With creative direction from Gillielove, new areas of sound design and levels of distortion are explored in a shared love for twisted dancehall.

Buy: https://commandd.bandcamp.com/track/ls

Production - Gillielove and Command D
Mixing - Command D
Mastering - Joe Buchanan
Artwork - Ellen Waring (@e11evation22)

Made on Gadigal land.

L's (with Gillielove)

Carrier - In Spectra
Cat # CRRR002
Label : Carrier

Vinyl / Digital / Streaming 24/05/24

available now from Boomkat https://boomkat.com/products/in-spectra

Carrier’s experiments in rhythmic pressure continue with In Spectra, the second offering on his eponymous imprint following releases for FELT and The Trilogy Tapes. A triad of kinetic reductions from an unrivalled practitioner in angular minimalism.

In Spectra finds Guy Brewer magnifying the approach taken on Neither Curve Nor Edge, unthreading the micro-structures within to strip bare his process of reverse-engineered dance forms. His hyper-focus continues on sound and texture, but meshed tighter in tense atmospherics with fascinating results.

Coastal circles the lurch with steady poise, rallying with its faint hardcore momentum and muted dub reverberations. Wood Over Plastic scatters its disassembled rhythmic remains across warped zones of surreality, before closer Locus furrows inside a repurposed stepper amidst sharpened percussion and a creeping sub. Further proof of Carrier’s unique vision, In Spectra is a vital development along his open-ended sonic journey.

Written & Produced by Guy Alexander Brewer
Mastered by Rashad Becker @ Clunk, Berlin
Iconography by MENSLIES
Photography by Benjamin Lehmann
Digital layout by Atack.uk
distribution via boomkat.com.

Carrier - In Spectra - CRRR002

support & buy: stagnorecords.bandcamp.com/album/tres

The atmosphere has overheated to more than 1,800° Fahrenheit. The shell is still thinning and the ocean is expanding. From Earth, it looks like a world of dark gas, evidence of the existence of remote and subterranean depths with planetary powers.
Its vertices orbit a yellow dwarf, similar to the Sun. It's seven hundred light-years distant and located in the constellation of the Dragon.
It’s a wandering cosmic predator: Tres now travels at the speed of sound and is faster than light; such a high temperature obeys no rules.
Its particles move wildly, the dark atmosphere becomes blinding.

released June 12, 2024 @stagno-records

A&R by Luigi Cippone and Marilù Lembo
Mastering by Marco Pellegrino (Analogcut Studio, Berlin)
Artwork by photographer Aria Ruffini in collaboration with Umberto Napoletano
Visual research by Aria Ruffini, Umberto Napoletano, Ettore Dammicco and Adriano Pellegrino
Texts by Marilù Lembo

Worm Eater [Tres VA]

Out now @hundebiss-records
Buy: https://notteinfinita.bandcamp.com/album/manila-killer-float-slippery-ruff

DH010 – Notte Infinita
Manila Killer Float / Slippery Ruff

Two ultra-wet, slippery dancehall mutations, completed during the hottest summer days in a few sweaty sessions at Studio Distante.

Manila Killer Float is an uplifting bubbly dancehall thing with a Vybz Kartel acapella chopped up and sprinkled on top. Tried to fight gravity and catch the last summer breeze with the beat floating on those airy pads – and of course celebrating the release from prison of the World Boss.

Slippery Ruff is the chugger-town cousin of Slippery Tuff, from INDEX:records EP I Lost All My Data. I took the bpm down from 120 to 90 and ruff‘d it up with some extra dust and bass weight for good measure.

_

Written and produced by Giovanni Bonelli at Studio Distante, Berlin (2024)
Mastered by James Ginzburg
Artwork by Francesco Goats 
credits
released October 4, 2024

Manila Killer Float / Slippery Ruff [Hundebiss Records] (Previews)

@troisquartstaxisystem

Beatrice M.'s Bait invites Trois-Quarts Taxi System back into the fold for both the artist’s and label’s debut album release, ‘Plexus’. Leaning into innovative 140 mutations, Trois-Quarts Taxi System dedicates his first long-format release to exploring the depth of this space and stepping away from his usual 170/80 sound. A deep meditative journey of introspection.

Taking the name ‘Plexus’ from a key he found in the street, the album is split into various parts with the heart of album comprised of three parts of ‘Plexus’ - drone-like soundscapes which retrace different states using a variety of acoustic and electronic sounds combined with samples from an anonymous cassette found in the street. This hybridisation of sound is often influenced by ideas Trois-Quarts Taxi System comes across whilst working on his live shows; an artistic practice that is very important to his output. On this occasion, Trois-Quarts Taxi System has used this extended period to explore the bridge between dubstep, techno and experimental, pieced together with quiet ambient moments.

Credits: 
Music by Éloi Pétillon
Mastering by @bademjan 
Artwork by @beatricemasters
PR by Dawn Creative Agency 
Vinyl mastering and distribution by Juno Records
Vinyl graphics by Camille Giunti
Logo by Volllume Studio

Buy Record

Trois-Quarts Taxi System 'Plexus' LP (previews) (out 04.04.25)

tact003 - various artists - ilinx play [clips]

@loiflan
@claudiasin
@steeplejackrec

https://loif.bandcamp.com/album/ghostworld

pi premiere: LOIF - As Above, So Below (feat. Sina) [Steeplejack Records]

traverse is proud to announce the release of its first record - a compilation of six tracks from various artists, inspired by Pembroke King’s poem moving silhouettes, written for this occasion.

As the fourth volume of the compilation series “traversée”, moving silhouettes encourages artists to explore all corners of listening music and creative avenues that aren’t tied to any one convention. 

Pembroke King’s poem sheds light on the mood of the compilation, and even though each artist brings its own interpretation of it, there is a beautiful harmony of it all - from Kate Miller’s atmospheric sounds to Teqmun’s drums-made-of-rain-drop-recordings or Ghjuliú’s nostalgic melodies, the listener travels around Pembroke’s words with each track. 

As our first physical release, we feel honoured to collaborate with artists who have been involved in a way or another on traverse before such as Officium, Mika Oki and Alohn, but Kate Miller, Teqmun, and Ghjuliú, that we’ve been keeping close to our heart for a long time already. 

artwork: Gabriel Sauvageot 
tracks produced and mixed by (in order of appearance): Alexis Tytelman, Tijmen Blokzijl, Alban Mercier and Yolek, Kate Miller, Ghjuliú, Mika Oki
mastered & cut: Marco Pellegrini at Analogcut
digital master: Umvral
distribution: Kuroneko

Preorder

Kate Miller - Fenced Fringes (snippet)

@seta_loto
@ghsttwn

https://ghosttownsoundmuc.bandcamp.com/album/gtva01

pi premiere: Seta Loto - Complete Walkthrough [Ghosttown]

A very experimental, one-off release that doesn’t quite fit into any genre. There are influences from Industrial, Hip-Hop, and IDM, but the result doesn’t quite fit into any of them.
These four tracks were made around 10 years ago, at a time when I was still exploring music production but already realizing it wasn’t for me. I never really considered myself a producer, and after this I stopped making music altogether. Still, there’s something about these strange tunes, I think it's the 'no rules' and 'in-between-genres' energy that I like and that made me want to share them now. Maybe someone out there will connect with them in their own way.

Undercurrent (Li-Z) - Bill Woodblocks [100]

This EP is a true gem of modern Drum & Bass!
With 5 finely crafted tracks, mixed and mastered by the DNBB crew, it highlights the creative genius of Peyo, the French producer who never fails to surprise with his powerful and innovative soundscapes.

"Ceremony" opens with a captivating atmosphere, where sharp beats and a ripping bassline merge with unique percussive elements—Peyo’s signature touch that pushes the boundaries of the genre. It’s without a doubt one of the heaviest cuts on this EP.

"Cold Moon" carries an old-school vibe, instantly recalling the golden years of John L. Its carefully layered effects and tight drumwork bring freshness at every turn, proving Peyo’s skill in balancing nostalgia with modern energy.

With "Move On", the EP shifts into soulful territory. Emotional vocals glide over 174 BPM rhythms, enriched by Rhodes and piano arrangements. The track radiates a Jenna G–inspired vibe, destined to become a crowd favorite.

The title track, "Name", perfectly blends heavier grooves with the melodic flow of liquid funk, showcasing Peyo’s versatility and boldness in merging contrasting styles.

To complete the experience, Mystific delivers a stunning remix—an explosive rework with flawless structure, ready to set dancefloors on fire across the globe.

A release that combines weight, melody, and innovation—this EP confirms Peyo as one of Drum & Bass’ most exciting voices today.

Support

Peyo - Cold Moon

Bookings:
contactnotteinfinita [at] gmail.com

@indexrecords
@hundebiss-records
@oscilla-sound
@twinsystem
@blankmindlabel
@baroquesunburst

Manila Killer Float / Slippery Ruff [Hundebiss Records] (Previews)

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