ALVA NOTO - UNIEQAV REMIXES

Stream: 

Alva Noto - Uni Sub (Fatima Al Qadiri Remix): http://bit.ly/UniSub-FatimaAlQadiri

Alva Noto - Uni Normal (Ben Frost Remix)
http://bit.ly/UniNormat-BenFrost

Alva Noto - Uni Blue (JASSS Remix)
http://bit.ly/UniBlue-Jasss

Alva Noto - Uni Blue (Florian Kupfer Remix)
http://bit.ly/UniBlue-FlorianKupfer

Alva Noto - Uni Blue (Luis Da Silva Remix)
http://bit.ly/UniBlue-LuisDaSilva

https://noton.info/

Stream

ALVA NOTO - UNIEQAV REMIXES

[N-049] ALVA NOTO . XERROX VOL. 4
OUT JUNE 19 ON NOTON

· https://IDOL.lnk.to/AlvaNoto-Xerrox-Vol4

Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.

Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from other copies, everyday’s sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves.

Following Xerrox Vol. 1 (2007), Vol. 2 (2009), Vol. 3 (2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he’s renowned, and turning to a more harmony-driven composition technique.

Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Xerrox Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broads tones into distant roars and electronic cascade of sounds.

While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.

@alvanoto
https://noton.info

Vinyl, Digital & CD

Alva Noto - Xerrox Vol. 4

[N-056] Alva Noto . HYbr:ID Vol. 1

Limited edition Vinyl, booklet, CD & digital album: https://IDOL.lnk.to/HYbrIDI
Release date: November 12. 2021

'HYbr:ID oval p dance’ video: https://youtu.be/6aPFamtbPtE

Album art designed by Carsten Nicolai & Nibo
Mastering by Bo @ Calyx

https://noton.info/

Alva Noto - HYbr:ID oval p dance

HYbr:ID I

HYbr:ID oval p-dance

READ > https://inverted-audio.com/premiere-alva-noto-hybrid-oval-hadron-ii/ 

The inimitable @Noton-info label's only release of 2021 comes courtesy of @AlvaNoto, with his 'HYbr:ID Vol.1' album, a collection of music composed for a choreographic piece performed by the Staatsballett Berlin in 2019.

HYbr:ID Ⅰ

Alva Noto - HYbr:ID oval hadron Ⅱ [NOTON]

From Alva Noto's upcoming album 'Kinder Der Sonne' featuring music composed for the score of the theater piece 'Komplizen' by Simon Stone.

Pre-order: https://noton.info/product/n-058/

More info:
https://noton.info

Kinder der Sonne

Alva Noto - Die Untergründigen

From Alva Noto's 'This Stolen Country of Mine' [N-059] 

Vinyl & CD · https://noton.info/product/n-059/

Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in July 21. 2023.

https://noton.info/

This Stolen Country of Mine

Alva Noto - Ritual

cyclo. is a project by Carsten Nicolai and Ryoji Ikeda since 1999.

cyclo. examines error structures and repetitive loops in software and computer programmed music, with audiovisual modules for realtime sound visualization forming one of the key strategies in this examination.

The project orientates itself around the discipline of Phase Correlation. Within this process, the phase relationship between two inputted audio signals are metered. This metering device was developed for the monitoring and assistance of vinyl mastering, where precise parallel correlations of phases was essential for subsequent record pressing quality.

It is this activity and pattern of movement that draws the curiosity of Nicolai and Ikeda. Working together, they have selected numerous ‘bits’ of sound and committed them to an extensive archive, thus creating a library from which they may draw pre-constructed audio elements at choice. The audio elements have been constructed and chosen through agendas concerned with minutiae editing of frequencies (often out of our physical range of hearing), and the perpetual amassing of audio elements to an undefined point. For Nicolai and Ikeda an ‘infinity index’ of sound fragments is a conscious motivation, that forms the basis of their research and also feeds cyclo. with the audio material required for visuality.

Releases of cyclo. are the albums ‘cyclo. .’ and ‘cyclo. id’, followed by the EP ‘id’ (12“).

Both cyclo. releases are available digitally from November 20, 2017.

cyclo. (ryoji ikeda + alva noto) - id#09

cyclo. (ryoji ikeda + alva noto) - id#05

cyclo. (ryoji ikeda + alva noto) - id#03

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - LIVE 2002 [N-043]

In September 2002 Mika Vainio, Ryoji Ikeda and Alva Noto (Carsten Nicolai) were invited by the Baltic Centre For Contemporary Art for a residency. As a result of this project three live performances followed this research period.

All the tracks on this record were recorded live on September 23, 2002 at the Baltic Centre For Contemporary Art in Newcastle, UK.

All sounds by Mika Vainio, Ryoji Ikeda, Carsten Nicolai.

LIVE 2002

MOVEMENT 2

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 2

LIVE 20O2

MOVEMENT 4

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 4

VINYL, CD & DIGITAL: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

Unieqav

UNI DNA

Alva Noto - Uni Dna

VINYL, DIGITAL, CD: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.  

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

http://noton.info/

UNIEQAV

Alva Noto - Uni Blue

VINYL, DIGITAL, CD: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

Uni Sub

Alva Noto - Uni Sub

ALVA NOTO + RYUICHI SAKAMOTO - GLASS [N-044]

VINYL, CD, DIGITAL: http://bit.ly/N44-NOTON-SHOP

The emotional drama of the forty-five minute performance was echoed in the natural environment. A sudden rain storm forced the evening’s guests into the Glass House at the start of the performance. During the performance, the storm cleared into a dramatic red and pink sunset and concluded in nightfall. Rehearsing only one day before, Sakamoto and Nicolai experimented with a keyboard, mixers, singing glass bowls, crotales, and the architecture of the Glass House. Contact microphones were attached to the surface of the Glass House, and using various weighted gong mallets with rubber heads that were gently but firmly dragged along the surface of the glass, Sakamoto and Nicolai transformed the Glass House into an instrument, creating a wistful sounds of contemplation and longing. Similarly, Nicolai played two sets of high and low octave crotales with a horse hair bow. The pair improvised in what could be described as an intuitive call and response manner. This sense of fresh sound experimentation was captured in Derrick Belcham’s film of the haunting soundscape created by Sakamoto and Nicolai at the Glass House. 

GLASS, PERFORMANCE BY ALVA NOTO AND RYUICHI SAKAMOTO 1ST SEPTEMBER 2016, GLASS HOUSE IN NEW CANAAN, CONNECTICUT - A SITE OF THE NATIONAL TRUST FOR HISTORIC PRESERVATION. ORGANISED BY IRENE SHUM.

@alvanoto

GLASS

N-44 - ALVA NOTO + RYUICHI SAKAMOTO - GLASS

PRE-ORDER VINYL & CD: https://noton.greedbag.com/buy/two-120/

N-046 - ALVA NOTO & RYUICHI SAKAMOTO - TWO (LIVE AT SYDNEY OPERA HOUSE)

RELEASE DATE: NOVEMBER  15TH, 2019

Alva Noto & Ryuichi Sakamoto - THE REVENANT THEME (LIVE)

ALPHABET - ALPHABET (N-047)
Release date: Nov 15th, 2019

Track list
01: A-BU –> BUG –> BU-CR 
02: CRIME 
03: CR-FO 
04: FOU 
05: FO-LU 
06: LUNE 
07: LU-NO 
08: NOTE 
09: NO-QU 
10: QUELLIE PARTIE! 
11: QU-SO 
12: SONNET 
13: SO-ZOU

ALPHABET explores the combinatorics between signs on one side and signals on the other. The performance, inspired by the Etymologies of Isidore of Seville twisting the scientific rigor to privilege phonetic acquaintances, revisits the strategies of representation invented by the man to tell the world around him in the digital age. ALPHABET invites the spectator to immerse themselves in the multiple relationships that, through language and its digital translations, maintain words and things.

After many collaborations this new record by Anne-James Chaton and Carsten Nicolai aka Alva Noto speaks a new language, generated by the fusion of objective poetry and minimal music. From the dialogue of the graph and the glitch a poetics of the code is born from which arises a representation of the contemporary world.

Alphabet Live dates:

// 30th October Trauma Bar, Berlin
// 17th November St Luke’s Church at Barbican, London
// 29th November Caixa Forum, Barcelona

@alvanoto

https://www.annejameschaton.org/
http://www.alvanoto.com/
https://noton.info/

ALPHABET

Digital album & CD

ALPHABET - NO-QU

Alphabet - Alphabet (N-047)
Release date: Nov 15th, 2019

Track list
01: A-BU –> BUG –> BU-CR 
02: CRIME 
03: CR-FO 
04: FOU 
05: FO-LU 
06: LUNE 
07: LU-NO 
08: NOTE 
09: NO-QU 
10: QUELLIE PARTIE! 
11: QU-SO 
12: SONNET 
13: SO-ZOU

ALPHABET explores the combinatorics between signs on one side and signals on the other. The performance, inspired by the Etymologies of Isidore of Seville twisting the scientific rigor to privilege phonetic acquaintances, revisits the strategies of representation invented by the man to tell the world around him in the digital age. ALPHABET invites the spectator to immerse themselves in the multiple relationships that, through language and its digital translations, maintain words and things.

After many collaborations this new record by Anne-James Chaton and Carsten Nicolai aka Alva Noto speaks a new language, generated by the fusion of objective poetry and minimal music. From the dialogue of the graph and the glitch a poetics of the code is born from which arises a representation of the contemporary world.

Alphabet Live dates:

// 30th October Trauma Bar, Berlin
// 17th November St Luke’s Church at Barbican, London
// 29th November Caixa Forum, Barcelona

@alvanoto

https://www.annejameschaton.org/
http://www.alvanoto.com/
https://noton.info/

ALPHABET - FOU

Uni Normal

Uni Normal (Ben Frost Remix)

Xerrox, Vol. 4

Xerrox Canaux

Xerrox Voyage

Xerrox Calypsoid 2

Xerrox Utopia

Xerrox Calypsoid 1

NOTON – founded by Carsten Nicolai as a small imprint in 1994 – began its activities in 1996 with the release of noto’s “spin”. a collaboration with RasterMusic began the same year, and by 1999 the two labels had merged into Raster-Noton. In 2017, NOTON will start working independently again by releasing Alva Noto’s entire back catalogue, and the label is currently planning releases for the future too. Ongoing projects and collaborations include: Noto, Alva Noto, Opto (Thomas Knak + Alva Noto), cyclo.  (Ryoji Ikeda + Alva Noto), ANBB: Alva Noto + Blixa Bargeld, Alva Noto + Ryuichi Sakamoto, Anne-James Chaton + Alva Noto + Andy Moore, ø + Noto.

NOTON

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