn Derwen Studio.
'Found Out' and 'Hannibal' mixed by Jeremy Greenspan at Pistacho Studio.
'Bowls' mixed by Jeremy Greenspan and Dan Snaith.
Mastered by George Graves at Lacquer Channel Mastering.
Photography and art direction by Jason Evans. www.thedailynice.com
Design by Matthew Cooper and Jason Evans.

Odessa

Buy on iTunes: geni.us/RimArrives
Limited Vinyl available here: bit.ly/1WGqh3I
We’re very proud to present here the first of two legendary ‘lost’ albums both previously available only as rare-as-hen’s teeth private presses, from one Samuel K. Mfojo, the man known as Rim Kwaku Obeng.
As well as heralding the arrival as solo artist of an exciting new drummer, the title of his 1977 debut, Rim Arrives, also makes reference to the long struggle Kwaku had in getting to that point. To say that he ‘paid his dues’ is an understatement!
A member of one of Ghana’s most popular bands, the Uhuru Dance Band, during a period when ‘every song was a hit’, the recording studios of LA were even more alluring to an aspirant musician, and he followed his bandmate, Duke Oketa, there for a session in 1973. Despite having hired a massive string section, Oketa failed to provide charts for the session, and it was postponed for a week, with Kwaku being asked to write them instead. He turned it around, pocketed $700, and won the admiration of Quincy Jones who was hanging out at A&M’s studios and asked Kwaku to join him ... only to back off when Oketa intervened, threatening a lawsuit if Kwaku walked.
That scuppered opportunity was as nothing compared to the disaster that next befell him: having flown to London with Duke’s band, to record with ‘a band called Traffic’ and a young singer-songwriter called Joan Armatrading, Kwaku found himself marooned in the city without money, documentation or friends. Oketa had checked out of their hotel the first night, and had Kwaku’s passport and luggage with him. Despite the sympathy of the hotel staff, he found himself on the streets, and thus in 1973 began a six-month period as a homeless, destitute, undocumented stranger. That Kwaku by chance managed to meet Armatrading, who helped him get his life back on track, by chance passing Ronnie Scott’s where she was playing, was an even more unlikely twist in the fate of this promising young musician. He never found out why Oketa had abandoned him, but he fulfilled his promise, recording Rim Arrives in San Francisco in 1977.
That year was the zenith of disco, and pretty much anybody who entered a recording studio that year cut a disco record. Rim was no exception, his Ghanaian rhythms tailor-made for the percussive energy that was fuelling the clubs of the day. With a mixture of hot LA session musicians and African emigrés, he cut an album that very much captures the spirit of its time. As well as kit drums, conga and an array of percussive instruments, the multi-talented bandleader also played piano and clavinet on the sessions. Throw in some tight horn riffs, Fela-style call and response vocals, and you have an album that fits the current mania for both vintage African music and ever-more obscure disco perfectly. Cuts like Brushing Means Making Love, Gas Line and Believe In Yourself and have been tearing up dancefloors in the hands of specialist DJs for some time: now it’s time for the rest of the world to catch up.
Also included is International Funk, a very in-demand 12” he recorded later as Rim and The Believers, with drum machines and synths in full 1980s effect! Serious Afro-disco heat here, with the originals fetching silly money, these records were overlooked at the time, with the glut of amazing music that characterized the era; but, nearly four decades on, it’s fair to say that, Rim really has arrived!

Rim Arrives / International Funk

Gas Line

Rim Kwaku Obeng and The Believers - Rim Arrives / International Funk (Album Sampler)

björk: lionsong (juliana huxtable remix) from vulnicura remixed - part three

Lionsong (Julia Huxtable Remix)

Crystalised

Crystalised - The xx (Dark Sky Remix)

In collaboration with Four Tet and Floating Points, Katy B reveals Calm Down, the first piece of music taken from her new project entitled ‘Honey’ that will see Katy teaming up with a number of producers and artists, further exemplifying Katy’s ability to push boundaries and create exciting new music. Expect more details of Honey to follow in the new year.

Alongside Honey, Katy announces her biggest London show to date, taking place at  the O2 Brixton Academy on May 14th. Tickets are available here - http://po.st/KBOnSale

Get Calm Down on iTunes - http://po.st/CalmDowniT
Listen on Spotify: http://po.st/CalmDownSp 
Listen on Apple Music: http://po.st/CalmDownAm



See Katy live!

Katy B x Four Tet x Floating Points — Calm Down

SeeSaw (Club Version)

Jamie xx + Four Tet + Romy - Seesaw (club version)

Shura - Touch (Four Tet Remix)

We've been keeping this little secret the past couple months and now we are so excited we can finally share that WE ARE PLAYING AT COACHELLA on the DoLab Stage ! To celebrate, we are delighted to present you our new track, “Shivers of Love” a bootleg of Oumou Sangaré straight from Africa.

For those who want the extended version, please send us a message on Soundcloud. 

- Mixed by Jesco Lohan
www.jescolohan.com

- Photography by Masha Maltsava
www.instagram.com/masha.photo
www.masha.photo

Free Download

FDVM - Shivers Of Love (Bootleg)

"Jungle" is the last track I finished from my new EP (out here : https://petitbiscuit.lnk.to/listenYo). I wanted it wild but mysterious. I wrote it at the end of 2015, when I thought about my music and project and I told myself "Go where people don't expect you, try something different", then, "Jungle" was born. 

Jungle on YouTube : https://www.youtube.com/watch?v=RAVJgZrnFtM
Subscribe on YouTube: https://petitbiscuit.lnk.to/youtubeYo 
Facebook: https://facebook.com/petitbiscuitsound 
Instagram : https://instagram.com/petitbiscuit
Twitter : https://twitter.com/PetitBiscuit 
Bandcamp : https://petitbiscuit.bandcamp.com

Jungle

Spotify: http://bit.ly/teedspotify

Instagram: http://instagram.com/teedinosaurs
Twitter: http://twitter.com/teedinosaurs
Facebook: http://facebook.com/totallyenormousextinctdinosaurs

Trouble

Garden

ON FACEBOOK: wild-culture.at/fb

a simple but detailed edit in respect of the beautiful original london grammar tune,
unmastered, just a raw recording.

http://www.facebook.com/wild.culture.offiziell
http://www.youtube.com/watch?NR=1&v=MTvHcQmKUpU
http://londongrammar.com/

London Grammar - Hey Now (Wild Culture's More Sub Remix)

From Pick a Piper's S/T debut, out now (12"/DIGITAL) on Mint Records.

written by Dan Roberts & Brad Weber
vocals by Dan Roberts

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