Stereolidaire : programmation Avril - Juin

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "La Mverte - Alchemy calls (Les Enfers)". Out October 29th 2021.

La Mverte aka Alexander Berly has carved out a unique sonic niche since 2014. He attended the RBMA in Tokyo, has released on labels like Her Majesty's Ship, and explores everything from Italo to New Wave, industrial to dark disco, krautrock to synth-heavy acid. His singular sounds have taken him to gigs at the world's best clubs and
festivals and now, after a reflective time during the pandemic, he is back with a new label.
Excellent EP opener 'Nigredo' features Jean-Christophe Couderc from Vox Low providing sleazy vocals. It suggests a love of Detroit electro but reimagined through La Mverte's influences and machines, with angular drums and prickly synths lighting up the dance floor. With 'Albedo,' La Mverte offers an intense synth-wave sound with
dark and ghoulish vocals, raw drums and stark hits that demand you jerk your body. The final original 'Rubedo' nods to Belgium's New Beat movement. It has physical drums, soot-black synth work and edgy late-night energy that will blow minds in any warehouse space.
First remixer Javi Redondo is a regular on the Correspondant and Dischi Autunno labels. He offers a club-focused and motorik re-reading of 'Nigredo' designed to make you sweat. Greek EBM, rock and electronic fusionist Aggelos Baltas aka Anatolian Weapons also offers a brilliant version of 'Albedo.' It is tinged with slowed-down trance of the sort that Vladimir Ivkovic might drop in the dead of night at Salon des Amateurs. With Alchemy Calls, La Mverte continues to push himself and his sounds forwards into fresh new territory.

Artist social media:

https://www.facebook.com/la.mverte.music
https://twitter.com/lamverte
https://www.instagram.com/lamverte

Label social media:

https://www.facebook.com/lesenfers.pandemonium
https://twitter.com/LesEnfers_Label
https://www.instagram.com/lesenferslabel

Alchemy Calls

Nigredo

PREMIERE : La Mverte feat. JC from Vox Low - Nigredo (Les Enfers)

MUSIQUE ORIGINALE DE LA PIECE CIRCASSIENNE "PLI" DE INBAL BEN HAIM, ALEXIS MERAT ET DOMITILLE MARTIN.

LIANE (Musique originale PLI)

Mon Dieu, c’est déjà les Trans ! Le petit monde de la musique essaie de prendre un peu d’avance de sommeil avant le dernier grand rendez-vous de l’année… et les artistes programmés aux Trans Musicales et à Bars en Trans sortent des singles ou des EPs ça dégaine de partout

Mais sur Tsugi Radio, c’est tous les jours les Trans à l’image de l’émission du jour où on va prendre des news d’artistes qu’on suit comme November Ultra qui se paye le luxe d’un duo chic avec le Canadien Patrick Watson, le duo franco-chilien Nova Materia et son électronique aventureuse, Fat Dog toujours aussi efficace et quelques découvertes… Le premier lundi du mois, c’est aussi le jour où on accueille Nicolas Jalageas, notre libraire des Cahiers de Colette, et ça tombe bien parce que certains d’entre vous ont sans doute des cadeaux à faire


VENDREDI SUR MER "Hard feat. Hanni El Khatib"
CRAYON "Home Safe (feat. Yamê & Tora)"
PAUL PRIER "Dust"
ANTOINE ASSAYAS "La fièvre"
ARHTUR FU BANDINI "Gobber"
ARTICLE15 "HALLELUJAH"
TUNDE ADEBIMPE "Magnetic"
FAT DOG "Peace Song"
THE LIMIÑANAS "J’adore le monde feat. Bertrand Belin"
NOVA MATERIA "FICTIONS OF MYSELF"
BLAWAN "Fires"
PATRICK WATSON & NOVEMBER ULTRA "Silencio"

Place des Fêtes avec Vendredi sur Mer, Paul Prier, Article15...et la chronique de Nicolas Jalageas

Gardez-vous d'envisager les chances de défaite ! 
Mario adressa quelques mots en espagnol. 
Discerner les princes des prêtres, louer les évêques débauchés, simoniaques et parjures. 
Violemment, il eut la certitude que Stéphane et Guillaume l'épiaient ! Mollement, il s'était toujours moqué de leurs cols plus longs, de sorte que rien ne se produisit. 
Silencieux, il s'exécuta, d'une voix tremblante.

Dance it Down / Jamaica Running

RIFF RUFF [Radio] #025 w/ Mario Mirón //  LyL Radio - 10/12/24

nous étions une armée, Chamberlain, Crayon, Nova Materia, White Denim : plongez dans le sommaire et la playlist du cahier musique de Libération imaginé par Tsugi.

La playlist du cahier musique de Libération - Samedi 14 décembre 2024

Vous écoutez Tsugi Radio et comme vous le savez, rien ne nous arrête. Après le set bien énervé de Loki Starfish, on va changer de tempo puisque c’est comme chaque moi le retour tant attendu de Serge, l’émission. 90 minutes, parfois un peu plus, de musique en français dans le texte… de la chanson, mais aussi du rap, de la pop, et parfois des tentatives plus audacieuses impossible à caser. Et puis Serge, ce sont aussi nos golds, des classiques, parfois oubliés ou que chacun connait par cœur… aujourd’hui un jazzman sur les rives de la chanson, un dandy pop, une regrettée idole des jeunes, un Nicolas, un Oscar, une Delphine, et deux frangins…

OJOS "Pas si dangereuse"
LÉON PHAL "La loi du love feat. BRÖ"          
MARIE KLOCK & ANADOL "Sirop amer" 
TERRENOIRE "le fou dans la voiture" 
CELESTINO "G honte" 
ALAIN CHAMFORT "Le temps qui court"
JOHNNY HALLYDAY "Jésus-Christ" 
stupide foudre "tôt ou tard"
DAJAK & SWING "Rayons"                      
DELPHINE "La fermeture éclair"
NICOLAS DAX "contrejour"
OSCAR ANTON "Monde nouveau"

Serge, l’émission de décembre 2024

Over the last ten years, Chris Imler's perhaps not quite as rapid but equally unstoppable rise has coincided with the world's free fall. “The Internet will break my heart” marks the steepest artistic stage to date. We see a man whose entire oeuvre is a late work, at the dizzying heights of his game. “So, the Internet, that's a really hot topic”, I can already hear blasé hisses here and there in the boxes. But the truth is that the topic is annoyingly topical. Because only now is the world wide web unfolding its full disappointing potential. All pipe dreams of an emancipatory power of the digital multitude (remember Negri/Hardt, haha) are as completely extinguished as the Arab Spring was swallowed up by the pre-nuclear winter. While they are capped from above in authoritarian states, social media in the so-called free world are primarily used by lumpen capital to undermine humanistic standards and by the remnants of the left for self-destructive polarization. But the cute animal videos! They too have their dark side, which Imler brings up in the title song: “The animals in the real world are under pressure”.

But what is an aesthetically adequate way of dealing with this new digital version of the frustration of progress? Can it still be the old cold sounds of defiant adaptation to alienation? In the announcement for the exclusive session that Imler recorded for the innovative London station NTS, the presenter placed him alongside Kraftwerk, DAF and NEU! That's not entirely wrong. But it's only half the truth at best. That becomes especially clear during your live shows. To a certain extent, they are public rehearsals. Sketches that he makes on his laptop on his long and numerous travels are tried out on stage on the same evening, with ad hoc cobbled-together lyrics and drum work that he himself describes as “sloppy-emotional”. His performance is deliberately chaotic, impulsive and, for all its Kreuzberg street toughness, heartfelt. And although Imler - even with his occasional trumpet interludes - never has direct jazz references, one can just as easily think of Thelonious Monk's unruly boldness or Ornette Coleman's aggressive dynamics as of those aforementioned representatives of Teutonic robotics.

One thing is certain: the improvisational charm of his concerts cannot be captured one-to-one on record. But perhaps this album succeeds for the first time in achieving the same intensity of experience by other means. For example, with “Let's not talk about the war”, which is almost forbidden to dance to by Imler's standards. The micro-social tensions and unrest in the face of the divisive debates of recent years are fizzled out here into something completely rousing. “Agoraphobia”, on the other hand, strikes the listener with an opium-intoxicated dimness. The sonic complexity is almost reminiscent of monster productions such as Talk Talk's “Spirit of Eden”, but the atmosphere is even more dazzling, more dangerous, and it is crowned by the enchanting voice of international underground shooting star Naomi Klaus. The most fascinating soundscape, in my opinion, was created by Imler and his brilliant co-producer Benedikt Frey with “Liturgy of Litter”. Although predominantly electronic, you have the feeling of being in the same room as the sound sources, as if you were standing in front of an otherworldly gamelan orchestra, whose iridescent tinkling drives you into the most beautiful, serious serenity.
But these are just three possible entrances into the labyrinth of what is certainly one of the most interesting albums of the year.

Jens Friebe 

Chris Imler - Let´s No Talk About The War

Quelques pointes d'acid, de la techno et un sacré groove, laissez-vous porter par le set de Rem's Martinez pour la résidence du mois de février des Disques du Lobby !

Les Disques du Lobby avec Rem's Martinez · Février 2025

Nouveau mois, nouvelle sélection de La Mverte

La Mverte · Résidence · Mars 2025

If You See Me

Double Negative

Always Trying to Work It Out

“Observations from a night at Palisades (the now defunct Bushwick venue). The Smiths blare out of the P.A. as I chat with people I’ve seen hundreds of times but will never really know. "

Follow You All The Way (radio edit)

NOVA MATERIA

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