Very funky and delicious part. I dropped it into my set here: https://soundcloud.com/djdrool/mixtape-11

Manc

Joel Compass - Astronaut (Gorgon City Remix) like to unlock a free download on Facebook: http://po.st/FREEREMIX
--
JOEL COMPASS
Like → www.facebook.com/pages/Joel-C
Follow → twitter.com/JoelCompass
Listen → @joel-compass

BLACK BUTTER RECORDS
Like → facebook.com/blackbutterrecords 
Follow → twitter.com/blackbutterrecs 
Listen → black-butter.co.uk

FREE Download

Joel Compass - Astronaut (Gorgon City Remix)

Azealia Banks - Atm Jam Featuring Pharrell (Kaytranada Edition)

7" and Digital out May 13, 2014. 

Order the 7" and get instant download of this song : https://bastardjazz.bandcamp.com/album/montreux-sunrise-trans-alpine-express

After the dynamo sophomore release that was 2013's "Curiosities", New Zealand's Lord Echo returns to Brooklyn's Bastard Jazz label, this time producing Kiwi trio The Elder Statesman comprised of twin brothers and Wellington fixtures Christopher (piano) and Daniel (double bass) Yeabsley with Lord Echo himself on percussion and drums. 

On the "A" side, Montreux Sunrise is mellow meander through a laidback early 70s souljazz vibes, while "Trans Alpine Express" picks things up on the B side with a deep, spiritual piano groove, upfront doublebass, and Echo's percussion perfectly in the pocket. 

A timeless gem of a 7" from Bastard Jazz, releasing their own namesake for once!

Buy 7" or Digital

The Elder Statesman - Trans-Alpine Express

Wildcookie "Serious Drug" Instrumental

Plane Jane Records is proud to present The Bacao Rhythm & Steel Band's newest 45 release. 

The BRSB made a ton of noise with their cult classic cover of 50 Cent's "PIMP" a few years back, most people thinking that it was the original tune 50 sampled from.

This time they take the Steel Drum Funk sound to a deeper part of Hip Hop with their own rendition on the late great classic tune. The A Side is "Bacao Suave",  a surefire version of the tune, and you know we like versions. DJs, have a great time.

The B Side is their rendition of the underground classic "Round & Round" from Hi Tek's Hi-Teknology album. An absolutely killer version of the tune, drums are heavy, steel pans playing thru the melodies, sure to turn heads on the dance floor.

Visit us at:
www.bigcrownrecords.com

Follow Big Crown Records: 
open.spotify.com/user/bigcrownrecords
www.instagram.com/bigcrownrecords
www.facebook.com/bigcrownrecords
twitter.com/bigcrownrecords?lang=en
@bigcrownrecords
www.mixcloud.com/BigCrownRecords

Round & Round

11 Miserable 90bpm

red astaire presents nuggets for the needy

red astaire - follow me

Nubya Garcia - Tenor Sax/Flute
Shirley Tetteh - Guitar
Amané Suganami - Keyboard
Twm Dylan - Double Bass
Jake Long - Drums
Tim Doyle - Percussion

Recorded at Royal Albert, Deptford by Tom Sankey
Mixed by Ben Hayes and Max Wallace-Jones
Mastered by Ben Hayes

Africa (John Coltrane)

Saxophonist Nubya Garcia links up with fellow South Londoner Maxwell Owin on a remix for her new EP 'When We Are'.

Read more & buy: http://www.stampthewax.com/2018/03/01/premiere-nubya-garcia-source-maxwell-owin-remix/
Listen on Youtube: http://bit.ly/nubya-maxwell

Listen on Youtube

Nubya Garcia - Source (Maxwell Owin Remix) (STW Premiere)

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Vocals: Nubiya Brandon
Bass: Rory Goulcher
Guitar: Tom Excell
Drums: Finn Booth
Trumpet: Ewan McKechnie 
Alto Sax: Nick Richards
Tennor Sax: Dennis Scully
Turntables/Scratching: Tom Davison
Cello: Emma Coleman

Composed and Produced by Tom Excell


Artwork by Decent Peoples
http://www.facebook.com/decentpeoples

Figure Numatic

2013 MIX

Release Date: 10.12.12 on Roche Musique

<b>Last Summer Sun EP</b>

1. Deep Down feat. Loumar & Nas
2. Work That Shit
3. Summer Sun feat. MaGana
4. Memories

+ 2 Remixes by Stéphane Deschezeaux  & Cézaire

http://soundcloud.com/rochemusique
http://soundcloud.com/nastasiapaccagnini
http://soundcloud.com/maganasawatsewi
http://soundcloud.com/stephane-deschezeaux
http://soundcloud.com/c-zaire

Beatport

Deep Down feat. Loumar & Nas

https://jupitertuningcenter.bandcamp.com/track/mini-jass

mini jass

 Taken from Gilles Peterson 6 Music show. 

Nominated for Best Track of 2012 - World Wide Awards.

http://www.gillespetersonworldwide.com/worldwide-awards-2013-new-acts-announced-public-vote/


Produced & Arranged by Theo Parrish and Andrew Ashong
Drums - Andrew Ashong
Percussion - Andrew Ashong
Acoustic Guitar - Andrew Ashong
Fender Rhodes - Andrew Ashong
Arp Synth Bass - Theo Parrish
Slap Bass - Andrew Ashong

Flowers- Andrew Ashong & Theo Parrish

Taken from 'ONE MORE TIME. VOL.1' **FREE DOWNLOAD**
www.mediafire.com/?g1dzgqlqdotft5e



Asher Don - What they say Ft Weezy Jefferson

Nubiyan Twist are a Leeds born, London based musical collective. Orchestrated by guitarist/producer Tom Excell, they create a unique, infectious sound in an eclectic mix of styles, drawing on jazz, hip-hop, afrobeat, latin, soul, reggae and dance music.  

With a 10 piece live show featuring a 4 piece horn section, vocalists, electronics and an international (Brazil/UK) rhythm section, Nubiyan Twist create a powerful and unforgettable experience.  

Their debut album received strong support across the Jazz, World music and Hip-hop press, with support from sources as diverse as Huey Morgan, David Rodigan, Craig Charles, The Independent, Songlines, Afropunk and SBTV. This was followed up with Siren Song in May 2016.

The band have performed on huge stages across the world, being chosen by David Byrne to perform at Queen Elizabeth Hall for the south bank’s Meltdown festival, selling out London’s iconic Jazz Cafe, and rocking festival stages from Fusion to Wilderness, Boomtown to Edinburgh Jazz Festival, with their powerful sound and unique blend of styles.

Album on Wormfood records: http://bit.ly/1NItaiu

'Siren Song' EP on Wormwood records: http://bit.ly/1TTngh4

Booking agent: andre@wormfood.co.uk

Say hello: nubiyantwist@gmail.com

http://nubiyantwist.co.uk/

Figure Numatic

Nubiyan Twist

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