 "Improvisación en un Sistema Multicanal "
Pablo Rubio Vargas, Alberto Navarro Garza,

Como una colaboración desde nuestros respectivos campos de investigación, utilizamos el sistema octafónico del laboratorio del Centro Compositores NL, para realizar una regulación proporcional de niveles, preparando el sistema para las sesiones de improvisación.

Improvisación en un Sistema Multicanal - Impro Sel 11

SINTESIS MODULAR FM, SINTESIS GRANULAR, CAJA DE RITMOS, BAJO ELÉCTRICO Y GUITARRA ELÉCTRICA. COMPOSICIÓN DE IMPROVISACIÓN POR CAPAS DE REGISTRO. 

03 Achta Barachta Nichtu!  (Album: (/8)/&&/()/(&%$ - Alberto Navarro Garza)

Resonador Canario_Alberto Navarro Garza (2012)

Ésta es una pregunta: estoy ahi contigo

Improvisación para guitarra electroacústica y ableton. Fecha: 26 Ago 2008. Fotografía: Xareni Lizarraga G.

Muxaxa (2008)

Octubre rojo (2009)

Improvisación en guitarra eléctrica, ebow y reverb de amplificador

X romano (2011)

A sound composition for electric guitars intended to be a gathering. The sound work involves just intonation and cardio rythm as execution parameters. It is a piece composed for any “n” number of guitars in special tunings, favouring just intonation. 

If anything can allude to deformation in this piece is the idea that the composition due to it´s rythmic foundation is the heart beat, we can see intents from the executioners to form a sistole/diastole heartbeating frequency range, formiing and deforming in the way to do so. It is a compositional work involving tuning whole intervals to specific intonations,  generating a series of batiments that propitiate a sub and supra harmonies which are viewed as an analogy of the relation between light and shadow and viceversa. 

This elaborates complex poli-rythmic structures that explore the random state of pulse between us. It forms in three stages one ascendent first body of sound in the left. Then second section, and third final section.

Para ANDREA F.

Yolo Nochi Para Tá - Corazoncito (2012)

PARA ANDREA F.

If anything can allude to deformation in this piece is the idea that the composition due to it´s rythmic foundation is the heart beat, we can see intents from the executioners to form a sistole/diastole heartbeating frequency range, formiing and deforming in the way to do so. Exploring language, musically motivated by the epic pieces "Aus den Sieben Tagen". https://en.wikipedia.org/wiki/Aus_den_sieben_Tagen.  Planned as a musical public gathering.

This is a studio recording session that has not been published as musical composition. It was lent as a soundscape for cinema work Viernes Santo (C.Reyes) with Aurora Dominicana a latin-american film production house.

Noyolo (toma 1)

Uno Te voy

Alberto Navarro Garza 
como artista reúne obras de arquitectura, música y arte sonoro. se centra en un eje principal donde converge la relación entre lo sonoro y lo espacial, de lo tectónico, estereotómico y lo auditivo perceptual. Considera que su práctica como artista es una manera de incursionar en la autonomía del conocimiento y la celebración de la imaginación como una guía para el proceso creativo. 
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In his role as an artist includes works of architecture, music and sound art. Focusing on a main axis referring to the work of tectonics, stereotomics and perceptual auditory. He considers his practice as an artist is a way to access autonomy of knowledge and celebration of imagination as a guide to the creative process.

registrocontinuo

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