@aeondelit
@diversionprogram
@infinite-monkey-theorem
@xozgk
@persuasionsounds
@sim_mtl
@lacedetail
@viiaan
@chioini
@djsuzmo
@gobekli
@delianleague
@jiovanni-nadal
@quasistate
@disk-wraith
@amselysen
@benedictemusic

Mastered by SIM.
Artwork by Bruno Lauzon Tanzi and Nela Paki in collaboration with artist Marilou Lyonnais Archambault.

VA [CC003]

Previews: VA [CC003]

Taken from SBKT041: NET GALA - 신파 SHINPA
Release Date: 25th June 2021

Written, Produced by NET GALA
Mixed by Kim Kate
Mastered by Raphael Valensi
Cover by Kynan Puru-Watt
Photo by Bakya

A regular at Seoul’s ‘Cakeshop’ and member of LGBTQ collective Shade Seoul, NET GALA’s SVBKVLT debut is named after Shinpageuk (신파극), a form of theatre from 20th century Korea. In contemporary context, Shinpa is a synonym for ‘tears and overwhelming emotions,’ but when it was first introduced to Korea, Shinpa was used to express progressive political views, cover social issues, and later the melodramatic domestic tragedies. There is a vast gap between the past and current context of Shinpa, and as such there has been a lot of mistranslation or misconception between the two.

After their first EP [re:FLEX*ion] (NBDKNW – 2019), NET GALA spent time researching Shinpa, finding parallels between the work they were making and the traditional theater style. The emotional, dramatic nature of Shinpa echoed the exaggerated affection of ‘pop’ – in which NET GALA searches for the impact on one’s own narrative and emotion. The ‘mistranslation’ applied to the terms history is reflected in the changing course between the two EPs – how one can reinterpret or warp one ‘lost’ cultural concept into another.

From the stretched-out ‘The Ha Dance’ sample combined with traditional Korean percussion and 808s on ‘Shpiral’, to the sample of a Korean lesbian protester struggling to claim her existence through the blasting drums on Dodomzit, ‘신파 SHINPA’ is NET GALA’s interpretation of the Shinpageuk. The EP is packaged with remixes from Amazondotcom, ZULI and Menzi further reinterpreting the original work.

신파 SHINPA

NET GALA - Shpiral (Amazondotcom Remix)

READ > https://inverted-audio.com/premiere-ppc-raw-riddim

Following hard-hitting records from label boss Ramses and the mysterious First Epoque, @dilldodosrecife return with an EP from PPC, a collaborative project between Ramses and Gablab.

Ungenerous

PPC - Raw Riddim [Dill Dodos Recife]

RA:005 - VA001

laced - Starclip (@lacedetail)

all profits to be donated to www.musichelps.org.nz

Releases on cassette and digital on 19/11/2021

Mastered by Ike Zwanniken
Cover Art by Mas Guerrero
Digital Design by Molly McLennan
Cassette Layout by Grace Verweij

RA:005 - VA001

laced - Starclip

Full stream of Aeondelit's "Primary Sensation," taken from his EP Anima Minima on Sadan Records, out March 17.

More: www.orbmag.com/music/

@sadan_rec
@aeondelit

Anima Minima

Listen more

Premiere:  Aeondelit - Primary Sensation

I Have A Upside Down Cross Tatted On My Finger (prod Jaynation)

this is a 107 club track inspired by frogs, and a 2019 'Sensi EP' outtake

Name your own price DL over at bandcamp!
https://milliarage.bandcamp.com/track/hopper7

Produced by Akeem Asani
Mastered by Andrew Nerviano
Artwork by Eden Aurelius

millia - hopper7

Machinery Of Night

Machinery of night

Ayln  - They Don't Touch

On ACEN 017 London producer hmurd joins the All Centre ranks following releases on TT & Cherche Encore.

Title track ‘Low Grade Plastics’ continues with the sparse landscapes and dizzying atmospheres explored in hmurds productions so far. Opening with spartan drum choices, heavy kicks and cantering hi-hats sit at the tracks core whilst heavily processed percussion and FX make fleeting appearances. With eight on beat snare drum repetitions the track descends into it’s main theme. An austere four note melody, with frenetic kicks firing off around it as a loosely anchored snare provides a woozy half time rhythm. As the track progresses further FX heighten the sense of tension building around the tracks core, with a single oscillating bass note providing a nod to the tracks dubstep influences.

B side ‘Beighton Champ’ takes a different slant to its counterpart. Rapid hi-hats and percussion signal the tracks beginning and create a rhythmic sense of security, before being dispelled as the track collapses into a series of erratic de-quantised percussion breaks. Suddenly the confusion is broken, melting away into familiar percussion patterns accompanied by an angular melody courtesy of hmurd collaborator Emile Frankel. The melody is suddenly broken by a rising granular sound which signals an abrupt switch to a straighter beat, with kicks, claps and breath sounds carrying the groove.

‘Low Grade Plastics’ is available across all platforms from the 5th of June.

Low Grade Plastics

hmurd - Beighton Champ

Equal parts cerebral and disorientating, ELLLL remixes Erosion Flow into some bass-heavy club.

'Affinity' is out December 11th on Caress.

Get it here: bit.ly/3qvAQeh

@ellll
@erosion-flow
@caressstudios

Premiere: Erosion Flow - Enhance (ELLLL Remix) [Caress]

Edited Arts is launching Between Rooms by Diessa - a venn diagram of Room 1 and Room 2 dance music. This 4 track EP cuts sharp and deep, springing samples left to right. Confident head bop material for those with a preference for the underworld of BPMs.

Producer and DJ Diessa makes excursions into UK club sounds, melding segments of footwork, techno, bass, jungle and ambient. Diessa continues to grow as one of the finest talents in the underground right now. Recent and upcoming affiliations include Babycakes, Hi-Nrg, All Centre, cxd, Overthinker Mob and SZNS7N.

Mastering by Mor Air/Colin Moir
Artwork by Eliza

www.instagram.com/diessa__/
soundcloud.com/diessa1312

Ayln - They Don't Touch

Nous Disques

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