yes indeed fab layers of loop  creative  and alive

yet/ still/it's a doozy/goes down easy/smoothyN groovy

That groove gets your backbone swinging, very nice piece, 'really enjoyed it, good work. :) Maybe you might like one of mine, when you have time:  https://on.soundcloud.com/1pUKy

Date de publication: 14/01/2022

Petite musique improvisée et finalisée en 5 heures sur mon synthétiseur Roland Jupiter XM, un petit clin d’œil au Roland D50  Avec son fameux son "Staccato Heaven" qui a été énormément utilisé à la fin des années 80 par de nombreux groupes, comme Confetti's, Foreigner, Pacifique ... et Cyril MENDEZ ☺ en 2014 ici  https://soundcloud.com/canm/the-blue-moon 

Musique, arrangements, claviers, mixage, mastering: Cyril MENDEZ

Synthétiseur: Roland JUPITER XM
VST: Roland System 8 / Vandria 2

© Cyril MENDEZ 2022, All Rights Reserved

Staccato Heaven

West Beat

Looping...
 A highly effective method of mixing sounds & creating some grooves.

Psychadelic Groove-1

Psychadelic Groove

-Mystical Variations-

Fit in

When night comes and you admire our starry sky, you can't help but marvel at the age of the light you see. One such evening inspired me to this song.
And to my immense joy, two of my absolute favorite guitarists, musicians and composers also wanted to share this journey with me. A big thank you for your generosity, gentlemen. ;)

Electric guitar: Ed Cunningham:
Listen to more of Ed Cunningham's music here: https://soundcloud.com/westtracksmusic

Acoustic guitar: David Dunham
Listen to more of David Dunnham's music here: https://soundcloud.com/david-dunhamuser589535203

Synth, bass, drums & guitar soundscape: Seagull

Starlight - Ed Cunningham, David Dunham, Seagull

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!____

A TECH-SPACE atmosphere - 152bpm - 8 tracks MOOG and I + Spark (Arturia) 
Be careful with your ears ... 📶👂

Une ambiance TECH-SPACE - 152bpm - 8 pistes MOOG et moi + Spark (Arturia)
Attention aux oreilles ... 📶👂
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

TECH-SPACE

TECH SPACE - 152bpm - MOOG and I -  ❤️Love, 🕊️Peace, 🙏Respect

Music: Xian3
Lyrics: Xian3
Lead-Guitar: JayK
Photo:dpa

Text:
Oxycodone

1
The noise swells up
Fom the background
And the door swings up, stepping sounds

Falling into frame (2)

2
And then the ceiling light explodes
And the room is suddenly packed
„Say What ?“, there is a voice, 

Calling out your name (2)

3
There are rumours,
And there’s murmur, you know…
And the murmur
They cut the bandage open, take off the compresses And look
They say, what they are about to do with you
And you just can’t remember all that
„You can always request painkillers, if you need, 
Just push the button…“
The pain and the fuzzle
The days and nights
On the back, on the side
Getting always more and more (2)
Push the button on

Mornings in flames and
They say 

ref1
That you’re standing
Not very safe and solid, but with spasm
And obviously you haven’t been realising yet
That you are standing
One-legged on the edge of the chasm
One-legged on the edge of the abyss
One-legged on the edge of the precipice

Dawning of the pain again while
They still keep telling you 

ref2
That you’re standing
Not very safe and solid, but with spasm
And obviously the word hasn’t been reaching you yet
That you are standing
One-legged on the edge of the chasm
One-legged on the edge of the riff
One-legged on the edge of the precipice
Far too close on the edge of the cliff 
Far too close on the edge of the cliff

Oxycodone - Xian3 feat. JayK

AmaBoss

Whispers Of The Fire

Glory

"To my mind, a BLUES doesn't have to be a 12-bar progression. To me, if a song has the right emotion then I accept it as BLUES" - PETER GREEN

"I go by feel, I go by feel. 
The only way I know what's real" - BUDDY GUY

Mostly, as a self-taught guitar player (maybe not... considering all the influences and internet/book resources I've come across lately!)  and rather than trying to be anything remotely near a good player of any great technique, I'm not bound by genre or clichés; I just like to go for it. It's a whole lot better that way. 
Blues is a human expression of emotion. That may explain why I felt called to blues music, even though, I grew up in Europe, a continent apart from the music’s heartlands in America’s Deep South. And that may also be the reason for the great Portuguese Bluesmen we have nowadays (The Legendary Tigerman/Frankie Chavez/Budda Power Blues/Rui Veloso/Dead Combo/The Black Mamba/Mazgani and many others...)

I’m a fan of raw guitar players who aren’t really polished… you’re not sure if it’s all going to fall apart.  Those who, rather than trotting out a collection of preconceived practised licks and lines, take some chances along the way, creating ideas on the spot. IMHO they sound more exciting and impressive for it. I play whatever comes into my head. It's an adventure because when I do a breakdown or a solo, it's new each time and I just let it go... The majority are first take. I just turn it on and press record...they are mostly one moment in time. I’m always looking for something. Sometimes I’m not quite sure what, but you just have to keep looking...
The real beauty is playing without thinking and once you have some concepts down, what comes out, is from the heart.  It's second nature. 
I just enjoy listening and playing some music, in honour of that timeless way of killing time (just for the fun of it...and whenever inspired: "If you're not feeling it, don't play it!"). I'm happiest picking out a blues tune to a suitable backing track. After all, simple music is the hardest to play...
For me, half the battle is to get the right sound. And that, in turn, inspires how you play.
As a tone fiend, I like to let those bluesy guitar tones breathe a little bit. But, almost everything I play, it never, ever comes out quite the way I heard it in my head. Sometimes I end up with something that's kind of close, but it's not quite what intended originally. These uploaded tracks are no exception... They are far from being perfect. First of all, I'm not a fan of perfection when it comes to music...it may even compromise the tone, but if the tone is there, great! It sounds like a human being playing guitar. 
As Dan Patlansky once said "I would rather hear an average player with a great guitar tone than a great player with a bad tone".
 I love stuff that sounds like a spontaneous real-life experience. Playing music is a human activity, and we humans are far from perfect! There is a certain charm in something that feels human with the flow of a spontaneous performance. It's that spontaneity that makes for the magic... 
Feel free to comment good, bad or indifferent and do not hesitate to share any ideas you might have. 

Favourite guitarists (old school suspects apart):
Matt Schofield;  Jim Campilongo;  Walter Trout; Robin Trower; Joe Bonamassa; Andy Timmons; Gregor Hilden; Robben Ford; Larry Carlton (among others)...

Psychadelic Groove

NothinButDaBlues

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