Born in the US, Avernian grew up in a household that was a melting pot of cultures. With his mother being German and his step-dad being Peruvian, he was exposed to many different kinds of music from a young age. Cumbia, Afro-Peruvian and even Guaracha were constants in his life.

Fast forwarding to his late teens, Avernian moved to Germany to study and get in touch with his German heritage. By doing this, he discovered his love for electronic music and delved into producing. Over the years, he found that the UK sound resonated with him in ways that reminded him of his childhood and so he decided to move to the UK and immerse himself.

Avernian’s music pays homage to all of these influences that have played a part in his journey. Elements from these influences can be heard clearly in his output. A sound that cannot be pigeon holed or defined by a singular genre.

Now living in Manchester, he runs his own label and party series by the name of Lurch, regularly inviting down friends and artists he feels a personal connection with in their music.
On this debut album, Avernian wanted to showcase every different influence in his music; from Cumbia, Dancehall, UK Funky, Techno, UK Techno, Shaabi.

It’s an accumulation of 2 years work also features samples from family recordings & videos to show the connection between Avernian’s music and childhood.

Avernian - Three Faced (Ft. Oldyungmayn)

SAGUR

Nueva PREMIERE para nuestrxs amigues de Santa Sede, Argentina. 

"Lo Oscuro" es el EP debut de CARAL, artista residente del barrio Saavedra en Buenos Aires. BPMs lentos, atmósferas oníricas, samples variados y mezclando estéticas del tango, murga y cumbia dan lugar a este proyecto con el que Santa Sede abre su ciclo 2024.

Además de los cinco cortes del álbum, Lo Oscuro incluye cinco reinterpretaciones a cargo de lxs artistas locales FEDRA, OKTE, Cimarrón, JM Croce y Erótica Castro.

El EP se estrenará el próximo 12 de febrero, puedes hacer el preorder en Bandcamp.

Lo Oscuro

PREMIERE:CARAL - Ganas (OKTE Gaming Flip) [Santa Sede]

Nammy Wams - Bleached

Pre-order: https://infinitemachine.bandcamp.com/album/caverna

@entranas presents his debut album 'Caverna' on @infinite-machine, exploring an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of UK bass and grime.

Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

More exclusive music

Premiere: Entrañas 'Tigrillo' (ft. Buena Tarde)

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas - Cruces

The Bogotá based imprint drops its third release and launches the Split Trax
series, a concept built around the essence of collaboration. The debut of Split Trax
brings together four unique artists, each expanding the horizons of the hybrid club
sound, giving deconstructed-tribal-rhythmically immersive vibes.
DLBCN was brought by Ukrainian The Lazy Jesus to the table, setting the stage with
a track that feels like a punch to the face—a raw blend of heavy bass, tribal
rhythms, and stripped-down beats. This primal energy serves as the perfect
playground for the remixes to follow, making each layer hit harder than the last.
Kicking things off, Ene Ese (Ecuador) drops a remix that fuses deep, bass-driven
lines with intricate percussive layers, building from an intense, headbanging
pulse into a restless, hypnotic rhythm that hooks you hard.
Next up, DJ Latinchat (Peruvian/Berlin-based) takes the track into darker Latin
club territory, blending Afro-Latino punch with a mesmeric, bass-heavy flow. It's
a rhythmic trip that layers Latin American beats into a psychedelic, almost
trance-like tapestry.
Lastly, Tufi (Argentinian/Berlin-based) dials in a dark, ambient-heavy remix,
layering deep, textured bass with shadowy atmospherics. The track brings an
immersive, weighty cadence marked by raw, moody intensity and sound design
that’s as mysterious as it is captivating.
Split Trax sets the tone for a series that will continue evolving, showcasing one
track reimagined through multiple visions and styles.
Pre-Order:
Split Trax Vol. 1: The Lazy Jesus Drops Tribal Heat on Sonora Destroy Recs

https://sonoradestroyrecs.bandcamp.com/album/the-lazy-jesus-dlbcn-remixes

NÜ PREMIERE : The Lazy Jesus - DLBCN (Tufi Remix) (SONORA DESTROY RECORDS)

drum21

I watched this Ableton tutorial 

https://www.youtube.com/watch?v=zMtacy3Oa6w&lc=Ugx0WBT8OLU8tuJ7o-R4AaABAg.AMWxrZPhnLhAMXbqjPcfUW&ab_channel=TomCaseyMusic

And then I made this track - you can do it too

Radio Jackie

4 MORE TRACKS 4 MORE EMOTIONS 4 MORE MELODIES THAT ENCOMPASS PASSION AND CULTURE IN A SINGLE ALBUM

CONNECTION

BUY / DL

CHAiN (Galtier Remix)

Run by @noizy-wilson-atmw

Belgrade Based Label 
EST 2020
Forward thinking Club/Rave/Bass sounds
Download and Listen to our music for FREE

Music played and Supported by :
Jamie XX, Vision Radio, Om Unit, LCY, Jensen Interceptor, HomeSick, A. Fruit, Opium Hum, Miley Serious, Polo Lilli, Sun People, Flore....

NÜ PREMIERE : The Lazy Jesus - DLBCN (Tufi Remix) (SONORA DESTROY RECORDS)

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