Name: Alright Now by numbers in the dream in cloud.selector volume 13
Duration: 1 min 57 s
Description: Hot air in my tree and a bed of books......Boom

@bowling-tide: Not sure i understand the Kossoff reference but glad you enjoyed his absence  :):)

oooh...like this one lots lots....beachy hazy glow of ocean sun....

I've been  mesmerized, hypnotized, by this auditory depiction...

my SoundCloud marks in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 13.

cloud.selector volume 13

Soundtrack to our first video https://vimeo.com/762584534

There Must Be Something More (soundtrack - see Vimeo link)

Korg N364 workstation
Mahalo Flying V Electric Ukulele
Yamaha tenor saxophone
Garageband keyboard and drums sounds
Even more bum notes than usual.

The Hands That Smelt Like Public Transport Soap

Patmos Island - Πάτμος

About time Lou and I turned it up a little bit.  Such a tremendous musician in every way - listen to Lou's deep appreciation for the blues - tasty fire.  Always laying it down so well.   Check out and follow Lou's wonderful music, albums and releases:  

https://soundcloud.com/louis-taverna



Thanks as always for your generous time listening, for your  likes, comments and shares

Inner City Jive -- Lou Taverna / Jamie Rhind

This is a cool number that Chris and Eddy had been sitting on for about a year or so I believe.  They sent it to me and I really liked it.  I added some wacky percussion noises and the lead guitar throughout.  Then Chris put in some vocals.  was great working together with them.  It's called No Rush

eddyoffline - bass guitar
C.G. Maness - composition, acoustic guitar, vocals, lyrics
TexMex Shaman - lead guitar, wacky percussion and mix


Lyrics:
I don’t know where we went wrong.
Did we ever get off?
As the train moves along,
I’ll sing my railway song.
There’s no time to rush,
Should we get out and push?
No hungry mouths to hush.
I’m done hiding in the woods.
No rush, take your time.
There’s underdogs on the mainline.
No need to heed the signs.
We roll slow on this grind.
No rush, I’ll say it again.
You river rats that cooled my hand.
A blank stare and a grifter's grin.
“You’re just bluffing” said the drifter's friend.

No Rush - w/ eddyoffline and C.G. Maness

■概要(overview)
最近、部屋で線香を焚くのが大好きです。とても煙いです。
だからそんな感じの歌詞にしてみました(^^)
曲はいつもと変わり映えないですが(^^)
Lately, I love burning incense in my room.It's very smoky.
That's why I tried to make the lyrics like that (^^)
I guess the song is similar to the usual (^^)

■更新情報(Update)
2024.5.19：最後のところにギターを追加(人生は足し算だ！) / Added guitar at the end (life is about addition!)

■歌詞
日々は潸潸と流れて
好きなものも変わっていく
同じ景色を見ていたはずなのに

つながりを大切にして今を生きていくだけで
振り返ることもしなかったから

あなたは私を忘れているでしょ？
毎日の電話　LINEの返信
忘れているでしょ？

黒く重くて厄介なものが
こみ上げてきたわ
線香に火をつけた

白檀の煙
黙々と語りだして
私の心を鎮めてくれるわ・・


時の流れはいたづらに
花の色はうつりにけり
同じ景色を見ていたはずなのに

かわらない　夕焼けの空　どこかのお寺　鐘が鳴る
ため息のように　繰り返している

あなたは私を忘れているでしょ？
正直な話　私も同じよ
忘れていたのよ

黒く重くて厄介なものを
解明してくれない？
線香に火をつけた

白檀の煙
黙々と語りだして
最後はうやむやに消えてしまうわ・・


雄島に架かる橋　あなたがくれたこの線香
火をつけて　先に渡ったあなたに会いに行くわ

煙に問う　あの橋の向こう　何があるの？
鳴り響く鐘の音はいつになれば鳴り止むの？と

あなたは私を忘れているでしょ？

■lyrics
The days flow by in a hurry
What I like also changes
We should have been looking at the same scenery

Because I only cherished connections and lived in the present without looking back.

You forgot me, right?
Daily phone calls LINE replies
You forgot, right?

Something black, heavy, and troublesome
I'm welling up
lit the incense sticks

sandalwood smoke
Start speaking silently
It calms my heart...

I feel like time is passing in vain
The color of the flowers fades
We should have been looking at the same scenery

The unchanging sunset sky, the bell of a temple somewhere rings
repeating like a sigh

You forgot me, right?
To be honest, I am the same way.
I forgot.

About black, heavy and troublesome things
Could you please clarify the cause?
lit the incense sticks

sandalwood smoke
Start speaking silently
In the end, it just disappears...

Bridge over Oshima, this incense stick you gave me
I'll light a fire and go to meet you who crossed first.

I ask the smoke
"What's on the other side of that bridge?"
“When will the ringing bell stop ringing?”

You forgot me, right?

The other side of the bridge(橋の向こう側)

Magnetic Fields 4 (Cover)

I quickly improvised this today after realising that the Northern Lights we have been seeing are an Omen. They tell us that the dark demonic forces may succeed temporarily on Earth, but they will always be defeated in the realms of the Spirit. 
This is why the improvisation ends on an optimistic note.

Bill Boethius: electro-acoustic guitar

Composed, performed & produced by Bill Boethius

The Omen of the Lights

Ian Greaves

A Product Of The Funk

Nice to make this sounds with Rhodes V8 Pro,
What an old instrument but very modern sounds,
big Fun with this electro Stuff

Sequenz A 3

Hot air in my tree and a bed of books......Boom

Alright Now

Featuring Janelle Monáe, Deep Cotton, St. Beauty, Jidenna, Roman GianArthur, and George 2.0.

Hell You Talmbout

Track from the new Carter Tutti Void studio album f (x). 
Released 11th Sept 2015.
Pre-Order Now UK: http://cargorecordsdirect.co.uk/products/carter-tutti-void-f-x
Pre-Order Now USA: http://www.forcedexposure.com/SearchResult.html?SearchType=Basic&Type=artist&Key=CARTER%20TUTTI%20VOID

Details at http://www.industrial-records.com
YouTube link: http://youtu.be/zsRL5xUC-c0

f (x)

2.6.2 (edit)

Carter Tutti Void - f=(2.6.2) (edit)

Artist: I.B.M. (Insane Black Man)
Album: From The Land Of Rape & Honey (The Suppressed Tapes) 1995 - 2005 
Label: Interdimensional Transmissions
Catalog: IT 35

Jamal Moss (aka I.B.M. - Insane Black Man) is a lost warrior of sonic truth. We first uncovered his music through his own Mathematics Records, where we were shocked to find a unique permutation of the Chicago Jack gene. We came to find out that Jamal was educated in the biz by Adonis and Steve Poindexter, and the last of the line of producers directly inspired by two pillars of influence: Ron Hardy at the Muzic Box and the club Medusa’s. This makes him uniquely qualified to write a new chapter of Chicago's history.
 
Digging through shoe boxes of cassettes, video tapes, and mini discs, we have collected the secret tapes of one Insane Black Man. This is an archive of the impetus of his genius, containing perhaps the holy grail of all Jamal Moss tunes “The Land of Rape and Honey” and “Tribal Retribution”. Artists on labels like LIES are still searching for these originals. We have taken them from their dusty and damaged condition and painfully & meticulously restored them, using the mastering labs of Neel’s Enisslab Studio in Rome, and for the few that even he couldn’t do, we had Carl at TruTone finish the restoration. Now we can present these fragile raw and pure visions with the greatest level of quality. Finally the full impact of these ideas can be felt. 

Jamal describes his music as “post industrial angst in an urban environment.” His first experience at the Muzic Box was standing outside the warehouse space on 326 Lower Michigan Ave just watching people come outside to catch air, fascinated by the energy he was experiencing. At a later location he was finally able to get in and describes the experience as “overstimulating, I never saw anything like that, you could see the heat, it was like a sauna of raw sweat.” Later, he would spend much of his formative years at Medusa’s experiencing the city’s more alternative culture. Many people may find this surprising, going from the Muzic Box to Medusa’s, from the roots of House Music (and Techno) to the home of the Industrial sound that perhaps Wax Trax best represents. But that kind of stereotypical thinking doesn’t allow for the truth of what actually happens, people cross boundaries, experience other scenes and cultures, absorb them and add to them. No one should be prescribed a set of interests because of where they are from or what race they are born.

Jamal reminds me that Duane Buford, creator of the first record on Dance Mania and co-writer with Jesse Saunders and sometimes Vince Lawrence of such early house songs as “Funk-U-Up” (Jes’say 1984) and Le’ Noiz’s horror house bad trip jam “I’m Scared” (Trax 1985), was also a member of the Revolting Cocks and Ministry. Before Mathematics took off, Jamal was in talks with 4AD to make an industrial record for the label. These towers of influence collide easily in the mind of the Insane Black Man. Why must we call him insane? That may be society’s futile view, which would prefer to put everyone in easy boxes, whereas we would be more likely to call him a visionary. 

In his own words:
Purpose & Reasoning of Collection of Works None just for therapeutic purposes 2 Exercise The Demons 2 keep oneself from going over The edge. 
All material collected from various cassette tapes / VHS / Mini Disc stored Away in Old grey shoe boxes.
Genre : Industrial / Experimental / Art / Tribal Noise / EBM / Social Distortion 

All Compositions created between 1995 - 2005 


09 Hate The Truth And Live The Lie

Wall Erected Side A

It looks well drawn said the youngest guide, But what it is i cant decide.
"Strange As It Seems" Album for download at https://fagashrecords.bandcamp.com/

Alright Now

numbers in the dream

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