Psychedelic Techno

Part of the album Before The Light released on April 2020

https://alanbackdrop.bandcamp.com/album/before-the-light

Before The Light

Nugle

Alan Backdrop - Nugle

Apollo EP

Buy now

Charlotte de Witte - PPC (Original Mix)

premiere of "When It Comes To Your Mind" by Terence Fixmer 
taken from the EP "Countdown", released soon on Planete Rouge Records

EP Details:
https://novafuture.blog/2022/04/12/terence-fixmer-countdown-ep-planete-rouge-records/


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Artist: Terence Fixmer |  @terence-fixmer
Label: Planete Rouge Records | @planete-rouge-rec

Info & Buy

Terence Fixmer - When It Comes To Your Mind [PLR2201 | Premiere]

Mote-Evolver kicks off 2014 with Future Modular EP from Luke Slater’s Planetary Assault Systems alias, presenting sharp-as-ever fresh sound of P.A.S. that has enticed the audience as long as the mighty ‘Systems’ have existed. 

Never a stranger to a forward thinking sound aesthetic and with a title like ‘Future Modular’, P.A.S. packs the EP with 4 tracks (with digital-only ‘Subtracted Mix’ of the title track) that spark with Futurism and tightly channel the energy at the tip of the boiling point.

The title track sets the tone of the EP - positively powerful and playful - with its groovy bass drum and acid infusing an ample dose of funky rhythmic variations. But it wouldn’t be P.A.S. without the thrilling tension that locks you in, “Riot in Silo 12” on the B-side slips into the darker side, keeping the hats just below the surface and layer by layer uncovering the electrifying suspense throughout the track. “Serc” pops open with the bursting energy of kick drum then takes you to the uncharted realms of cold minimalistic drops reminiscent of early Sähkö purism, and masterfully brings a variety of moving elements and textures into dynamic captivating techno.

Future Modular is yet another top form techno EP full of ideas and dimensions from P.A.S., a superb successor to the constantly floor-stirring his previous No Exit EP to offer kinetic prowess that never diminishes.

Mote038 :: Planetary Assault Systems - Future Modular

Viels - Collasso Mentale

Ryan James Ford’s Fuzz Gathering is a five-tracker that delves into the artist's personal exploration of sound and texture. Centered around the concept of "fuzz gathering," Ford collects, analyses, and manipulates various sonic elements using innovative techniques and processes. Each track offers a fresh perspective of his sound, blending intricacies with experiments to create a unique auditory experience. Complementing the music is Ford's own artwork, which visually mirrors the EP's theme of exploring and deconstructing textures, adding another dimension to this creative expression.


Ryan James Ford
Soundcloud: https://soundcloud.com/ryanjamesford
Instagram: https://www.instagram.com/ryan.james.ford/
Facebook: https://www.facebook.com/ryanjamesford

Ryan James Ford - Fuzz Gathering EP [PLUR]

PREMIERE: Ryan James Ford - Peaktime Regret (PLUR)

Inhale the Kush - Exhale my Problems 
Produced By: @d2therj
Written by: D'african 
Mixed & mastered by: Kalu 
Engineers: Kalu
 

Download

Inhale The Kush - Exhale My Problems

Fragments of Time“ ist eine Reise durch Klang und Vergänglichkeit. Treibende 4/4-Kicks, tiefe hypnotische Basslines und cineastische Synthflächen verschmelzen zu einem Sound, der zwischen Traum und Realität schwebt. Jeder Track ist ein zerbrochenes Stück Erinnerung – intensiv, düster, aber voller Emotion. Von kosmischen Atmosphären bis zu kraftvollen Peak-Time-Momenten spannt das Album einen Bogen, der das Gefühl einfängt, wie Zeit zerfällt und zugleich ewig wirkt.
Ein Album für die Nacht, für endlose Raves und für alle, die in Musik ein Stück Unendlichkeit suchen.

Ashes of Youth

Alura Project x Alessjan - Abyss

ARKYA - SØNAR (Original Mix)

Upcoming a.r.t.less 12" by Macedonian original Techno talent and Tangible Assets label boss Stojche. Check it out and feel the force!

Magnitude EP

Support Us

Stojche - Magnitude EP - A.R.T.LESS 2181 (Preview)

Cat-No: F//009
Fractions - Control

Fractions eschew biographical identity in their debut release for Berlin’s FLEISCH records. A potent mix of EBM, techno, breakbeat, electro, acid and horror-soundtrack provides only a title, ‘Control’, S&M leaning artwork that seems to reference Dali’s ‘In Voluptas Mors’ and a one-line manifesto: MAKE DEAD DANCE.

True to these words, established formalities are cast aside as the record
begins without ceremony; barrel-reverb percussion strikes, a hard hitting straight snare and vinyl crackle ambience set the tone; once the 4/4 kick hits, the basis of ‘Control’ is established. The first four tracks explore EBM, new-beat and acid within the 120-125bpm spectrum, horror-sci-fi pads weave between razor sharp arpeggiations, distorted 303 squelch emerges from doomsday sirens and in the vocal sample taken from the title track, a single, ominous voice urges the
listener to ‘control your mind’.

The final two tracks explore more broken, stepping rhythms, the
extended middle section of ‘Celestial’ transitions from pads that wouldn’t sound out of place in Aphex Twin’s ambient works into a cold John Carpenter-esque piano loop; the final track ‘Inhale/Exhale’ picks up the tempo but focuses on a slowly building frenzy of percussion and arpeggiation, with a snare drum that gradually gathers intensity as the track progresses, tying the swarming rhythm together and closing the record with the anticipation of a drop that never
manifests.

For a debut EP, Fraction’s ‘Control’ shows a markedly developed voice in tying together genres under a haze of dance-floor gloom.

Tracklist:

A1 - I.B.M.
A2 - MCDVIII
A3 - Welcome to 303 City
B1 - Control
B2 - Celestial
B3 - Inhale/Exhale

Mastering by Eric Van Wonterghem, PRODAM BERLIN
Artwork by Plástica

Buy all

B1 Fractions - Control

A3 Fractions - Welcome To 303 City

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Buy Album

Phase Fatale | Velvet Imprints

Artist: Border One
Title track: Biomorph
Title EP: Fuga
Label: Token Records (https://soundcloud.com/tokenrecords)
Format: 2 x Vinyl 12” / Digital
Cat. No: TOKEN93
Release Date: April 10th , 2020

Border One - Biomorph - Token Records (PREMIERE)

Midnight Traffic - Abstracture

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we do what we like - music is our passion ... we are a blog presenting and supporting music of several labels & artists we like.  We are not only running premieres - we also present stuff on our page ....


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DJ based in Cologne. 

Handselected Playlists converted from Spotify library. 




Terence Fixmer - When It Comes To Your Mind [PLR2201 | Premiere]

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