This track was written entirely on a Roland MC303 back in 1997.

BioRemnants Optica A/W 30X0

HW_12.08

04 - Holmberg 15A

08 - NGC 4889

“FOR. functions as a FORum of their shared interests in techno-dystopian sonic worlds and brutalist sci-fi visions evoking various technologically advanced, machine-dominated future scenarios that, by the time, increasingly resemble our contemporary reality.”  

DVX NVX declares itself as “the remains of the Apocalypse, where industrialism has devoured itself, and/or has never been, where only I am, we are I, there is No-thing.” It is clear: it is not only one of the possibilities, it is demanded by fate that these prophets of hopeful dystopias and dark utopias unite their voices, in an utterance that might bring about the end. Technological singularity as a final transcendental realization - to be enjoyed live for the first time, at the end of times. credits 

FOR. is Ábris Gryllus and Miklós Farkas. 
DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.  

artwork by Mártha Kicsiny 
mastered by Roland Nagy 
words by Zsolt Miklósvölgyi, Géza Kulcsár  

www.instagram.com/marthakicsiny/

FOR. x DVX NVX

Buy 7" / Digital

FOR. x DVX NVX – I

From the "Refractuality" EP
https://ddsot.bandcamp.com/album/refractuality

Refractuality

https://ddsot.bandcamp

Reflective Index

World Canvas is proud to present the debut EP 'Kaiken Voimalla' (With The Power Of Everything) by Euro Loss.

The musical work of Euro Loss (Jassir Kuronen) is a natural extension of his extensive visual practice. Minimalistic, often times abrasive yet clean and delicate in its presentation, the sonic world of Kuronen shares the same sense of consistency and physicality as his monochromatic and strobe-infused visual pieces.

Accompanied by visualizers made by Kuronen himself, Kaiken Voimalla is an audiovisual body of work is its very essence. Informed by the visual manifestations in the physicality of noise and the intricate movements within the minimal compositions, Kaiken Voimalla captures glimpses of moments where corporeal and ephemeral are intertwined.

Produced, mixed and cover art by Jassir Kuronen
Mastered by Nori Kin

Euro Loss - Kohdistus

floormaster will see you now - tripel korg jam

‎‎‎‎ ‎‎‎

one of the best trance track lately.. on god. @ 
classic arp-ism from VS.. #IF #EKW #primitiVS___

fuck off ,$$$ 
M 72/tba

This song was written entirely on a Roland MC303.
I borrowed a mates one for a few days and whipped this up. This was way back in the year they were released... sometime in 1996.
What do you think?


Null Object - Positive Swank

An Apology For My Life:

I became a fan of the director; Null Object for several years. Was influenced by a very author ironic expression and his burlesque. And say why, I thought it was not Scat movies and historical dramas, such as only the American racisit system movie before watching movies of director Gotti Boi Chris. He introduced me to the ironic laughter Robots forced to read Japanese to me. I think people who are living in Japan after all, should see his Piss weak work. I think I began to look forward to movies you've never seen yet; one's that have not been made. Author, "Woman of the Wonder Woman" "Women of How Do You Solve A Problem Like Maria" and "Tom Hanks in "Big" but I would like to describe the impression about "big" in this paper.
Director Null Object represents a criticism of white paint with the ironic expression and burlesque. I will reveal the social issues as well as contemporary burlesque. Disease called "Aids" was taboo and words Like "very" were when you take a "big stick to a Dog's open fighting wound". However, it lost its taboo Tattoo, Null Object teaches "cancer Aids destroys Futures" But I am still human. I want to live like a human" he said. The reason for the impressionable young girls is to me, movies Null Object Movie teacher; I saw until now was talk and social problem in movie. "But large Poke a stick" I thought the topic that is related to a living human being of all. You will not want to admit to the hospital all you do not notice myself Once the large stick of golf course. I want to spend eternity happily playing golf until the end of my life. That it is such as to learn more and to many days more or not natural death par 4.

My work explores the relationship between Critical theory and copycat violence.
With influences as diverse as Null Moment and Blunt Object, new combinations are crafted from both traditional and modern structures.
Ever since I was a pre-adolescent I have been fascinated by the ephemeral nature of the Null Object. What starts out as yearning soon becomes manipulated into a cacophony of distress, leaving only a sense of failing and the dawn of a new order.
As subtle replicas become reconfigured through studious and academic practice, the viewer is left with an insight into the darkness of our existence.

I do exactly what I want - whenever I want.

Null Object - Positive Swank

Null Object

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Lucien Reden

Null Object

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