SPEEDCOMP 62

oh yeah, euphoria trancy!!! love it, so much. special/rare
download or upload, just for fake fri ends, sooo? heh

fuck off ,$$$
M 46/69

‏‏‏‏‏‏‏‏‏‏‏‏‏‏‏‏‏‏

You Can Can is an echoed affirmation, an album which traces song forms around silence, field recordings, and degraded analog memories. This is folk music transmogrified and mutated, as if recorded and reconstructed in Pierre Schaffer’s GRM studio.

Not your typical Mariposa folk duo, the group is comprised of Toronto avant-music scene stalwarts, vocalist Felicity Williams (Bernice, Bahamas) and bricolage artist and synthesist Andrew Zukerman (Fleshtone Aura, Badge Epoch). The album feels like a somnambulant conversation, fragmented and half-remembered with Williams’ vocals traveling through a landscape of field recordings and Zukerman’s saturated concrète topographies. It is an electro-acoustic assemblage, both analog and digital, comprised of air, electricity, minerals, wood, and water. Although the album nods towards traditional forms of folk and musique concrète (if at this point it can be called a traditional form), it is outwardly and inwardly contemporary; non-linear, citational, opaque, and sui generis. In a way it feels like a sonic index of the narrative experiments found on the infamous Language school-related publisher The Figures, in the work of Lyn Hejinian, Clark Coolidge, and Lydia Davis. In the musical continuum, the album picks up where Linda Perhacs left off in the early 70’s—explored by Gastr Del Sol in the ‘90s—a convergence of rural acoustic idioms and urban avant-electronics. This is country music for the discerning cosmopolitan citizen of the 21st Century.

You Can Can is Felicity Williams & Andrew Zukerman.
Mixing, Photography & Insert Artwork by Andrew Zukerman Stem Mix and Mastering by Sandro Perri Vinyl Master by Brandon Hocura Design by Alan Briand

Instruments: Human Voice, Guitar, Tape Machines, Modular Synthesizers, Field Recordings, Handbells & Piano. Failure Figures features Dan Fortin on Bass and Thom Gill on Guitar & Synthesizers.

BUY VINYL: www.seance-centre.com/shop/you-can-can
BUY DIGITAL: https://youcancan.bandcamp.com/album/you-can-can

You Can Can - Everything In Time (Excerpt)(36SC)

Felicity Williams - This Is What I Want

did you mean to end my world?

https://soundcloud.com/humanobserver
COLOR SQUAD RECORDS 115/COMP021
C O L O R S Q U A D 0 1 8

artwork by « Otto von Chirac »

Bandcamp

RECOMNI (feat. HUMANOBSERVER)

slvr&gld

'Old Skin', clip.

low quality; unreleased;

`·. Old Skin `·. ©®™

https://radiostudent.si/glasba/modem/modem-223

modem ///223

https://soundcloud.com/6ideo - Interference Patterns

Tracks 4 & 5 performed and written by Diego Ruiz & Diego Esriche
Tracks 3 & 4 recorded at Clouds Valencia
Art by Caled Woodward
Mastered by Diego Escriche

Blank Screen

My entry for SPEEDCOMP 62 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.
Any audio software is welcome to use to make your track. Make anything you like - no genres or approaches are out of bounds.
Maximum length of your track needs to be 4 minutes.
After 30 minutes please stop arranging your Speedcomp entry and listen back for a rough mixdown and render. There is no point using more than 30 minutes as this exists to see what one can do with a strict deadline to finalise a musical composition. There are no winners in Speedcomp.
ONLY USE THE 10 SAMPLES OFFERED IN THE SAMPLE PACK.

Acid splat

Speedcomp 62 - The Faraday Cage

SPEEDCOMP 62 - Samples by Backslash Zero - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night

SC62BS0

SMOULDERING_SOD - Bacteria/0

SPEEDCOMP 62 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.

The selector for Speedcomp 62 was BACKSLASH ZERO from Budapest, Hungary. The ten chosen samples were published at 7:30pm AEST on Friday 19th December 2025.


the grog bog (speedcomp #62)

feel free for asking *.WAV files of the downloadable stuff or check bandcamp for lossless

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moscovia delenda est

An Apology For My Life:

I became a fan of the director; Null Object for several years. Was influenced by a very author ironic expression and his burlesque. And say why, I thought it was not Scat movies and historical dramas, such as only the American racisit system movie before watching movies of director Gotti Boi Chris. He introduced me to the ironic laughter Robots forced to read Japanese to me. I think people who are living in Japan after all, should see his Piss weak work. I think I began to look forward to movies you've never seen yet; one's that have not been made. Author, "Woman of the Wonder Woman" "Women of How Do You Solve A Problem Like Maria" and "Tom Hanks in "Big" but I would like to describe the impression about "big" in this paper.
Director Null Object represents a criticism of white paint with the ironic expression and burlesque. I will reveal the social issues as well as contemporary burlesque. Disease called "Aids" was taboo and words Like "very" were when you take a "big stick to a Dog's open fighting wound". However, it lost its taboo Tattoo, Null Object teaches "cancer Aids destroys Futures" But I am still human. I want to live like a human" he said. The reason for the impressionable young girls is to me, movies Null Object Movie teacher; I saw until now was talk and social problem in movie. "But large Poke a stick" I thought the topic that is related to a living human being of all. You will not want to admit to the hospital all you do not notice myself Once the large stick of golf course. I want to spend eternity happily playing golf until the end of my life. That it is such as to learn more and to many days more or not natural death par 4.

My work explores the relationship between Critical theory and copycat violence.
With influences as diverse as Null Moment and Blunt Object, new combinations are crafted from both traditional and modern structures.
Ever since I was a pre-adolescent I have been fascinated by the ephemeral nature of the Null Object. What starts out as yearning soon becomes manipulated into a cacophony of distress, leaving only a sense of failing and the dawn of a new order.
As subtle replicas become reconfigured through studious and academic practice, the viewer is left with an insight into the darkness of our existence.

I do exactly what I want - whenever I want.

Speedcomp 62 - The Faraday Cage

Null Object

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