RA:005 - VA001

laced - Starclip (@lacedetail)

all profits to be donated to www.musichelps.org.nz

Releases on cassette and digital on 19/11/2021

Mastered by Ike Zwanniken
Cover Art by Mas Guerrero
Digital Design by Molly McLennan
Cassette Layout by Grace Verweij

RA:005 - VA001

laced - Starclip

EYRA - Hero Zear

Taken from B E N N (@bedoublensound) new EP Entheos, out December 3, 2021, via early reflex (@earlyreflex)

Read: https://bit.ly/3lmR08w
Pre-order: https://bit.ly/3lrga6d

On EYX006 Early Reflex welcomes Taipei-based dj/producer and Over My Body co-founder B E N N.

Taking inspiration from the indigenous culture of the island of Taiwan and its ancient chants to summon the Ancestral spirits, ‘Entheos’ is a three-tracker where B E N N brings to life a club-convulsing blend of leftfield techno experiments and Taiwanese traditional sounds.
For this work B E N N collaborated also with ‘Beat of Kaohsiung’, a collective from southern Taiwan, who contributed to the EP playing taiko, didgeridoo and vocals, to complement the hard drums and bass focussed productions of the producer from Taipei.

The opener ’Mangaya’ sets the mood of the EP kicking off with a pulsating beat, nimble hand percussions and an exotic melody. The entrance of a catchy guitar riff then turns the track into a club belter set to ignite the dance-floors.

Mystical vocals progressions opens ‘Shan-Yu’, a darker and more introspective track structured around a distorted koto melody supported by a didjeridoo bass continuum and incessant bit-crushed percussions.

The EP then reaches to its climax on the final track ’Entheos’ bringing together an effected gamelan melody and field recordings with an ecstatic 4-on-the-floor carnivalesque rhythm.

Artwork by Alessandro Scanu

Mastering by Andrea Prato

Released by early reflex

EYX006 - Entheos

Premiere: B E N N - Mangaya [early reflex]

In 2020 the first release in guides, a new publishing initiative set up by outlines owner Pawel "Paide" Dunajko, was released. guides is intended to be a label less burdened by formal requirements but - like outlines - still trying to present the most interesting and innovative music at 160 bpm.
 
The second tape in the guides catalogue is the result of a collaboration with Japanese producer otomoni. The Tokyo-based sound artist owns the Minzoku Tapes label, where his original productions have mainly been released.

otomoni's "super u" tape consists of nine tracks for which Chicago footwork is the starting point. However, the Japanese producer creates his own individual version of this genre, using such compositional techniques as sound design, field recording and musique concrete. otomoni's sound palette is extremely rich and characterised by a multitude of details. The rhythmic layer is non-obvious, driven by a microcosm of sound particles and melodies.
 
The very beginning of the release ("mizurizu") presents before us evocative images of some undiscovered anime world, in which a delicate impressionistic narrative merges in the finale with noise blurring details. "hanoi" relieves this moment of tension with a melodic intro that, after a while, launches into a footwork groove. "kenka" is a sweet miniature with echoes of reggaeton rhythm. Finishing the A side of the cassette "misago" is a futuristic minimal footwork set on an ear-piercing synthetic sound, around which surprising noises are lit up.

In the opening B-side title track "super u" otomoni continues to create his sound world. It's transformed vocal samples, expressive and juicy rhythmics, on the background of which unexpectedly appears the sour sound of Roland's 303. "ooree" takes the listener to a different, but equally surprising corner of otomoni's world full of plasticity and colours. In "amenoi" the listener lands in the middle of a jungle of sounds creating an unreal scaffolding for an alternative reality. From its very beginning "mikudro" fits into the narration started in "amenoi", but it tries to burst this created structure with a vibrating stroboscope of sounds. Seemingly chaotic percussions create a new physics of music. The album's closing "akumu" begins with a vast looped drone, against which ritual simple vocalizations are sung. After a while the drone and the voice are joined by other sounds of a new world coming to life.

otomoni's music has an extraordinary gift for illustrating alternative realities. However, this does not happen with a flourish, pathos or overload of meanings. The sounds he uses are characterised by subtlety and minimalism of expression. It is an autonomous and living world. Footwork in its basic form is a musical genre which is supposed to accompany the movements of dancers competing with each other. otomoni's Footwork is music detached from this tradition, but using the components of this genre to create a completely new reality.

super u

otomoni - super u

snailaway - Succubus Falls

NHD006 - Henzo - Stretford Blues

https://henzo.bandcamp.com/album/stretford-blues-ep

Finishing off Henzo’s banner 2022 that has seen releases on YCO and Peder Mannerfelt Produktion, the Manchester based producer dials back the tempo into 5 cuts of gloom-ridden dancefloor damagers for his Nervous Horizon debut. Running the gamut of Dancehall, Techno and Drum & Bass, the EP’s refined palette is laser-guided in its intention of favouring groove and atmosphere over melody and hooks.

The opening track, 'Survivorship Bias', rolls out a lurching and smudged drum break over an equally sketchy Donk and vocal sample in a Bolton-meets-Belgium chug affair. 'It’s Ours and Hours Alone' and 'Writhing' lean more towards a typical Dancehall rhythm, smattered with the reticulated percussion that Nervous Horizon have been known for, saturated and growling. 'His Troublesome Knees' sees a variation on the theme of the opener, with the addition of harrowing, gnarly strings that posit drama in the riff that runs almost throughout; An inescapable tension that juxtaposes the highly danceable groove. Rounding out Stretford Blues, 'A Pocket You Didn’t Expect' feels like 3 tempos at once: 82, 164 and 328BPM. The battering, unrelenting kicks laced over taut breaks and hats hark to Jungle Techno and Tech Step in their composition, but the drawn out and bleak orchestral breakdown, coupled with a barking, irate bassline, suggest that Henzo shows no allegiance to nostalgia and is moving intently into the future.

Henzo - His Troublesome Knees

An ode to failure!

Departing from the image of the genius artists, the Hit&Miss compilation wants to show the hidden parts of creation, by embracing missteps and abandonment as a natural part of any artistic journey. 

Open to all members of the Global URL Nation, it proposed a new home for projects that couldn't find a place to exist otherwise, due to artistic (self-)exigency, technical problems, bad timing or any other reason often unknown to the general public. 

With more than 20 artists from a broad range of styles, experience and locations, it gathers unfinished projects such as aborted WIP, forgotten drafts, lost files, unconvincing demos, compulsive emotional bursts or technical experimentations. 

With all its flaws and raw cuts, Hit&Miss asserts the strength of trial and error, and cherishes the impossibility to develop an idea into a finished object as a learning process towards one's growth.


++ TRACKLIST ++

01. Antilita Octovyk - Mother Earth Solitude
02. Basura - Erythritol
03. Bademjan - The Blade Is Over
04. King Demitri - Reinitializing Heaven
05. Lukann - Blossom
06. Antilita Octovyk - Here Comes The Moon
07. Ancestral Vision - Mana Double Cup
08. RougeHotel - Sync 2 (demo before PSM 2020)
09. Bademjan - Ringfields
10. indigoblue - 060421
11. Pénélope - La rosée
12. Bademjan - Steel Lumens 
13. Sxmbra - Gloss
14. grrggg - unnerving rdm demo
15. Heart Shaped DJ - Me or everyone else
16. Fungal Mat - Dead or dormant?
17. jjjacob - Kijana
18. Nagruv - Barp (more percussion needed)
19. Bouzouk - Future Dog (Whatever)
20. grrggg - celestial gates demo
21. Cralias - ?collab
22. DJ Criminal Edit - Libertinages dans la pyramide
23. DJ Rotule - Ponpon
24. crat - too dudey
25. Medejin - Má forma
26. Antilita Octovyk - Fuck Marry Kill
27. LMN3 - CANNAPEASE
28. Antilita Octovyk - Лайка
29. grrggg - rocky rdm instrumental 
30. SNKLS - Problème avec personne (Brandy & Monica VIP)
31. J Sliwa - External Schism
32. Andres Komatsu - Tecmo
33. grrggg - CB2012
34. DJ Rotule - Departure (HxH NxC Edit)
35. crat - Asynchronous voice
36. Bademjan - Bleu Lunaire


++ CREDITS ++ 

Tracks produced by Ancestral Vision, Andres Komatsu, Antilita Octovyk, Bademjan, Basura, Bouzouk, Cralias, crat, DJ Criminal Edit, DJ Rotule, Fungal Mat, grrggg, Heart Shaped DJ, indigoblue, jjjacob, J Sliwa,  King Demitri, LMN3, Lukann, Medejin, Nagruv, Pénélope, RougeHotel, SNKLS, Sxmbra

https://soundcloud.com/ancestralvision
https://soundcloud.com/andreskomatsu
https://soundcloud.com/talitaotovic
https://soundcloud.com/bademjan
https://soundcloud.com/bazura
https://soundcloud.com/bouzouk
https://soundcloud.com/cralias
https://soundcloud.com/becrat
https://soundcloud.com/fungalmat
https://soundcloud.com/grrggg
https://soundcloud.com/indigoblue97
https://soundcloud.com/jjjacob
https://soundcloud.com/jsliwa
https://soundcloud.com/kingdemitri
https://soundcloud.com/lmn3muzik
https://soundcloud.com/lukann4
https://soundcloud.com/medejin
https://soundcloud.com/nagruv
https://soundcloud.com/poirot-penelope
https://soundcloud.com/rougeh0tel
https://soundcloud.com/snakeleserpent
https://soundcloud.com/sxmbra

Cover & visual works by Boris Van de Walle & Robin Lopvet
https://www.instagram.com/magicienboz/
https://www.instagram.com/robinlopvet/

Mastering by Bademjan

DOWNLOAD

SNKLS - Problème avec personne (Brandy & Monica VIP)

KAJJ means through a spear in wolof, those tracks focused on composition, where made after I feel the lack of electronic and club music coming from west Africa, and particularly from Senegal, where my roots are. I try to imagine and create some music that I love hear on the beach or inside a club in Dakar as you can hear a GQOM  or an amapiano tracks in South Africa. Taking percussions from the mbalax as the sabar, the tama, the drum talk and using the kalimba/matepe/mbira as a melody to harmonize all this riddim I’ll try to create and ambiance of a preparation to the war or a battle.

“GREEN” will be the preparation how they prepared weapons, I saw all the blacksmiths strike the iron and marabous making rituals and putting some gri-gri on the bodies, this track is the indomitable kalimba where one can feel the company of the traditional percussion used in the mbalax and an overdrived bassline, all sprinkled with a hypnotic and soft pad
"NEON" how warriors say goodbye to their family, their friends, their promises one, it is a mix of melancholia and hope, the drum talk tries to console the cries of the marimba through an escalating dialogue.
“ARROW RAIN” will be definitely the first act of declaration of war, it is an hybrid techno footwork chopped by sabar patterns, with a hint of spacial exploration ambient, and satured bassline

03 ARROW RAIN

Copies are available here: 
https://honestjons.com/shop/label/Berceuse_Heroique

Digital: https://berceuseheroique.bandcamp.com

Logos - Eska

We announce our first label signing; a shimmering 4-track EP from one of Brussel's most critical new producers, @hypna_52. The title track, 'Data Recovery' sets the tone for this atmospheric EP, fueled by bass weight & sheen & set to be released digitally alongside on a limited run of 50 12" vinyl.

Info & buy: ins-rt.net/label/hypna-data-recovery-insert/

Data Recovery

Synchronizing

Hypna - Synchronizing [Insert]

Diessa's self titled EP is an abundance of club bangers, jungle–footwork,
icy rollers and ambient.

Article: https://ins-rt.net/audio/diessa-loukanikos

Article

Premiere: Diessa - Loukanikos [Hi–NRG]

@jokkoocloud

https://nusmail.bandcamp.com/

03 ARROW RAIN

Nusmaïl

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