https://earsheltering.bandcamp.com/album/textures

halbnarr-Mix

A new recorded alternative of my earlier "Kraft". Just strings and my soul.

Kraft II

This track showcases edited highlights from the second improvisation around guitar sounds provided by @encym, @drunkenforest and from Si himself. 

Recorded on the 27th of November 2021, the full jam can be heard in the second half of episode 5 of Sonic Soup For The Mind, first broadcast on 17/12/21, archived here: www.listen,camp/#shows

Three Guitars Jam 2 (Encym & Drunken Forest Collab) 27/11/21 - Edited Highlights

Commission work by Musica Assoluta for the project "Vortex #2, Pandemic Whirls".  The text of "I Wish You Be Negative" is from the instruction of SARS-CoV-2 Rapid Antigen Test produced by Roche,
- "Let the Birds Take Over"
- "I Wish You Be Negative"
- "We Are Always Connected"

"Let the Birds Take Over"

The concept of the “wood-wide web” is a term that’s been coined by scientists and biologists studying the underground systems of roots and fungi which ultimately create a family tree of connections across the planet. In short, all forests “hold hands” under the earth. Communicating through a subterranean internet, trees are able to feed those in need from miles away and grow stronger together
According to Suzanne Simard, who’s been studying the phenomenon for decades, while it may not be immediately visible, it creates palpable energy. “When I walk into a forest, I feel the spirit of the whole thing, everything working together in harmony,” she tells Smithsonian Magazine’s Richard Grant. “It doesn’t make evolutionary sense for trees to behave like resource-grabbing individualists,” Simard explains, noting that instead, a “healthy stable forest” benefits most when everyone thrives. “That’s why they’ve evolved to help their neighbors.” (https://alpynbeauty.com/blogs/alpyn-crush/woods-wide-web)

Etherotopy

Wood Wide Web

trouble émotionnel, trouble de la vue, trouble auditif, eau trouble, être troublé..

Troubles

peau dure, peau douce,éclosion, chrysalide..
son 3D, écoute au casque recommandé

Peaux

Lintclds

As I found myself tremendously inspired by Glitcher's and SinnySounds' evocative "Somebody's Home", I proceeded to layer sparse electric guitar tones through Chase Bliss Mood and Moog MurF, recording and removing, listening and listening deeper, in order not to diminish the gorgeous sparseness of the original duo arrangement. 
Some of the experimental improvs yielded some percussion sounds (all played on guitar), and I felt these lent themselves perfectly for concluding the piece. At the eleventh hour, I recorded some electric bass swells to beef up the lower frequencies,  about two thirds of the way in.

Here's the source duo file onto which I overdubbed my tracks, thanks guys for coming up with such a creativity-fuelling duo composition: https://soundcloud.com/sinnysounds/somebodys-home-disquiet0592

Enjoy!

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More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

Homecoming (Glitcher & SinnySounds & encym for Disquiet0593)

Maeshowe for sextet and sine tones. Concert recording from the premier in Helsingborg, Sweden, April 2018.

With many thanks to the Riot Ensemble for their help in realising this project: Ausiàs Garrigos (clarinet), Andy Connington (trombone), David Royo (percussion), Fontane Liang (harp), Neil Georgeson (piano), Louise McMonagle (cello) and Aaron Holloway-Nahum (conductor).

The piece is based on the resonant frequencies of Maeshowe, an ancient burial chamber on the Scottish island of Orkney. The frequencies were extracted from the acoustic impulse response and converted from Hz to 12tone equally tempered pitches with cent deviations. The frequencies are played exactly as sine tones and approximated by the instruments in various ways.

Maeshowe

Bruno Bernard
Compositeur - Artiste sonore acousmatique et musique electronique.
S’intéressant tout particulièrement aux environnements sonores, à la complémentarité entre image/son/spectacle vivant, Bruno Bernard milite également à la prise de conscience de l'importance du phénomène sonore par l'écoute active et la poésie qui s'en dégage.
Bruno Bernard a été sélectionné et nominé en 2002 au 29ème concours de Musique et d’Art Sonore Electroacoustique de Bourges.
Performer, il se produit régulièrement au sein de divers projets, ainsi que dans diverses collaborations interdisciplinaires et en solo.

Peaux

noubba

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Eric Jovet

earsheltering

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