On-The-Go 3

Our Fav Tracks from novalima´s album "Karimba" ,  released on ESL Music 2012.

Mamaye - novalima

Names You Can Trust presents the debut vinyl release from Romperayo, a new band led by drummer Pedro Ojeda (Los Pirañas, Frente Cumbiero, Ondatrópica). Further expanding the burgeoning live music scene of Bogotá, Colombia and featuring many of the same talented family of musicians, Romperayo similarly takes its musical cues from Colombia's rich musical history. These recordings dive deep into the country's coastal traditions with a unique present day twist via the inspired percussion of bandleader Ojeda, a melting pot of rhythms played with his own manic flare and style.

El Busetero Buscapleitos is deeply inspired by the rhythms and textures that made their way through the Caribbean and into the local picos (sound systems). A nod to musical outfits of the 1970's such as Wganda Kenya & Son Palenque, the song is a mixture of styles from West Africa, Trinidad and Haiti married with popular Colombian rhythms of the Caribbean coast like cumbia and chandé.

Que Viva La Vida y Que Muera La Muerte derives from the other coastal region of Colombia, the Pacific. Inspired by the Afro-Colombian form curralao, traditionally played with wooden drums, shakers & a marimba, it is here updated and electrified in a stripped down tribute to the grand orchestra of Peregoyo y su Combo.


Recorded in Audiovision Studios, Bogotá.
Mixed by Eblis Alvarez at Isaac Newton Studios.
Mastered by Frank at The Carvery, London.

Composed & Arranged by Pedro Ojeda.
Pedro Ojeda- Drums & Percussion
Eblis Alvarez - Synthesizers
Ricardo Gallo - Organ & Keyboards
Juan Manual Toro - Bass
Marco Fajardo - Saxophone


Buy Vinyl

Romperayo - El Busetero Buscapleitos

Caminando, como lo dice su nombre, es un viaje que se mueve entre ritmos folklóricos y tropicales, un paseo por Latinoamérica a través de un paisaje místico, oscuro y perdido entre la selva y las montañas.

La composición original transita por una diversidad de estilos musicales; desde la Tecnobrega hasta el Juke, pasando por experimentos sonoros que nos sumergen en atmósferas espaciales.

REG032 
Producción Original: Andres Schteingart (El Remolón)
Masterización: Alvaro Ernesto
Arte y Diseño: David Bugueño
Producción Ejecutiva: Colectivo Regional
27 de Agosto, 2015.

Free Download

El Remolón - Caminando



Alan Sugaya

1,829 followers
14893 Tracks

Overdub instrument at Home Recording - 12/23/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad


Entra en mi vida  -  Vocal n Percussions.wav

Caracol

Love Letters

A remix of hot chip which is coming out this summer on vinyl with a Florien Meindl + Xircus mix in addition! ps Check out the unofficial youtube video someone has made to accompany the track! http://www.youtube.com/watch?v=1Tr1LfBtRlk


Hot Chip - I Feel Better - Max Cooper Remix (Clip)

Become a fan of Rio Mira: 

www.facebook.com/RioMiraMarimba/ 

Co-produced by Grammy nominee Ivis Flies and Grammy winner Ivan Benavides, Rio Mira is a marimba supergroup with Afro-Pacific binational heritage consisting of some of the most in-demand and respected musicians from Colombia and Ecuador. Their music is the sonic rejoining of the region known as El Pacífico Sur, one connected by history, ecology and culture and divided by the national borders of Ecuador and Colombia.   

The people throughout this area have similar music, food, speech, fashion, and background, and it is no coincidence that the band takes its name from the Mira River that flows across these borders, connecting rather than dividing people and cultures. This area is home to a great many people of African descent and the rhythms of Africa have become entwined with the lilt and grooves of Colombia and Ecuador. Marimba music has become firmly established, a sound so sacred it was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2015.  

Marimba Del Pacifico is a beguiling showcase of this protected sound, a celebration of a unique cultural heritage found nowhere else on the planet, by a band of young musicians keeping this strong tradition alive.

Rio Mira - Roman Roman

Azúcar y limón-Son Palenque

"Bump" - Spank Rock feat. Amanda Blank

Released by: Chusma Records 
Release/catalogue number: CR012 
Release date: Jun 29, 2012 

Troposphere 5000 (Cero39 Remix)

Hear Globally: A Cumbancha Collection

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Arctic Monkeys - Dancing Shoes

DOWNLOAD ON BANDCAMP:
https://galletascalientesrecords.bandcamp.com/album/remixes

Infusing punk energy into their remarkable interpretation of traditional folk music from Colombia and Venezuela, Candeleros embark on a journey through the vibrant and immensely rich musical culture of the Caribbean, fusing merengue, champeta, salsa, and son, with bullerengue and cumbia; constantly reinventing themselves. This Ep of remixes is an outstanding attempt to capture their sun-kissed vibes into a more electronic affair. It features eight remixes of some of the most talented producers from today's Global Bass scene, who re-interpreted the original tracks to their very own ways, in every possible electronic genre you can think of. A must have for any Dj's musical collection.

Remixes

Support

6) Candeleros - Panas, Parces y Guachos (The Silly Tang remix)

Taken from Novalima's "Karimba Diabolic Remixes" album - out June 25th on Wonderwheel Recordings. 

Pre-Order CD here- http://wonderwheel.11spot.com/

Wonderwheel Recordings is proud to present Karimba Diabolic Remixed, a brand new remix album from the Peruvian future roots collective Novalima.  Founded by four friends from Lima with a shared passion for both traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. Being one of their home countries hottest exports, (where they have gone platinum) their efforts have a helped bridge the divide between the Peruvian mainstream and the Afro-Peruvian community, a minority population that has struggled against discrimination and the threat of cultural dissolution for generations. Outside of Peru, Novalima has garnered critical acclaim from mainstream and underground media alike, a Latin Grammy nomination for Best Alternative Album, and a featured spot in cult filmmaker Robert Rodriguez’s hit Mexploitation movie Machete. 

Here on Karimba Diabolic Remixed, Novalima has hand selected some of their favorite remixers to re-interpret last year’s Karimba album to their own vision. The choice of remixers also reflects Novalima’s global appeal in the Latin diaspora worldwide. The UK is represented with well known West London producer Seiji’s heavy synth-based four-to-the-floor reworking of “Mamaye”, and UK / Brazilian supergroup Da Lata giving us a rootsy swinging version of “Malivio Son”.  As it’s recently become a hotbed of Latin infused dance music and culture, California is heavily represented with remixes from KCRW / AfroFunke DJ and Los Angeles mainstay Jeremy Sole fleshes out “Macaco” into a smooth call and response affair. SF based Acid Jazz legend DJ Smash delivers a squelchy, bouncy version of “Diablo”, while Bay Area veteran band Afrolicious freaks “Zarambe” into a dancefloor joint equally influenced by house music and Fela Kuti. LA/NYC DJ Sabo reinterprets “Diablo” with his signature deep and dirty Moombahton style, while Thievery Corporation’s Rob Garza takes “Festejo” into swirling, psychedelic house vibe. NYC DJ producer and Wonderwheel label head Nickodemus takes “Mamaye” into bass and percussion heavy dancefloor territory, while Novalima affiliated DJ collective Coba Soundsystem deliver varied takes on “Festejo” and “Malivio Son”. Also included are remixes from Barcelona’s AndyLoop and Los Chicos Altos and deep house producer Xacosa. As an added bonus, the album contains one brand new, unreleased Novalima tracks – “Payande”.

PRESS CONTACT: CANYON CODY - canyoncody@gmail.com


Novalima - Diablo (Sabo's Moombahton Remix)

afroperuvian dub beats...  OFFICIAL SOUNDCLOUD PAGE  / PAGINA OFICIAL DE SOUNDCLOUD ...

contact:  info@novalima.net


Novalima is a Latin Grammy nominated collective led by producers Grimaldo del Solar, Ramon Perez Prieto and Rafael Morales, which since its formation in 2001, has been breaking down boundaries, uniting seemingly irreconcilable genres, communities and generations to create an inspiring movement that has revolutionized the music scene in their native Peru. 

Founded by four friends from Lima with a shared passion for both traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. Their efforts have also helped bridge the divide between the Peruvian mainstream and the Afro-Peruvian community, a minority population that has struggled against discrimination and the threat of cultural dissolution for generations.

While their sound is futuristic and cutting-edge, the roots of Novalima’s music stretch back hundreds of years to the times of slavery and Spanish colonial rule. In a far-too-familiar tale, African slaves were brought to Peru as early as the 1500s until the middle of the 19th Century, establishing an outpost of African culture in South America. Over the years, the soul and rhythms of Africa blended with the melodies and instruments of Europe and the Andes. The result is rich musical repertoire that has existed for generations on the periphery of Peruvian popular culture.

The founders of Novalima became friends while in high school in Lima. The children of artists and intellectuals, they were well-educated and well traveled, and while they grew up listening to the popular and folk music of Latin America, they also shared a fascination for rock, pop, reggae, salsa, dance and electronic music.

Indeed, without modern technology, Novalima might not have developed, as the group came together at a time when the four founders were each living in different parts of the world. From their homes in London, Barcelona, Hong Kong and Lima, they started emailing song ideas to each other. These long-distance experiments resulted in their 2002 debut album, the self-titled Novalima.

The reception to the album exceeded their wildest expectations, eventually reaching platinum sales status in Peru, and for their next album they invited more Afro-Peruvian musicians to join their recording sessions. The outcome was Afro, an album that was released worldwide in 2006 to tremendous acclaim and put Novalima on the international music map. The London Metro Evening Standard raved, “Novalima has more than succeeded in bringing the spirit and soul of Peruvian blues into the 21st century.” Afro held the #1 spot on the US College Music Journal Latin Alternative and New World radio charts for ten weeks combined.

The founders of Novalima returned to Lima in 2007 and invited some of their favorite Afro-Peruvian musicians to form the live band: Juan Medrano Cotito, Mangüe Vasquez, Milagros Guerrero and Marcos Mosquera, as well as Alfonso Montesinos and Constantino Alvarez, all renowned local musicians. The partnership between the original cosmopolitan quartet and members of the Afro-Peruvian community has generated a great deal of attention at home, mostly because the divide between black and white in Peru has made these types of collaborations unfortunately rare. A January 2008 article in the Christian Science Monitor focused on the ways in which Novalima was introducing a new generation to Afro-Peruvian culture, asserting, “By updating traditional black music, Novalima is bridging racial divides inside Peru.” While this social impact was not necessarily their intention at the outset, the members of Novalima cherish the uncommon friendships that have developed through playing music with people of different ethnic and economic backgrounds.

On their 2009 album, Coba Coba, Novalima expanded on the critically-acclaimed formula they developed with their two previous recordings, while taking their inspiring fusion in new and exciting directions. The album’s title is derived from an Afro-Peruvian expression used to incite musicians, much like shouting “Go for it!” or “Take it!” to a musician in the midst of a great solo.

On Coba Coba, Novalima delved further into the African roots of Afro-Peruvian music, bringing in influences from its musical cousins reggae, dub, salsa, hip-hop, afrobeat and Cuban son. They took a more organic approach with the songs more accurately reflecting the live sound of the band, thanks to time spent working together as an actual band rather than a studio project. British producer Toni Economides, a regular collaborator of Nitin Sawhney, Da Lata, Bugz in the Attic and 4Hero among others, added his special touch to the album’s mixes. The result is a modern approach to Afro- Peruvian music that has made the genre accessible to a younger and wider public.

The album gave novalima a Latin Grammy nomination for best Latin alternative Album in 2009, and reached number 1 spots on USA CMJ Radio charts, as well as in Canada and European World Music Charts. The success of Novalima’s approach was never more evident than during a recent monumental concert in the main public square of Lima. Performing in front of a pulsating crowd of more than 30,000 people, Novalima presented their new vision of Afro-Peruvian music to an astounded an appreciative audience who knew they were witnessing history in the making.

In 2011, novalima signed with ESL Music, the label owned by Thievery Corporation, to release "Karimba" its new production, in January 2012.  Karimba brought even wider recognition to this innovative group, while furthering their mission to inspire new generations to appreciate and respect the Afro-Peruvian contribution to the world of music. With a fresh and innovative sound that stands on a centuries-old foundation of soul and heritage, Novalima promises to keep Afro-Peruvian expression thriving long into the future.

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NOVALIMA

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