Daramad Mahur

Bayati

Jins Ajam F

Jins Ajam Bb

Modulation From Bayati To Hijaz

Jins Nahawand G

Taqsim Bayati Modulate To Hijaz

Modulation from Abu-Atta to Bayat Tork

Jins Bayati

Four Gushe Of Mahur

Persian 5/8 2+3

Persian 2/4 rhythm

Persian 2/4 Rhythm

Persian 6/8 Reng

Another Chaharmezrab rhythm divided 2+2+2+3+3.

Persian 12/16 Rhythm

Persian 10/8 Rhythm divided 3+2+2+3 like Jurjina in Arabic music.

Persian 10/8 Rhythm

Persian 7/8 3+2+2 rhythm

Persian 6/16 Rhythm

Persian 6/4 Pishdaramad Rhythm

Farid Al-Attrash characteristic taqseem ending.

Farid Rich Ending

Ajam

Esfahan

Hijaz

Nakriz

Rast Panjgah

Shur

A Fifth Relationship

Trying to replicate Simon Shaheen's Oud sound with the Godin MultiOud.

Simon Shaheen Replica on MultiOud

Taqsim 3 Hijaz

My first complete Samai composition in Ajam with modulations to Awjara and Huzam.

Samai Ajam No. 1

Taqsim 7 Bayati Shuri

Persian style Oud playing with riq accompaniment.

Chaharmezrab Nayshaburak

This is a clip from my practice. It turned out pretty good. Turned it into a demo.

Taqsim On The Beat 1

Impromptu Oud recording in dastgah Segah accompanied by riq.

Bedaheh Segah -free improvisation in segah

Here is a short excerpt from the Oud for Guitarists Ear Training Program  in Maqam Zanjaran. For more information and updates on when the program will be released visit, www.oudforguitarists.com and sign up for the newsletter on the home page.

nsgfunk

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