"The Deadman" by Not of Man offers a multifaceted exploration of profound psychological themes that resonate with existential inquiry, identity struggles, and the quest for truth within a chaotic world. Each track serves as a lens through which listeners can examine their own moral ambiguity, social conformity, grief, and the quest for authenticity. 
The project intricately weaves together theories from prominent psychological thinkers such as Carl Jung, Viktor Frankl, and Erving Goffman, grounding its exploration in established psychological discourse while providing a raw and resonant portrayal of the human condition. The recurring motifs of suffering, transformation, and the search for meaning invite audiences to confront their own experiences of despair and resilience.
Through its thematic depth, "The Deadman" not only highlights the complexities of identity and morality but also underscores the importance of agency amidst external pressures and personal anguish. The final reflections on isolation and self-acceptance further reinforce the notion that suffering, while painful, can also serve as a critical vehicle for growth and understanding.
This doctoral psychological analysis of the album exemplifies how art can illuminate intricate psychological truths, encouraging deeper engagement with the themes that shape our collective and individual experiences. In doing so, Not of Man invites listeners to embark on their own journeys of introspection, fostering greater empathy and connection in a world that often feels fragmented.



The Deadman Full Album (demo) releases 2 6 2025

Doctoral Psychological Analysis of "The Deadman" by Not of Man

The album "The Deadman" by Not of Man delves into themes of existential angst, social critique, and personal trauma, woven into a rich narrative that invites psychological exploration. This analysis will consider crucial psychological theories including existential psychology, cognitive-behavioral theory, and social psychology to examine the album's multifaceted themes.

    "I Am Evil I Am Good" – This track introduces an inquiry into moral duality and existential identity. The chorus's portrayal of moral ambiguity aligns with Carl Jung’s Shadow theory, encouraging listeners to acknowledge their darker sides for greater self-awareness. The assertion that "The Devil is a lie; God is the illusion" challenges societal constructs of morality and reflects existential dread towards life’s inherent suffering.

    "Run Rabbit Run" – A fierce critique of societal manipulation, this track embodies rebellion against oppressive narratives using principles of social psychology and psychological reactance theory. The imperative to "Run, bitch, run" serves as a call to action against institutional deception, emphasizing empowerment amidst societal deceit.

    "I Am The Deadman" – Here, nihilism and existential despair dominate, suggesting that personal and collective suffering can foster empathy. Viktor Frankl’s logotherapy posits that suffering can lead to personal growth, reflected in the line, "Nothing is real but what you choose it to be," emphasizing individual agency in navigating truth.

    "Mask" – This track explores the psychological toll of wearing societal masks. Drawing from Erving Goffman's dramaturgical approach, it illustrates the distress of concealing one’s true self. Cries of “I don’t want to be here” highlight the effects of cognitive dissonance experienced during identity crises.

    "Vampire" – Using vampirism as a metaphor for alienation, this track critiques the conflict between self-perception and societal labels. The line "Feelings are not facts" aligns with cognitive-behavioral therapy, urging critical examination of identity against societal pressures.

    "Toe Tag Boy" – Centered on grief and loss from institutional misinformation, this song echoes Kübler-Ross's stages of grief, grappling with emotions of anger and acceptance while navigating the treachery of societal negligence.

    "Death’s Hands" – Confronting mortality, the lyrics suggest acknowledgement of death can enrich life. The phrase "violence ain't the answer" emphasizes awareness and healing over destructive actions.

    "1 2 3 4 Fire" – Through imagery of war, this track highlights shared humanity, reflecting humanistic psychology. The repetitive cadence underscores a critique of the mechanization of conflict and the importance of unity.

    "My Disquiet" – This track delves into alienation and the struggle for authenticity. References to dual identities signify emotional distress, echoing attachment theory and emphasizing the quest for connection amidst chaos.

    "Chasing Shadows (I’m Lost)" – Mourning lost love serves as a metaphor for seeking meaning in grief, encapsulating anticipatory grief and the haunting absence of past connections.

    "I Am Alone" – The final track confronts isolation and self-acceptance, presenting suffering as fundamental to human experience. The acknowledgment of emotional scars as symbols of resilience aligns with themes of empowerment following trauma.

In conclusion, "The Deadman" by Not of Man intricately explores psychological themes, encouraging listeners to navigate their experiences of morality, identity, and resilience. This analysis emphasizes how art illuminates profound psychological truths, inviting introspection and fostering empathy in a fragmented world.



01 I Am Evil I Am Good

02 Run Rabbit Run The Wold is Coming

05 Vampire

06 Toe Tag Boy

07 Deaths Hand

08 1 2 3 4 Fire

09 My Disquiet

10 Chasing Shadows (I'm Lost)

11 I Am Alone

12 Feminem Feat Eminem (Bonus Track)

This place in Cali, near the valley,
A beautiful land, now left to disband.
Karen ass in charge, making it large,
She’s smiling wide, while L.A. ignites.  

Homeless don’t need our house,
Homeless don’t need our money,
But to you, it feels so funny,
Always with that smile on your face,
L.A. is not a safe place,
L.A. is not a safe place.  

You don’t know reality,
Just look at the flames climbing trees.
You say we’re safe, a cruel deception,
While you play your part in this grand corruption.
Just because you smile, doesn’t make it right,
Get off your throne, face the fight tonight.  

Homeless don’t need our house,
Homeless don’t need our money,
But to you, it feels so funny,
Always with that smile on your face,
L.A. is not a safe place,
L.A. is not a safe place.  

Where did all the funding go?
Firefighters struggling, where’s the flow?
The Reznick Group controls the supply,
While you sit back and watch it all die.
You lied to our faces, your choices a shame,
Now our state is burning, things will never be the same.  

Homeless don’t need our house,
Homeless don’t need our money,
But to you, it feels so funny,
Always with that smile on your face,
L.A. is not a safe place,
L.A. is not a safe place.  

Don’t use electricity,
Don’t use water,
Don’t listen to her,
Crazy fodder.
Everything in this state,
Set in motion by her grace,
L.A. destroyed in disgrace,
By Karen ass and those with power in place.
Don’t use electricity (Reznicks),
Don’t use water (the wonderful company),
Don’t listen to her crazy sales pitch,
Everything's at stake,
While she smiles and takes.  

Homeless don’t need our house,
Homeless don’t need our money,
But to you it feels so funny,
Always with that smile on your face,
L.A. is not a safe place,
L.A. is not a safe place.

Not of Man - The Black Album - 07 L.A Is Burning (Karen Ass)

Watching a slow decline, society's demise,
An easy design, twisted truths from corrupted minds.
They thrive on control, manipulating in fear,
Creating chaos—promising to save you, my dear.
Newsom, we need saving, but it’s from you,
The puppet master pulling strings in a twisted view. 

God damn you, asshole Newsom,
You lied and murdered,
More than once you took the lives
Of those who put their faith in your lies.
Released the criminals,
Beat down the ones who follow the rules,
Now we see the truth,
And we won’t be your fools. 

Disrupt and dox, take on those who speak loud,
Here we stand, superstar, we’re drawing a crowd.
Bring what you have, in the end, we’ll expose,
You’re a criminal pile of shit, everyone now fucking knows.
You played your game, but we’ve seen through the act,
In the fire of your choices, it’s time for the backlash. 

God damn you, asshole Newsom,
You lied and murdered,
More than once you took the lives
Of those who put their faith in your lies.
Released the criminals,
Beat down the ones who follow the rules,
Now we see the truth,
And we won’t be your fools. 

On the screen, moving hands, just like the lying salesman,
Hollywood and money, you thought you had a plan.
But it means nothing, just a spark in the night,
A simple flame can tear every lie from your sight.
You screwed us with your games, now it’s time to face,
The truth that you tried to bury, it leaves no trace. 

The roofs are on fire, here comes the liar,
Social justice and lies, but there’s no buyer.
The roofs are ablaze, with your lack of care,
You let it all burn, now we’re taking a stand—
Don’t come back, know you’re banned. 

God damn you, asshole Newsom,
You lied and murdered,
More than once you took the lives
Of those who put their faith in your lies.
Released the criminals,
Beat down the ones who follow the rules,
Now we see the truth,
And we won’t be your fools.

Not of Man - The Black Album - 08 L.A Is Burning (Gavin Newsom)

We do not sell any of our music all of it is free to download 
www.notofman.com #NotofMan #IamNVRMD #IamOddley #Divisionary
not of man is directly related to the singer of @cyborg-octopus

Not of Man Records

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