fantastic version! i was listening the original one few minutes ago....Strange coincidence 

Grey's 80s Project

Total Eclipse Of The Heart - Sleeping At Last

You were working as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up
And turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget it's me who put you where you are now
And I can put you back down too.

Don't. Don't you want me?
You know I can't believe it when I hear that you won't see me
Don't. Don't you want me?
You know I don't believe you when you say that you don't need me

It's much too late to find
When you think you've changed your mind
You'd better change it back or we will both be sorry

Don't you want me, baby?
Don't you want me? Oh!
Don't you want me, baby?
Don't you want me? Oh!

I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good at times
I still love you
But now I think it's time I lived my life on my own
I guess it's just what I must do

Don't. Don't you want me?
You know I can't believe it when I hear that you won't see me
Don't. Don't you want me?
You know I don't believe you when you say that you don't need me

It's much too late find
When you think you've changed your mind
You'd better change it back or we will both be sorry

Don't you want me, baby?
Don't you want me? Oh!
Don't you want me, baby?
Don't you want me? Oh!

[REPEAT x3]
Don't you want me, baby?
Don't you want me? Oh!
Don't you want me, baby?
Don't you want me? Oh!

Young Summer - Don't You Want Me

--AVAILABLE ON iTUNES FEB. 24--

Bootstraps covers Whitney Houston's "I Wanna Dance with Somebody" as seen on Grey's Anatomy on April 3, 2014. 

Download Bootstraps' self-titled album on iTunes: http://smarturl.it/bootstraps

http://twitter.com/bootstrapsmusic
http://facebook.com/bootstrapsmusic
http://youtube.com/bootstrapsmusic

Buy album

Bootstraps - I Wanna Dance With Somebody (Whitney Houston Cover)

Private Eyes - Sleeping at last

"Stranger" from Katie's second full-length record "Lamplight." Out February 22, 2011!

Stranger

"Flicker", from the debut EP, "Flicker a Light", by Canyon City

Flicker

Babe, sorry I called you up
Have reason enough to stop think think thinking so fucking much
I’m a huge idiot - I like bad stuff
Like the bathroom flood reaching the hotel hall
When Your open truck Wasn’t  even robbed  
Sometimes I want to turn it up
Sometimes I want to turn it off
Babe, sorry I called you up 
Jen told me to walk it off
And  I think think think
You know enough 
To spell out love but
my minds made up of
bathroom floods
Teardrop playing so loud
And you hadnt 
even heard that one before   
Sometimes I want to turn it up
Sometimes I want to turn it off

the bathroom flood

I recorded a bunch of piano/vocal covers a few months ago and never did anything with them, here are 14 of them!

(Photo taken in the Highlands of Scotland)

Cover Album

Forest Fires (Axel Flóvent)

We're very excited to share "Clover" with you! It's our first new song since our album "A Folded Letter" came out in December of 2016. We'll have more for you later this year as well, but we thought "Clover" was a good place to start.

Listen on Spotify: http://smarturl.it/CWClover
Listen on iTunes: http://smarturl.it/CWCloveriTunes

Thank you, as always, for listening!
Steve, Jeff, and Brian
CWC

Additional Credits:
Kevin Lucero (Cello)
Shane Luckenbaugh (Drums)
Pat Noon (Recording / Mixing - Eight Sixteen Music Studio)
Alan Douches (Mastering - West West Side Music)

Lyrics:
Learning comes later, savor the sorrow
Were these moments fate or just something borrowed and set to leave?
Yearning for greater, I long for tomorrow
Stuck in a state of clinging to far roads, they’re tempting me

To see this through new eyes, sun in a high-rise
There’s a reason why two lives can feel like they’re
Both counterclockwise, but time makes new allies
It can ease their minds, and let things fall behind

So take it as a sign, you have both found what you were looking to find
Don’t let it all decline, know that you were still made to feel aligned

Learning comes later, savor the sorrow
Were these moments fatal, trusting to erode? Yet I believe

The city’s in your skies, the streets have all realized
There’s a reason why two lives feel intertwined
Hope for a reprise, a sonnet with more lines
Alteration finds, and wonder calls to bind

All our time, say that you’ll feel it again
When you’re hanging on, while you’re letting go to all you know
(All our habits are falling rapids and all you do is step aside)
Facing a climb, say that your steel doesn’t bend
When you’re hanging on, while you’re letting go to all I’ve shown
Watch, we’ll unwind, say that this isn’t the end
When you’re hanging on, while you’re letting go

Oh take it as a sign, it is the star to every wandering heart and mind
(Don’t say it’s over, call it a clover, I’m never cold and you’re never forward, don’t say it’s over, don’t say that’s all we’ve got)

Take it as a sign, it is a part of every two colors combined
(Don’t say it’s over, call it a clover, I’m never cold and you’re never forward, don’t say it’s over, don’t say that's all we’ve got)

Oh take it as a sign, you have both found what you were looking to find, don't let it all decline
(Don’t say it’s over, call it a clover, I’m never cold and you’re never forward, don’t say it’s over, don’t say that's all we’ve got)

Clover

Joy Zipper - Just Like Heaven (The Cure cover)

Magic Wands - Burning Up (Madonna Cover)

From: Whiskey & Frosting - EP
Now on Water In A Whale Album: https://itunes.apple.com/us/album/water-in-a-whale/id660480669?ign-mpt=uo%3D4

For Jillette Johnson the journey has been as integral to her musical experience as the destination. Jillette, who began taking music lessons and penning songs as a child, has been performing live since she was 12, captivating audiences with her sultry, thoughtful piano-driven tunes. The musician, now 23, has spent the last decade cultivating her sound and defining her unique perspective. When she moved to New York City from her small town of Pound Ridge, NY at 18, Jillette was already familiar with the city and its clubs, from Sidewalk Cafe to The Bitter End to Rockwood Music Hall.

In early 2012, Jillette inked a deal with Wind-Up Records, who were drawn in by her standout track “Cameron,” an inspirational number that explores the struggle of a transgendered person. The song appeared on the singer’s five-track EP, Whiskey & Frosting, which came out in August 2012, a prelude to her debut album Water In A Whale, out June 25, 2013. Culled from six months worth of recording sessions at Wind-Up’s New York studio, the album traces Jillette’s experiences and ideas about living in the city and being young in today’s society. She finished the album fall 2012, just before going out on tour, and as it turned out those weeks on the road shifted the musician’s sensibilities.

“There’s this funny thing that happens when you go on the road,” Jillette says. “Because you’re not around the people that you’re normally around and you’re in a different environment and you’re constantly being creative and putting out things. Your voice starts to change, both literally and figuratively. I just started growing really rapidly and my perspective started changing a lot. I got back two weeks before Christmas and I knew that we had to have everything done by the first of the year. So I had six months to make the record and two weeks to change everything. A lot of artists don’t get that opportunity, to be able to have the album that they made and come back and make tweaks. That’s pretty rare and I got to do it.”

The final album, which features the five tracks found on Whiskey & Frosting, centers on Jillette’s soaring vocals and the sparse, haunting piano lines she wrote to accompany them. Produced by Peter Zizzo (Vanessa Carlton, Avril Lavigne) and Michael Mangini (Joss Stone, David Byrne), the album reveals Jillette’s pensive reflections on the world around her, all of which lead to a deeper understand of self-identity. “Cameron,” the disc’s lead single, was written both from personal experience with someone the musician knows and from the idea of what it means to grapple with who you are. The glowing number focuses on what it means to be authentic to one’s self, a universal theme.

“I do have someone in my life that’s transgendered and I’ve learned a lot from this person,” Jillette says. “But I think I actually wrote ‘Cameron’ more about myself and about that feeling of being alien in your own skin. It’s been really awesome to play that song around the country and meet people who share stories that may have to do with being transgendered or may have to do with feeling a little bit different.”

The real power comes from those songs about the musician herself, however and the rest of the album follows in tone. “When the Ship Goes Down,” a hushed ballad, plays with the idea of the immortality you feel when you’re young while the sultry “Bassett Hound” offers an unbalanced account of unrequited love, based on, as Jillette says, “every time I showed too many of my cards and wanted someone too much.” The ethereal “Pauvre Coeur” treads similar ground, excising the anger the singer felt about a relationship that started to “devour” her. “True North,” a soaring and epic number written in that urgent two-week period last winter, touches on what it means to return home, a fulcrum for the musician’s ideas about her identity.  “It’s about coming home and accepting the failures that you endure along the way,” Jillette says. “And realizing that you’re gonna have a place to come home to, and that’s the home inside your own head when all the other voices go away. Because they’re not you so they don’t care enough to stay that long. You’re still going to have your own voice and that’s what coming home means to me.”

Jillette, who’s toured with Delta Rae among others, brings her impassioned live aesthetic onto the album, infusing each number with a sense of intimacy and fervor. The songs shift from light-hearted buoyancy of “Bassett Hound” to the heavy urgency of “Cameron,” showcasing a viable array of musical – and lyrical – inspiration. For Jillette, whose years of experience and practice have set her up for what’s to come, the goal is to bring these songs to life for as many people as possible.

“The next year or two I think are wide open, in terms of what amazing things could happen,” the singer says. “And I think it’s just up to me to work hard every day and have a lot of luck. I hope to really build my live show. I can’t get to hung up on what exactly will happen. It’s really just about every day playing my heart out and connecting with fans over human experiences.”

Pauvre Coeur

BUY ON ITUNES

Here's a small glimpse into what I've been up to over the last few months, it's called grow.

We're going to release it properly sometime in the next few weeks but didn't want you all to have to wait!

Grow

Rae Morris - Grow

Harrison Storm "Falling Down" - Stream or download here: https://smarturl.it/HStorm_FallingDown

Falling Down - Single

Harrison Storm - Falling Down

We're Still Here

Ever so happy to announce that my song Gone will be playing in the season finale of The Vampire Diaries airing in America on 16th May...
Wheeeeeeee...

Private Eyes - Sleeping at last

Nour ElSakka

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